Québécois Black Metallers Délétère have often had an air of mystique and the outrageous in their cannon, and the overriding narrative of latest album De Horae Leprae (Sepulchral Productions) is arguably more conceptual, with it being devoted to “Teredinis, a simple leper whose calling it is to become a prophet of Centipedes, as well as an incarnation of the Plague.” With such a vivid and eccentric conceptual idea behind it, its surprising to note that De Horae Leprae is a comparatively simplistic listen, albeit one with plenty of wealth. Continue reading
In the shadow of such arena stomping colossi as Creed and Alter Bridge, Mark Tremonti’s solo venture has, in your scribe’s opinion up until now, felt lacking. Never being outright bad and often capable of huge songs (as you can expect from the driving force behind the two former), the previous Tremonti albums have not hit levels of adventurous writing that Alter Bridge, in particular, have been capable of, and at worst have felt fairly plodding and generic. Proving that fans of any of his works should never write him off, however, I was pleasantly surprised to find that A Dying Machine (Napalm) is a step up for the Tremonti band in virtually every fashion. Continue reading
In the last few years, amongst a Death Metal scene that is rich and thriving under the surface of wider attention, no band has made a wider impact and begun to hit greater heights than London’s own Abhorrent Decimation; especially in such a short lifespan thus far. Continue reading
To be fair, I love Copenhagen and everything about it. When I grow up, I want to retire there. It’s that boss level. So I’m well chuffed to present The Interbeing and their second album Among the Amorphous (Longbranch) It’s bitchin’ on a whole ‘nother level! No lie. Among the Amorphous is industrial metal. It’s brutal and loud and oh so deliciously heavy. You can’t help but headband while you listen to it. Continue reading
Industrial music has recently had quite resurgence when it comes to popularity and creative output. The likes of Rammstein and Nine Inch Nails have maintained huge, euphoric fan support throughout their careers (with the latter of course reforming in recent years), whilst the likes of Combichrist have continued to show just how diverse and immediate a style it can be. Whilst not the household name of some of their aforementioned peers, 3Teeth certainly warrant as much praise for flying the Industrial flag into a new generation; having been handpicked to support Tool on the back of their début self-titled album (Artoffact Records); a tour that delayed the workings of a follow-up which only now finally sees the light of day. Continue reading
2017 will be seen as a monumental year for both Arjen Anthony Lucassen and for Ayreon; the band and its fanatical fan base. Significantly it will mark the first live performances by Ayreon (and a very rare live appearance by the infamously shy and reclusive Lucassen), but also sees a brand new album that revisits the conceptual narrative of one of the band’s most beloved albums, 01011001 (InsideOut). Showing a return to the sci-fi storyline of said album, The Source (Mascot) in fact acts as a prequel piece, and is the most refined and strongest album they have released for some time. Continue reading
It’s hard to believe there was a time when Voivod took top billing above the likes of Soundgarden and Faith No More, but in 1990 that’s exactly what happened. The Canadian Thrash Metal pioneers were at the top of their game and seemed almost unstoppable, their lofty position due in no small part to the trifecta of albums which had preceded the release they were touring at the time – 1989’s Nothingface (MCA); an unholy trio of seminal albums that have been lovingly re-mastered and re-released by BMG. Continue reading
Regardless of the quality of the output, it is a feat of creativity and ambition to cultivate a fully realized Black Metal theatrical production; a concept story spread over five “scenes” and amassing nearly 100 minutes of occult, evil music to unveil the full “play” that is Coven, or Evil Ways Instead of Love (Hells Headbangers). Continue reading
This isn’t my first go around with Scorpion Child, and, honestly, they’ve just never really been able to catch or keep my attention for very long. That trend continues here with their second album Acid Roulette (Nuclear Blast Entertainment) with the exception of a few songs.
‘Moon Tension’ was the first track to grab my attention. It’s more dynamic than the songs that come before it rather than just sounding the same for three and a half minutes. I could find myself singing along to this. ‘Tower Grove’ follows immediately afterwards, keeps the energy going, and I actually did find myself singing along to the chorus. Both of these tracks continue to stand out to me through repeated listens. If the rest of the record could keep up with these two songs, then we’d really be talking.
While the concept of an album based upon the life and adventures of a man wrongly imprisoned for a murder sounds interesting, it just doesn’t do enough to bring this record to life. This album fits in well as background music but nothing really jumps out and above the rest of the general sound. It’s just there.
Scorpion Child may not be my thing personally, but the potential for greatness there and, at the very least, they are worth keeping an eye on for future endeavors. For right now, I’ll keep my hopes high.
ALEIDA LA LLAVE
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Part four of the Ghost Cult Album of the Year countdown for 2015.
One staff team. Over 550 albums covered by Ghost Cult over the last twelve months. One epic race to be crowned Album of the Year.
Read on to dive into the Ghost Cult Top 20…
20. Soilwork – ‘The Ride Majestic’ (Nuclear Blast)
“The Ride Majestic continues the slow and subtle evolution of the Soilwork sound; sounding fuller, richer and shinier than all that have gone before. In a career of great albums, the aptly named The Ride Majestic is truly outstanding.”
19. Parkway Drive – ‘Ire’ (Resist/Epitaph)
“While the main focus is still here in the now frontier, by opening the floodgates, Parkway have allowed themselves to write a batch of great metal songs that reference classic rock, traditional metal, 90’s groove metal and metalcore while still sounding resolutely and proudly Parkway.”
18. Dragged Into Sunlight / Gnaw Their Tongues – ‘N.V.’ (Prosthetic)
“A genuinely effective whole, the Noise elements are relatively subtly played, often used to accentuate and highlight the Metal rather than entomb them. Whether judged as a collaboration between two artists with similar aesthetic goals or as an album in its own right, N.V. is an unrestrained success”
17. Bring Me The Horizon – ‘That’s The Spirit’ (RCA/Columbia)
“That’s The Spirit is Horizon maturing into a fine young adult, confident, strong and secure in themselves and the knowledge that they are now master craftsmen. Successfully combining every good aspect of alternative rock and metal of the last fifteen years, That’s The Spirit is Bring Me The Horizon’s ‘Black Album’ moment.”
16. Elder – ‘Lore’ (Armageddon Shop / Stickman)
Exemplary progressive stoner metal, with meticulous dynamics and depth, breadth, power, restraint, and mountainous music that builds to an almighty epic of a crescendo
15. Between The Buried And Me – ‘Coma Ecliptic’ (Metal Blade)
Ghost Cult Album of the Month – October “The record that they were always promising to make but you weren’t sure was possible, on Coma Ecliptic, Between the Buried and Me have exceeded all expectations and delivered not only the album of their careers but one of the most monumental ambitious rock concept pieces this side of Operation Mindcrime.”
14. Gloryhammer – ‘Space 1992: Rise Of The Chaos Wizards’ (Napalm)
“Gloryhammer are ridiculously entertaining. If you somehow manage to listen to new album Space 1992: Rise of the Chaos Wizards without grinning like an idiot all the way through it, then quite simply, you’re getting Metal wrong.”
13. A Forest Of Stars – ‘Beware The Sword You Cannot See’ (Lupus Lounge/Prophecy)
“Enthralling storytelling and atmosphere, as well as explorations into psychedelic territory and pastoral folk amid the crushing black metal dynamics; fourth effort Beware the Sword You Cannot See is an unabashed masterpiece.”
12. Goatsnake – ‘Black Age Blues’ (Southern Lord)
“Clear, soulful tones elevate the songs above the rest of their stoner/doom brethren and vocal lines will lodge in your head for days after. An excellent comeback album from a band that has been away for far too long. Let’s hope they decide to keep this motor running for a little longer this time around.”
11. Royal Thunder – ‘Crooked Doors’ (Relapse)
“There are no throw away songs on this album, and every track rewards repeated listens. Crooked Doors is the sound of pressure cooking sand into glass and then into diamonds, all with an alchemy fuelled by magic and loss.”