Germany’s two-piece blackened crust band Mantar has announced that they are releasing a mini-covers album focusing on the 1990s, Grungetown Hooligans II, June 26th on LP/Digital via Brutal Panda Records and can be pre-ordered at the link below. Also, to celebrate the 30th anniversary of Mazzy Star’s release of their seminal debut album, Mantar have shared a music video for their cover of ‘Ghost Highway’, which you can see below.
Outlaw Country star and producer extroidnere Shooter Jennings has shared with social media that Marilyn Manson has completed work on his highly anticipated new studio album. Jennings, who took to his Instagram to say that the follow-up to 2017’s “Heaven Upside Down” “finished,” also calling it a “masterpiece.” Manson replied to Shooter’s post, writing in the comments “Finished masterpiece album” and “Shit is gonna get real.” Manson and Jennings previously teamed up in 2016 to record a cover version of “Cat People (Putting Out Fire)” for Jennings’s “Countach (For Giorgio)” LP, a covers collection featuring songs by electronic-music pioneer Giorgio Moroder. Manson’s guitarist/bassist Paul Wiley (Deveraux/Razor Candy) and drummer, Brandon Pertzborn (Black Flag, Doyle, Ho99o9) round out the lineup on the album. Ghost Cult previously theorized that since Manson’s last two stand-alone singles are covers, the entire album will be made up of covers and reimagined classics, which would explain Manson’s prior quote about not being able to compare his new record to his past work. Continue reading
Returning from an extended self-imposed hiatus, My Ruin celebrated Valentine’s Day by releasing a new covers album Rock Love & Red Lipstick. Released as a free download on Bandcamp, the covers range from Black Flag, PJ Harvey, Eric B and Rakim, KISS, Plasmatics, Van Halen, AC/DC, Soft Cell, Frank Sinatra, and many more. My Ruin went on hiatus when it’s main conspirators Tairrie B (Manhole, Tura Satana), and Mick Murphy (Heavy Seventies, Chevy Metal, Teenage Timekillers) moved from Los Angeles to Nashville. My Ruin’s last release was 2012’s The Sacred Mood. Tairrie has been busy of late releasing her out of print albums with other bands to Bandcamp, writing her highly-anticipated memoirs, and pursuing future musical projects, photography and video directing. Watch the Tairrie directed video for their cover of ‘My Way’.
In a new social media post listing off 2019’s “little accomplishments” for 2019 in a year-end social media post, Robb Flynn revealed that he has seven new songs written for a future series of standalone singles by Machine Head. In addition in a recent episode of Flynn’s “No Fuckign Regrets Podcast with Robb Flynn,” he revealed one of the new songs was written with Logan Mader, the first by the two since the sessions for The More Things Change (Roadrunner) in 1996. Mader and Flynn have reunited with Chris Kontos for the Burn My Eyes 25 World Tour. Flynn has also recorded a solo album of covers that will release under the moniker of Robb Flynn & Friends. Machine Head’s recent single ‘Do Or Die’ was a controversial diss track that has been interpreted as a dig at detractors from the bands’ last album Catharsis (Nuclear Blast). Continue reading
Well, I can’t think of a better way to open a new year of music than with a review of German Metalcore band covering Rap songs. That band is Callejon and the album is called Hartgeld Im Club (Century Media) and this could easily go down as one of the most polarizing releases of the year. Continue reading
Lamb of God made the announcement they have been teasing all week in social media. They will release a covers album to celebrate 20 years as a band under their original moniker, Burn The Priest. Legion: XX is due for release on May 18th via Epic Records. The album will feature covers from favorites by the band including Stormtroopers Of Death, Bad Brains, Ministry, Agnostic Front, Quicksand and Cro-Mags. Check out the first single below, ‘Inherit The Earth’ by The Accused. Continue reading
International symphonic metal sensation Tarja is no stranger to cover songs and albums. She is not releasing a holiday album, Spirits and Ghosts (Score for a Dark Christmas), due out on November 17th from earMUSIC. Watch the video from her first single – ‘ O Come, O Come, Emmanuel’ below. Continue reading
Helmet will go down as one of the greatest and most influential bands ever. This fact is undisputed. Coming out of new York City at a time when a generation of bands bred on New York Hardcore values married to the talent of thrash bands (with some general avant-garde weirdness for good measure), Helmet stood out like a sore thumb of weirdness. Continue reading
I’ve never really taken to Prong, strange though it seems. Energetic and bruising, they nevertheless come across a tad light-heartedly for me, and that’s sometimes the case with latest album Songs from the Black Hole (SPV GmbH).
A set of lesser-known Punk covers, the opening draft of Discharge‘s ‘Doomsday’ rips up trees with its pace and ferocity; Tommy Victor‘s acidic growl and rapid bursts of leadplay enlivening a great start. It’s on the ensuing ‘Vision Thing’, however, a gothic classic given a Blink182-meets-Desert feel, that the irritation begins: the largely laconic vocal blunting a subtle yet driving riff, turning the track into that awful ‘Nu-Punk’ stuff that blighted metal in the 90s. No doubt the band are trying to retain the feel of the originals while slapping on their own slant, but that cheapens the sound in some areas; the chopping bullet riff of the Butthole Surfers‘ ‘Goofy’s Concern’ diluted by that throwaway, almost disinterested vocal. The Adolescents‘ ‘Kids of the Black Hole’, though, is given a crucial kick by a more urgent, sputtered delivery, some pinpoint pace changes and a real snarling attitude with riffs and lead pulsing viciously together culminating in a brooding atmosphere enhanced by a rumbling bass.
As well as questioning the need for a band of Prong’s stature to produce such an album, it’s the lack of substance, immediacy, a paucity of real feeling and belief which ultimately disappoints despite the occasionally feisty rampage such as the version of Black Flag‘s ‘Bars’. If only the emotive, baiting ‘Seeing Red’ with its staccato riff, pounding drums and true Killing Joke evocations was the norm rather than the exception, this would be a joyous reworking of understated favourites. Even the catchy, driving riff of Fugazi‘s ‘Give Me the Cure’ seems to miss an edge, a vitality that only appears in the angered chorus.
There’s no doubting the “fun” aspect, nor the quality of the musicianship, but overall this could be a really decent pub band working through a hard-edged set. If Prong want to prove their relevance, this isn’t the trick to do it. Go and stream the originals, kids.
I don’t think anyone is running around accusing Russell Allen of being lazy but, true to his contrarian nature, his current work output is something approaching Stakhanovite in nature. This digital only release of covers and acoustic versions of songs from Adrenaline Mob is, presumably, some kind of a stop gap until the band get around to recording the follow up to Men of Honor. With Allen spending much of 2015 working on the new Symphony X album, Dearly Departed (Century Media) is going to act as a reminder that, despite all the comings and goings in personnel (the departure of Mike Portnoy being the most notable in recent times), Adrenaline Mob remain a going and thriving concern.
Your view of Dearly Departed is going to depend on your view of Adrenaline Mob and your view of the role of the cover version as part of an artist’s canon. This might be a self-evident truth but one does detect a bit of a sneer around this kind of endeavour, however well intentioned. In the case of Dearly Departed, the second covers album from the band, it’s fun. It’s lightweight fun, most assuredly, but fun nonetheless.
As with other Adrenaline Mob releases, the production on this record is big, modern and polished. The vocals are high in the mix, showcasing Allen’s voice which works well for the acoustic versions on show here: ‘Angel Sky’ and ‘All On The Line’ from Omerta and Men of Honor (both Century Media)’s ‘Dearly Departed’ all get thorough run outs. I’m not entirely convinced that the world actually needs an acoustic version of ‘Angel Sky’ but these things are pleasant enough and Adrenaline Mob junkies will lap it up.
The covers include the very-hard-to-bugger-up ‘The Devil Went Down to Georgia’ from the Charlie Daniels Band, a warm and faithful Black Sabbath medley and a sprightly and convincing rendition of Queen’s ‘Tie Your Mother Down’. For this listener though, it’s the Pat Travers band cover of ‘Snortin’ Whiskey’ which is the most inspired choice, suggesting the band have a deeper musical hinterland and a better sense of humour than I had previously given them credit for: it’s punchy, gnarly and a very welcome appearance.
Dearly Departed is no world changer but, a bit like finding some cash down the back of your sofa, it will bring a smile to your face. Don’t expect too much and leave your prejudices at the door and you might find yourself enjoying this.