New Orleans metal masters Goatwhore begin their final tour of 2015 this weekend on the Indie Merch 10 Year Anniversary Tour. The tour also features headliners The Black Dahlia Murder, Iron Reagan, Entheos, and Artificial Brain for one of the most brutal, technical, and uncompromising tours of all of 2015. Goatwhore has also announced their first big show of 2016, Inertia Entertainment 20th Anniversary Show at The Opera House in Toronto, ON with Sacrifice, Macabre, and Panzerfaust.
Goatwhore remaining tour dates for 2015 with The Black Dahlia Murder, Iron Reagan, Entheos, Artificial Brain:
Nov 27: The Tree – Joliet, IL
Nov 28: Mill City Nights – Minneapolis, MN
Nov 29: Granada Theater- Lawrence, KS
Nov 30: Marquis Theater – Denver, CO
Dec 02: Jub Jub’s thirst Parlor – Reno, NV
Dec 3: DNA Lounge – San Francisco, CA
Dec 4: Regent Theater – Los Angeles, CA
Dec 5: The Pressroom – Phoenix, AZ
Dec 7: Alamo City Music Hall- San Antonio, TX
Dec 8: Trees – Dallas, TX
Dec 9: Warehouse Live – Houston, TX
Dec 10: One Eye’d Jacks – New Orleans, LA
Dec 11: Masquerade – Atlanta, GA
Dec 12: The Orpheum – Tampa, FL
Dec 13: Green Street Club – Greensboro, NC * Goatwhore only
Dec 14: Baltimore Soundstage – Baltimore, MD
Dec 15: Union Transfer – Philadelphia, PA
Dec 16: Gramercy Theatre – New York, NY
Dec 17: The Sinclair – Boston, MA
Dec 18: Waiting Room – Buffalo, NY
Dec 19: Mr. Smalls – Pittsburgh, PA
Dec 20: Agora Theatre – Cleveland, OH
Feb 27: The Opera House – Toronto, ON Inertia Entertainment 20th Anniversary Show w/ Sacrifice, Macabre, Panzerfaust
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Goatwhore conjures a musical sound to mind the minute read their name or say it aloud. You know what it stands for, before the words roll off of your tongue. Few modern bands have the grit and the greatness to remain consistently heavy in the face of rising popularity. They are in many ways the Motörhead of their musical generation: without compromise and weakness…. a band that can do no wrong for fans across all of metals fiefdoms and cliques. Certainly there are no Goatwhore haters, only people unaware of them, yet. Maintaining the balance of their message and the quality of their songcraft is the likely secret to their success, beyond some sacred pact with dark forces. Every album is different from the last, yet they never went soft or sold out like some others have. On Constricting Rage of the Merciless (Metal Blade), their sixth album in their 16-year career, Goatwhore rolls up their spiked-sleeves and smashes you in the mouth once again. And you will love it!
Where 2012’s Blood for the Master was a little more nuanced and throwback focused, Constricting Rage of the Merciless kicks you with jackbooted foot and maintains the savagery all the way through. The new album has more than a pointed step towards their blackened death metal history, but also carries with it the continued evolution of the sound of recent releases. Opening track ‘Poisonous Existence in Reawakening’ will crush your ear holes with extreme prejudice. Unrelenting blastbeats, deathly sick riffs and the masterful vocals of Rev. L. Ben Falgoust III will make you smile, unless you are dead. In typical fashion for this act, most of the tracks are tight, average under four-minutes each, and have zero B.S. about them. The majestically brutal ‘Unraveling Paradise’ has no less than four different riffs in the song, all of them amazing. Sammy Duet doesn’t rely as much on thrashy pedaling this time around, coming up with some inventive licks and whirling motifs, all that would shame some of the best tech death bands by the way.
As was the case on the last album, drummer Zack Simmons demolishes expectations and his kit on every song, inspiring much headbanging and fist-banging. If you have seen the band live, you know Zack is a machine who plays equally well on wax. Tracks such as ‘Baring Teeth for Revolt’ and ‘Reanimated Sacrifice’ are a drum fanatics wet dream. ‘Reanimated…’ as on several tracks herein, sees Rev. Ben switch up his style and make use of different parts of his register vocally. Impressive stuff. Also chipping in with a great chopping riff and a slick, short solo is Duet once again, who continues to enthrall listeners year after year.
The bleak and harsh ‘Heaven’s Crumbling Walls of Pity’ flexes the bands black metal muscles again, with a little extra something grim on top. It’s almost like a proggy black metal song you might expect from Ihsahn’s solo work. The ending stanzas are full of cool chords and grooving beats. ‘Cold Earth In Dying Flesh’ is another in a litany of standout, mid-album cuts. It has an eerie intro to set the mood. Not unlike a horror movie soundtrack theme, this slow to simmer beast machine of a song is a great change of pace. Falgoust again just bellows with some of the best vocals he’s ever done. It’s also the longest track on the album; not an epic in length, but with high quality grooves more associated with their other swampy NOLA brethren. When it finally launches into breakneck death thrash territory mid-song, it takes the track to another level without losing the story.
‘FBS’ was first played live on the Behemoth tour this spring and is a typical, circle-pit inducing song if there is one on this album. Full of rawness, with two more sweet solos from Sammy. It’s almost punk without being punk, or punk without too much crust. ‘Nocturnal Conjuration of the Accursed’ continues the trend of heady lyrics, and heavy on the evil sounds that is the bands trademark. There is even a little classic metal fun of galloping riffs and thematic soloing. ‘Schadenfreude’ is another gruesome masterpiece. Black metal, death metal and thrash all come together, but in a sensible way you could almost call it American Blackened Thrash. As a style, this would be a worthy counterpart to the Death `n Roll of Scandinavian bands, but much, much more brutal. ‘Schadenfreude’ is also a lyrical masterpiece, with the title defined as enjoying the suffering of others, in this case those whom most deserve it. The album closes with the fitting ‘Externalize this Hidden Savagery’ and sums up the entire album’s intent quite well before its final notes ring out.
Goatwhore has made an album nearly worthy of the best work of their career, even though it’s on the short side at under 40 minutes. I doubt you will find a more righteously hostile, fun, and well made album from another heavy band in 2014.
KEITH (KEEFY) CHACHKES