Right off the bat, let’s be honest with each other. Everyone likes honesty right? This is a complete re-write of the review. Whilst that isn’t completely unusual, this is a complete re-write in the fact that the sway from negative perception towards positive has been massive. This is because Alright The Captain with Contact Fix (Independent/self-released) have created an album so bonkers and eclectic at points the only way to give it any real justice is to ensure you give it proper time.
The album is wholly instrumental, and like with so many other bands that have chosen to go down this unconventional route, the music simply HAS to be good. There’s no hiding behind the growls and screams of a big personality front man, instead there needs to be enough to grab your attention and maintain it – and one thing is for sure they’ve done this very well. The album is seven tracks long, and runs for just under 30 minutes. This compact running length encourages numerous playbacks, as you begin to listen intently for some of the smaller intricacies contained within each track. If you buy into the ‘Math-Rock’ subgenre title, then this is Math-Rock at its best. We’ve got synths galore amongst a combination between punk fuelled riffs and heavier moments.
At the absolute core of this music though is an unbelievable jazz influence. The drums in particular are testament to this, with both the opening track ‘Toaster Mouse’ and ‘French For Gnome’ the best examples. But this jazz influence isn’t solely contained within the music itself, but more the whole idea behind the album. You never really know which direction it is going to go, it sounds like an impromptu jam but it is actually a very well calculated beast. To be able to create this kind of impression is a skill in itself.