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Since his last album Proof of Life Scott Stapp has been through a lot of turmoil, battling addiction and depression. Six years down the line and new record The Space Between The Shadows (Napalm Records) charts his successful battle with his personal demons and the lessons he learned on the way.Continue reading
Scott Stapp, the lead vocalist of multi-platinum selling rock band Creed has signed to Napalm Records for his next solo album. The Space Between The Shadows is due in July and promises to be a return to prominence for Stapp and his unmistakable voice. He has a brand new single, ‘Purpose For Pain’ which you can check out below. Scott has also booked summertime tour dates, which go on sale this Monday, March 25th.Continue reading
One of the biggest problems Earache Records faced in the nineties was in identifying a second-wave to follow on from their ground-breaking Death Metal and Grindcore revolutionaries; they had set an unreachable bar with their pioneers that, particularly with a rapidly moving undercurrent of a scene, continuing such a rich vein of form was nigh on impossible. Following their twenty-first century reinvention as a home par-excellence for the very best in Rock (of the Classic-tinged variety), they face a similar quandary… how do you follow-up Rival Sons, Temperance Movement, and Blackberry Smoke?Continue reading
In the shadow of such arena stomping colossi as Creed and Alter Bridge, Mark Tremonti’s solo venture has, in your scribe’s opinion up until now, felt lacking. Never being outright bad and often capable of huge songs (as you can expect from the driving force behind the two former), the previous Tremonti albums have not hit levels of adventurous writing that Alter Bridge, in particular, have been capable of, and at worst have felt fairly plodding and generic. Proving that fans of any of his works should never write him off, however, I was pleasantly surprised to find that A Dying Machine (Napalm) is a step up for the Tremonti band in virtually every fashion.Continue reading
At The Paramount Theatre, New York, NY
All Photos By Julia Sariy PhotographyContinue reading
Cast your misconceptions aside; it’s fine, you don’t have to pretend you don’t have them, I know you do. Yes, it’s Scott Stapp (wasn’t he the guy from Creed who ended up out ‘there’, homeless and bankrupt and blah blah blah?) and, yes, it’s Bumblefoot (wasn’t he the guitarist in Guns n’ Roses when they were shit and blah blah blah?) and aren’t they uncool, and all that other bollocks that clouds the judgement and blah blah blah becomes far too important for far too many people…?
And, to quote the immortal… So fucking what?Continue reading
When Mark Tremonti released his eponymous solo album a couple of years back, the-really-quite-good-actually All I Was (FRET12), there was quite a lot of warmth for the Alter Bridge guitar maestro’s efforts. Several degrees heavier than his day job and eschewing the religiosity of his Creed hinterland, All I Was was a solid slab of heavy metal, occasionally inspired but never less than thoroughly modern, efficient and splendid evidence for the prosecution’s case that Tremonti was in the top rung of rock guitarists.
The arrival of this second record, the equally heavy, equally efficient and equally modern Cauterize (FRET12), suggests that Tremonti (as a band, rather than just an ego trip) might be a genuine going concern as Tremonti tries to keep up with band mate Myles Kennedy for the title of hardest working man in show business.
One’s reaction to Cauterize is going to be dictated by one’s reaction to All I Was. If you liked that record then you’re going to like this record. If you didn’t, well…you get the idea. Not that Cauterize is a pale imitation of its predecessor. In many ways, there has been a growth in confidence of the song-writing, song structures and the guitar playing is little short of sensational. However, it is the case that Tremonti’s work can be a bit of an acquired taste: it’s (you read it here first) clean metal. There is no back story about the band being some kind of vagabonds stumbling into artistic glory or troubled souls finding redemption through THE POWER OF ROCK. On the contrary, Tremonti and co seem like well adjusted, content and technically proficient musicians having something akin to a very good time indeed. For many, this simply won’t do; for me, I warm to the fact that they do exactly what it says on the (metal) tin.
Cauterize is a superbly produced record and has a sense of scale and power; it’s the sort of record that you find yourself singing along to and playing inadvertent air guitar and air drums on the train into work. This, of course, might just have been me. There’s a suitably stadium filling vibe to the anthemic ‘Fall Again’, a pummelling rock intensity to ‘Flying Monkeys’ and an instant ear worm from the album opener ‘Radical Change’. If there is criticism to be levelled at Tremonti it’s on two levels – firstly, it can be a bit samey and one trick pony-esque but, having said that, I also think it depends on whether you like the trick or not (and I do). Secondly, there is a bit too much of the double kick drum and predictable bridge to chorus levers. In other words, I would have liked a few more surprises.
Notwithstanding, I think Tremonti deserve our support. They don’t indulge in the caterwauling and howling at the moon injustice of having to tidy your bedroom beloved of so many supposedly hip bands: they are too old, too intelligent and too polite for that. Tremonti play modern heavy metal. Tremonti play modern heavy metal really well, actually. Cauterize might not set the world on fire but it might just singe it in places.
Michigan metallers Upon Wings are streaming their music video for “You Are My Weapon,” off of their recently released Afterlife EP. It features guest vocals and production by Brett Hestla (Dark New Day, former Creed), guitars and production by Kevin Jardine and drums by Peter Tzaferis. Kid Rock recording engineer and Grammy-nominated mixing engineer Glenn Brown mastered the EP, while Corey Lowery of Eye Empire mixed “You Are My Weapon.” Recording sessions for the EP took place at Johnny K‘s Groovemaster Studios in Chicago, Jardine’s Uplift Productions in Canada and beyond.
Mark Tremonti (Alter Bridge, Tremonti, Creed) is interviewed by Jamey Jasta (Hatebreed, Jasta) for the Jamey Jasta Podcast. Listen below.