Pentagram – Electric Citizen – Satan’s Satyrs: Live at The Met


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If you are into doom and 70s style stoner rock then The Met in Pawtucket Rhode Island was the place to be on Thursday, October 1st where the American masters of the sound, Pentagram, came through on their recent tour in support of their new album, Curious Volume (Peaceville).

Electric Citizen, photo by Hillarie Jason

Electric Citizen, photo by Hillarie Jason

Although Pentagram is the only band on the tour that was actually active in the heyday of doom, both bands on the tour package, Electric Citizen and Satan’s Satyrs, showed that they understood the aesthetic and vibe of the now classic sound. The only outlier was the local opener, Extinction Machine. Although their set started out slow, within minutes they got into a groove with their angry punk attitude and had me entirely captivated.

Satan's Satyrs

Satan’s Satyrs, photo by Hillarie Jason

Pentagram played a varied set consisting of six songs from the new album, some of which had never been played live before (not that you could tell), along with the classics that everyone wants to hear. Their set was exactly as you would expect. Hard hitting, mesmerizing, weirdly sexual and totally perfect. No matter where or how often I have seen them, they never seem to disappoint. Check out the tour dates and go to a show.

Pentagram

Pentagram, photo by Hillarie Jason

Pentagram, photo by Hillarie Jason

Pentagram, photo by Hillarie Jason

 

Pentagram, photo by Hillarie Jason

Pentagram, photo by Hillarie Jason

 

Pentagram, photo by Hillarie Jason

Pentagram, photo by Hillarie Jason

 

Pentagram, photo by Hillarie Jason

Pentagram, photo by Hillarie Jason

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WORDS AND PHOTOS BY HILLARIE JASON


Pentagram – Curious Volume


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Last time, nobody really thought there would be a next time. Some of us maybe hoped there wouldn’t be. Four years on from Last Rites (Metal Blade) however, Pentagram return with Curious Volume (Peaceville), and there’s still a level of energy despite the weight and omen of previous victories having lost its potency.

Opener ‘Lay Down and Die’ and ‘Earth Flight’ have more of the power and sleaze of early Kiss: Bobby Liebling’s gruff vocal Simmons-like; whilst Victor Griffin’s deep riffs dance around the rhythms, his solo work proving as stellar and timeless as ever. Nowadays, of course, we’d class much of this stuff as good-time Heavy Rock, adding fuel to the argument that some people should know when to quit. ‘Dead Bury Dead’ however, with its return to Iommi-style riffage, tortured solos and lascivious vocal, sounds like a fresh foray into Liebling’s song vaults: returning the band to its former glories whilst simultaneously displaying an existing relevance.

Conversely, the ensuing title track sounds like something that should have been recorded thirty years ago: the squalling strings and ominous nature not enough to hide the belief that a younger band could have prevented this from becoming a mere ‘filler’. Similarly the Punkish feel of ‘Misunderstood’ descends to a ‘pub Rock ‘n’ Roll’ that the band’s history ill deserves, despite the up-tempo rhythm recovering some of the early vim. A return to the signature Proto / Doom of ‘Close the Casket’ and ‘Devil’s Playground’ shows where the real power of Pentagram will always reside: the tolling riffs and Bobby’s ringing yet sinister vocal betraying both his years and his troubles, while the Country Rock twangs of the latter still show they can mix the sound up.

While it strums the heartstrings to see Vic and Bob back together, it’s plainly obvious that their outfit’s best days are behind them. Still capable of eliciting an involuntary twitch of the hips however, Curious Volume is unlikely to win new fans but raises a fond smile, and still shows the odd flash of why we should be thankful for their very existence.

 

6.0/10

PAUL QUINN