ALBUM REVIEW: Crippled Black Pheonix – Benefyre


 

Banefyre (Season of Mist) is the twelfth album from Crippled Black Phoenix, the category-defying collective centred around Justin Greaves, a former doom metal drummer (for bands such as Electric Wizard and Iron Monkey) turned multi-instrumentalist songwriter. The current studio lineup of the band has Greaves joined by longstanding vocalist Belinda Kordic, plus more recent recruits Helen Stanley (keys, synths, trumpet), Andy Taylor (guitars), and new second vocalist and third guitarist Joel Segerstedt.

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VLY – I / (TIME)


Vly-cover-hires

VLY is an international project brought to light by the opportunities afforded by the technology of today… a disparate and loosely connected group of musicians brought together by a series of thought processes and online links, covering the US, Britain, Italy and Sweden. The brainchild of Karl Demata (Crippled Black Pheonix), the digital airwaves brought his ideas to the ears, and subsequently voice, of Keith Gladysz and I / (TIME) (Lazers Edge) began to pull its threads together and weave the dreamcatcher of ideas that would form their debut.

With serene progressive rock as the spine, the ribs of the Frankenstein’s monster cover classic rock, lush textures, psychedelia, and singer-songwriter pop, as well as, on a track like ‘Hypnotic’, building swathes of vocal repetition to mirror the song title, while touches of Americana decorate ‘Dark Days’. The musicianship is exemplary as Italian keyswoman Elisa Montaldo steps from background adornments to the forefront and back again, with the delicate piano touches of ‘Time Remembered’ setting up the meandering ‘Silver Beeches’, or the wall of sound that accompanies the rockier and more substantial ‘Out Of The Maze’ filling and encompassing, her use of organ and synth sounds reminiscent of Richard Wright with some beautiful minor key selections and enhancements; indeed ‘Perfect Place’ is an eight minute tribute to Pink Floyd.

Playing in the same child’s playground of the heart as Tim Bowness, both lyrically and musically, VLY have found a way to marry progressive with emotive and to prove that collaboration can be successful and effective, even if carried out remotely, with individuals trusted to bring their own emotive footprint. While there are variants of style, in the main, clean guitars shimmer, Montaldo and Mattias Olsen create soundscapes to guide and Gladysz, vocally pitching somewhere between Geddy Lee and Papa Emeritus, is the hand to hold to walk us benignly through.

While several of the songs blur into one progressive post-rock psych-flecked confluence, at its best I / (TIME) is a varied and successful experiment. To truly capture the heart, perhaps emotions need to be played with more earnestly, but Demata and Gladysz should continue their experiment, for VLY should be viewed as nothing other than a success.

 

7.5/10

STEVE TOVEY