After returning from hiatus with the rather good comeback album Mourn The Southern Skies in 2019, New Orleans Thrash Metal legends Exhorder are at it again with new album Defectum Omnium (Nuclear Blast Records) – thankfully not making us wait another twenty-seven years. Continue reading
Tag Archives: crossover thrash
PODCAST: Glacially Musical 163: D.R.I. – “Thrash Zone” and Early Discography Tier List
In our 5th episode on Dirty Rotten Imbeciles a.k.a. – D.R.I., our journey comes to an end with “Thrash Zone!” Nik and his co-host Keefy of GhostCultMag reflect on the series, D.R.I.’s importance to Hardcore and Thrash Metal, and Keefy sings the “Give A Hoot – Don’t Pollute” commercial from the 1980s.”
Check out our last series on the early classics of GWAR:
https://www.youtube.com/playlist?list=PLpHaaolFKt7PVRnNLcttjrNYXiaiy9eTD
Listen to Nik and Keefy talk Kiss over at Ghost Cult :
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Timestamp:
0:00 Intro
1:00 Beer ✅ Nik – Voodoo Ranger IPA , Keefy – Oscar Blues Mamma’s Yella Pills
2:19 Vinyl ✅ Nik – Dolly Parton, Keefy – Opeth
7:23 News ✅ Nik – KISS – Bruce Kulick – Union with John Corabi, Vinnie Vincent – Ace Frehley news, Keith – @slipknot drama and lawsuit, @rageagainstthemachineofficial breaks up
20:39 Shirt ✅ Nik – Voltron, Keefy – God Forbid
21:25 Meat ✅ D.R.I. Thrash Zone discussion and track-by-track review. 1989 in Baseball, @1989 in thrash metal. Is this the best D.R.I. album? We rank all of the D.R.I. albums.
48:00 Please like and subscribe!
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PODCAST: Glacially Musical 162: D.R.I. – “4 of A Kind” Reviewed and We Love the Late 1980s
In our 4th episode on Dirty Rotten Imbeciles a.k.a. – D.R.I., Nik of Glacially Musical and Keefy of GhostCultMag discuss “4 of A Kind!” We talked about old Ronnie Reagan, the politics of wealth disparity, and recapped Nik’s birthday shenanigans in Las Vegas. Keefy sings Ozzy too!Continue reading
ALBUM REVIEW: Guilt Trip – Severance
There’s just something about the last handful of years and releases that are classified as either crossover Thrash or Metallic Hardcore that absolutely kills it. Moreso, when an album drops that has a mix of both of these subgenres, like the UK-based Guilt Trip, it’s just everything you want out of aggressive music on a bad day. With that, unleashed onto the world is Severance (via Malevolence’s label, MLVLTD), Guilt Trip’s sophomore full-length, an album that puts you through the grinder and spits you out for thirty-four minutes.
ALBUM REVIEW: Urne – A Feast On Sorrow
London-based three-piece Urne announced themselves with the stylish Serpent & Spirit, one of the standout Metal debuts of 2021, and a gloriously dismal collection of songs that unashamedly paid homage to an influence of classic eighties Thrash Metal, mixed with an intriguing blend of traditional rock and melodic death metal.
ALBUM REVIEW: Evile – The Unknown
Perhaps the noticeable increase in crossover thrash coming out this year is intended to fill the void left by bands like Power Trip and Slayer. Rather than jump on this bandwagon, British thrashers Evile are slowing things down on The Unknown (Napalm Records) to focus on songwriting.
ALBUM REVIEW: Demolizer – Post Necrotic Human
Demolizer comes is a thrash band that comes to us from Denmark. Formed in 2018, the band has been working at a breakneck speed that is as fast and intense as the music they play. After a successful debut album, Thrashmaggedon, and an EP, the band is back with their second full-length, Post Necrotic Human (Mighty Music).
ALBUM REVIEW: Creeping Death – Boundless Domain
For a band named after one of ‘tallica’s finest songs from their early vintage period, you might be forgiven for thinking that Boundless Domain (MNRK Heavy) is a record full of modern Thrash Metal bangers … but you’d be wrong. Creeping Death purvey pure and unadulterated Death Metal, taking in all forms of the gory art with splashes of old-school, blackened, and doom thrown in the mixer.
Tortured Demon – Rise of the Lifeless
Here’s what I know for sure. Given a couple more years and some seasoning, Tortured Demon is going to put out some brilliant Thrash Metal. And that’s not to dismiss what the British outfit have done on Rise of the Lifeless (Self-Released) as there are very interesting aspects to discuss, but this is still a band that’s figuring out what its sound is.
REVIEWS ROUND-UP: ft. Enforced – Chronicle – Vintersea – Ignea – Burning Witches
While paring Enforced’s third album, War Remains (Century Media) down to a violent interbreeding of Seasons In The Abyss and Nightmare Logic may seem a little unfair and reductive, nonetheless, it immediately focuses the mind on the sort of aggressive perfection you have in store on this utter treat of metallic pummelling. Continue reading