We are still reeling from the tragic news that Metal legend Sean Reinert has passed away suddenly at age 48. The world of metal, rock and prog musicians, peers, and friends whose lives were touched by Sean have taken to social media to share their grief, but also their fond remembrances.
UPDATED: 2020 continues to give us grief and loss of great drummers. News has broken that Sean Reinert, world-class Death Metal and Progressive Metal drumming legend, has died. Nd He was just 48 years old. Blabbermouth.net has reported that “he was apparently found unresponsive at his California home Friday night (January 24).” No cause of death has yet been revealed. He was only 48 years old.No further information has been given at this time. Sean’s lifelong friend Kelly Schaeffer of Athiest spread the news in a social media post. Reinert came to fame in bands such as Death and Cynic (a member until 2019), playing on genre classics such as Death’s Inhuman, and Cynic’s Focus, Traced In Air and more. He also featured in Gordian Knot, and Aeon Spoke. Sean also participated in the Death To All tribute band and tours, celebrate all the eras of the music of Death. Just a few months ago, Reinert’s drumming was the basis for a new series of drum samples from Toon Track, based on his work in Death. We send out condolences to Sean’s family, friends and fans at this time. Continue reading
Chalk it up to me partaking more in the reefer these days and revisiting professional wrestling as a hobby again, but I feel like I took a chair shot to the back of the skull. Why am I feeling discombobulated? Have you tried listening to Blood Incantation‘s Hidden History of the Human Race (Dark Descent)? No? Then why don’t you go to your nearest highway and attempt to run across during rush hour traffic? Best of luck. Continue reading
Brazilian avant-garde Black Metal act Lice probably thinks its name evokes horror, decay, and disease. For me, it mainly brings back memories of my childhood, as I had bottle after bottle of insecticide poured over my head because my leprous sibling had picked up yet another infestation from his dirtbag mates, and we all had to be deloused again. But I digress. Continue reading
If you don’t follow The Punk Rock MBA, the YouTube channel run by music and marketing expert Finn McKenty, you are missing out! We are huge fans of his! His videos explore all of your favorite genres of music, their rise and sometimes fall. He uses the “what killed____” tag to get people interested, but clearly, he means in a commercial cultural way, not the death or a genre, as in the case of death metal. He discusses the main bands like Cannibal Corpse, Death, Morbid Angel, Deicide, Bolt Thrower, Mortician, Incantation, and Suffocation, Cynic, Suffocation, Pyrexia, Internal Bleeding, Entombed, Dismember, the cultural forces that led to its popularity (Ace Venture Pet Detective and Beavis and Butthead) and more! Watch the clip below and like and subscribe to the channel. Continue reading
Cynic’s Paul Masvidal has long been at work on a new Cynic album as well as a new trilogy of just announced solo albums. Dubbed the Mythical Human Vessel trilogy of records, they are the first independent solo releases on his new label, Masvidalien Records, the first of the collection, Mythical, will release May 31st. Hear the first new single now, ‘The Spaces’. Continue reading
I’m beginning to notice a bit of a trend amongst modern Death Metal bands, and by beginning to notice I mean this has probably been happening for a while now. Loads of newer acts like Horrendous and Gruesome are quite eager to strap on the Nike high tops, leather jackets and reminisce about the good old days when guys like Chuck Schuldiner and his outfit Death were blowing the Thrash dudes out of the water with albums like Scream Bloody Gore or Spiritual Healing. Undead Prophecies’ Sempiternal Void (Listenable Records) sure as shit sounds like they’ve been inhaling the ash of whatever’s left of Morrisound Recordings. Continue reading
Progressive Death Metal is all the rage in Metal at the moment. It seems to have exploded in the past decade with bands like Opeth, Gojira and Between The Buried And Me being the crème de la crème. However, with today’s focus on spotless production and mechanical quantization, some of the primal energy from the genre’s roots in the nineties has been lost in the pursuit of sonic ear candy. Continue reading
It’s easy to love Sigh. It’s also easy to find them really annoying. Starting off as a Japanese branch of Black Metal’s second wave, Sigh has since mutated in all sorts of bizarre and interesting ways, integrating everything from classical influences to jazz breakdowns to having a nude, blood-smeared woman shrieking out vocals over Venom covers. As one does. At best, it made them a glorious thing to hear. At worst, it just sounded like a formless din. Continue reading
