As previously announced, Craft Recordings will release a new comprehensive reissue of George Thorogood and The Destroyers’ Live in Boston, 1982 will now be available worldwide on December 18th (as a four-LP set on 180-gram vinyl, a two-CD set, and across digital platforms). This release was delayed due to industry-wide issues following the global pandemic. In addition, the special deluxe edition (pressed on four red-marbled vinyl, including an eye-catching poster, and limited to 1,800 units) is still being released as a Record Store Day exclusive, but will now be available in record stores on Friday, December 11th. Click here to find the nearest participating RSD retailer. Watch the album trailer now!Continue reading
I assume it’s easy to look back at the aughts and be dismissive of the entire decade particularly from the perspective of metal or punk fan. Nu-Metal was slowly being phased out as any goodwill from the previous decade had eroded and acts like Simple Plan and Good Charlotte made everyone realize that maybe the idea of Pop-Punk was a mistake. But those who kept their ear close to the ground knew better than to become jaded. Hard rock was alive and well and young bands were doing very exciting things. Young bands like Between the Buried and Me with their seminal Alaska (Victory Records 2005/Craft Recordings 2020).
Ghost Cult’s chief editor Keefy caught up with Tommy Rogers of Between the Buried and Me recently to discuss their upcoming remastered and remixed version of their debut album, due out on May 15th via Craft Recordings. We chatted with Tommy about the formation of the band, the post-hardcore, metalcore, and Death Metal scene the band came from in Raleigh North Carolina in their previous band Prayer for Cleansing and peers such as Code 7, Undying, Day of Suffering, recording with Jamie King on his first significant release and Jamie’s impact on the band, how the debut telegraphs elements of music the band would incorporate later, the process of remixing and remastering, what shaped Tommy as a singer and lyricist on the first album, taking “creative risks” as an artist, how the lineup change for the Alaska release shaped the future, how the band looked like nerds in their first photos, being a “keyboard” act in heavy music, his favorite song now from back then, and much more. You can order the album in several different bundles here https://found.ee/btbam-st-r and listen to our chat now.
Multi-Platinum Rock band Filter is celebrating the 20th anniversary of their sophomore album Title of Record with a deluxe reissue, due out on August 9th via Craft Recordings. The album will be available in various formats including vinyl, CD and include many bonus track and exclusive liner notes. All formats are expanded featuring four bonus tracks: ‘(Can’t You) Trip Like I Do’ (originally recorded for the cult-classic soundtrack Spawn The Album), ‘Jurassitol’ (previously released on The Crow: Original Motion Picture Soundtrack), plus remixes of the singles ‘The Best Things (Humble Brothers Remix)’ and ‘Take a Picture (H&H Remix).’ Both the two-LP set, and CD will feature new liner notes by author, journalist, and Side Jams podcast host Bryan Reesman. The expanded digital album also offers five additional rarities, including a live version of ‘Take A Picture,’ ‘The Best Things (Dub Pistols Club Mix)’ and more. The band is streaming one of those tracks, a live version of their smash hit ‘Take a Picture’ live from Hammerstein Ballroom in 1999, which you can hear below. Continue reading
1968 was a big year for Rock, seeing the release of The Beatles’ White Album, The Jimi Hendrix Experience’s Electric Ladyland and The Rolling Stones’ Beggars Banquet. Not to mention the formation of bands such as Led Zeppelin, Black Sabbath, Deep Purple, Free and one of America’s premier Rock n’ Roll bands, Creedence Clearwater Revival. To celebrate their 50th anniversary Craft Recordings have compiled The Complete Studio Albums (Half-Speed Masters) 7 LP Deluxe Box Set, containing all seven albums remastered and restored onto 180g vinyl alongside an 80 page book containing archival photos and new liner notes by music journalist Roy Trakin. Continue reading