Hailing from Athens, Blame Kandinsky style themselves as the Greek lovechild of Botch and The Dillinger Escape Plan, and dropped their debut album Spotting Elegance back in 2017, before hitting some high-profile tours around Europe including a support slot with Cavalera Conspiracy.
We chatted with Damnation Festival Director, co-founder, and booking agent Gavin McInally to preview this weekend’s 2022 festival in Manchester, UK. Gav discussed this year’s festivals, what goes into planning a festival, booking artists to perform exclusive sets (Converge, Godflesh, Pig Destroyer, At The Gates), how the fest pivoted to new headliners when they lost one (Ministry), booking the “Night of Salvation” event, the move from Leeds to Manchester, the current state of the UK heavy music scene, and more!
How to best describe what Armed for Apocalypse’s Ritual Violence (Candlelight Records) sounds like? While I’ve never had the pleasure, I imagine it’s much like jamming a knife into an electrical outlet. Not sure if that analogy will work for everyone. Well, it’s like witnessing the centerpiece car wreck from Quentin Tarantino’s Death Proof. Shit, barely anyone saw that movie. Just know that it’s abrasive and the average listener should approach with upmost caution.
Petbrick are the brain-melting collaboration between metal legend Iggor Cavalera (Absent In Body / Cavalera Conspiracy / ex-Sepultura) and electronic noise maker Wayne Adams (Big Lad / Wasted Death). The unique collaboration has been perfected over the last few years in Adam’s London-based Bearbiteshorse Studio, so far yielding their debut album I in 2019, and a handful of EPs and split releases.
I like to listen to music while in the car and it so just happens that one of my side hustles involves me spending a lot of time in my Volvo driving about. What, did you think that writing alone pays the bills? In this economy? Today I found myself listening to Conjurer’s latest LP, Páthos (Nuclear Blast), while doing the usual of routine of picking up packages and dropping them off elsewhere. Conjurer was working nicely for me, but I recall the confused look etched on the young woman’s face who gave me my coffee at the Dunkin’ drive-through.
While Georgian five-piece Vatican may name-check Meshuggah and Dillinger Escape Plan, their roots are firmly planted in (the original type of) metalcore, owing as much to Earth Crisis and Vision of Disorder (et al) as the latter-day spearheads of discordant “popular” heavy music. Ultra (UNFD) may be the band’s second full-length overall, however with a focus on the sound and style, and with the smooth integration of new vocalist Mike Sugars, it feels like a milestone moment in the definition of what Vatican is as a band, and who they are as an artist.
After a two year postponement, Oblivion Access Festival finally happened! Although I couldn’t attend all four days of festivities, I drove up to Austin, TX on Saturday to catch the legendary hardcore Youth of Today! It only took over three decades to finally see them lol. The festival was quite an undertaking, involving a lot of local Austin venues on 5th, 6th, and 7th Street. After 3 /12 hours of driving I was ready to stretch my legs, get some blood moving and stay cool in the humid Texas heat. Picking up my passes was a breeze as there were signs posted at Native Hostel directing you to the kind staff who greeted people with friendly smiles and words of encouragement to enjoy themselves.
Released some twenty-five years into a career that saw them burst out of the east-coast hardcore scene in the mid nineties, Heavy Pendulum (Relapse Records) is Cave In’s seventh album, and is a landmark release for the band who sadly lost their bass player Caleb Schofield to a car accident in 2018. Schofield also provided many of Cave In’s heavier vocals, and his role in the band is assumed by close friend Nate Newton (Converge, Deathriders), and who also has a mean voice himself.
Oblivion Access, the eclectic music festival metal, hardcore, hip-hop, electronic, avant-garde, and punk music takes palce this weekend around Austin, Texas. The multi-venue music festival returns to downtown Austin on May 12-15. Tickets are on sale now! Over 100+ artists are now set to perform including Blonde Redhead, Carcass, The Body, Windhand, Deaf Club, Xiu Xiu, Autopsy, Converge, Full of Hell, Zola Jesus, Youth of Today, Danny, Coven, Grouper, Andy Morin (of Death Grips), The Microphones, HO99O9, Massacre, Cities Aviv, King Woman, Billy Woods, and KTRK, and many others. There is also a plethora of other experiences, vendors villages, merch, food, and other experiences on tap. Check out our day by day guide of the can’t miss artists, set times, and other happenings at Oblivion Access.
The last two years have been a hell of a ride for Heriot, the English Post Hardcore/Extreme Metal band who have experienced a rebirth of sorts and are firmly riding the crest of a wave on a distinct upward trajectory. They started life in 2016 as a three-piece, consisting of Jake Packer (vocals/bass), Erhan Alman (guitar), and Julian Gage (drums), but in 2020 drafted in former Dead Handsguitarist Deb Gough, applying depth to their musicianship, while also adding a new voice for the band to share vocal duties with Jake, enabling an intriguing expansion of their sound.