Former Judas Priest drummer Dave Holland, who played on all of their crucial 1980s albums has passed away at age 69. No cause of death has been revealed. Dave was the drummer in Priest from 1979 until 1989 when he exited the band and was replaced by current drummer Scott Travis. Holland is the second longest standing drummer of the band, besides Travis. Holland had a storied career in rock and heavy metal until a conviction in 2006 for attempted rape, indecent assault, and child endangerment led to his imprisonment until 2012. Holland maintained his innocence in the matter until his death. Continue reading
With the exception of Metallica, Pearl Jam, and Nirvana, no other band helped shape the tenor of mainstream 1990s rock and metal in terms of influence than Alice In Chains. Twenty-five years ago today the landmark album, Dirt was born via Columbia Records. Not only was it the bands commercial breakthrough, but it was their creative zenith in many ways, establishing them as a leader in the genre. Ghost Cult Magazine takes a look back at the album on the anniversary of its release.Continue reading
Sadness and shock passed throughout the music world again last night as the year of the reaper has claimed another talented soul in 2016. Songwriter, Author, Poet and unequivocal genius Leonard Cohen has passed away at age 82. A future public memorial is being planned for a future date. Continue reading
I wasn’t ready for this. I wasn’t ready to hear this record right now or to write this review. I was not ready to learn David Bowie had died of cancer, and that this already rough start 2016 had already dealt my mental musical Parthenon another harsh blow. Before I was laid low by these events, I was intrigued by the ‘Lazarus’ music video and pre-ordered Blackstar (Columbia/ RCA) on Amazon. But I hadn’t played the album one time in a busy weekend. And then once the news came down, I retreated to what most do in these cases, share my sorrow publicly and played my favorites on a loop for a few days. Mainly relegated to what is on my old iPod Classic 160 GB, my portable Bowie collection is mainly the 70s albums I grew up on (Diamond Dogs, Station To Station, Low, Heroes, Lodger, my 1990s favorite Outside, and some obligatory hits here and there I’m sure everyone else knows well. I wasn’t sure how to approach this final album review from an artist I admired all my life, knowing this was the last new thing I would ever hear from him. I laid down in bed for the first few listens. Just in bed in the dark with my headphones on.
As much an album rooted in Bowie’s entire oeuvre, ‘Blackstar’ is equally an album that would have come from a future timeline or reality. The epic title track opens things up and is almost like a little elctronica-based rock operetta. It chirps to life at once, but soon morphs into a gorgeous, almost Gospel rock-inflected anthem. The third motif in the middle section has the grit and grace of any great rock song the man ever put down on wax. Vocally and lyrically alone, the performance moved me to tears right away. Of course these ominous whooshing churchly vocals, swelling and brooding horns and reeds, right along side with lyrics about life, death, fame and rebirth heard in the context of knowing he had died surely hit me harder than it would have otherwise. That doesn’t make this track any less amazing.
The rest of the album flirts with an array of stylistic choices. The powerful uptempo beat of ‘Tis A Pity She Was A Whore’ comes with a subtle Sun-Ra style discordant beauty to it. A chaos that flirts with ruin, but holding together by a thread of greatness. David’s voice is just magical, and harkening back to his earliest work in a lot of ways. Donny McCaslin’s brass work just crushes on this track.
‘Lazarus’ is a song that along with its companion video will be analyzed, deconstructed and perhaps books will be written about for the next few decades I would imagine. The somber balladry of the tune can barely stand up to the titanic lyrics. It was hearing the collected writing of Elizabeth Kubler-Ross set to song. No doubt anyone who heard the track when it came out, saw it in a different light after David’s death. The eerie lyrics are not just prophecy, they are spooky real. Like a manifest from the before the grave. Many artists wrote with their own death as a specter in their life that was all too real to them. Hank Williams Sr., Warren Zevon, Frank Zappa, and hell, evenin the tragic case of Jeff Buckley; he must have “felt like he was dying since the day he was born” in the purest sense. Bowie was clearly leaving no illusions to chance with this track, so present and bare and raw about the sum of his life coming to a bittersweet end. And you never want the track to end, but it does as well.
At this point, after a track like ‘Lazurus’, it starts to be hard to even track quality on a real scale that has meaning, but I will press on. In a change of pace and tone ‘Sue (Or In A Season of Crime)’ is a slick blend of those killer collaborations with Brian Eno, but via the centrifuge of the many who followed in those massive footsteps too like Nine Inch Nails or more recently, Puscifer. ‘Girl Loves Me’ has a creeping rhythm and a call and response refrain. The full expanse of his singing range, including a not often enough heard vamp in his bass register is a thrill and treat. This song will find its fans, but really it’s just slightly above filler.
‘Dollar Days’ again finds us in familiar ground. Almost a call back to his earlier work: a deceptive, emotional, subversive, brilliant pop song. And lyrically again, so final and so very sad, it will break your heart to hear it. Special note goes to the piano work of Jason Lindner.
As the penultimate track evolves via a danceable beat into the beautiful final cut, ‘I Can’t Give Everything Away’. It is the sound of an acceptance an artist saying goodbye forever. It would seem that the sentiment of the title is quite the opposite in reality. On Blackstar, Bowie left nothing behind or unsaid; if anything it’s a bit esoteric. Not just in a sense of this album, but his career and his life. And I am still not ready for this. And neither are you.
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In a post on Twitter today, Trent Reznor promised a newNine Inch Nails album release in 2016. Trent has been working on other projects under his own name, such as movie soundtracks with his frequent collaborator Atticus Ross like the acclaimed soundtrack to David Fincher’sGone Girl. He has also released music with his wife Mariqueen Maandig under the moniker How To Destroy Angels. The last official Nine Inch Nails release was Hesitation Marks (Columbia Records) in 2013. A limited-edition artwork book titled Cargo In the Blood for that album, is out now.
New NIN coming in 2016. Other stuff, too.
— Trent Reznor (@trent_reznor) December 18, 2015
Founding AC/DC drummer Phil Rudd was sentenced today (Thursday June 9th) by the Tauranga District Court in New Zealand to 8 months of home detention for his charges of drug possession and threatening to kill.
Rudd was present in court for his sentencing, having already pled guilty to possession of cannabis and methamphetamine and one charge for making a threat to kill someone. He had hoped to have the charges dismissed.
Judge Thomas Ingram presided over the case, and gave Rudd a stern warning to not break his sentencing:
“I stone cold guarantee that’s (jail) where you’ll end up”. “I’m not your headmaster, I’m not your father. I’m a judge.”
Rudd will serve out his sentence in is mansion for the duration the the 8 months. Arrested and charged with the drug offenses and attempting to “procure a murder” of his former personal assistant last November, Rudd has been embroiled in drama ever since. He was not officially terminated from AC/DC and has said repeatedly in the press that expects to play with them again someday, although his band mates are apparently “not talking to him”.
Chris Slade was invited back into AC/DC earlier this year and at least for the time being, is expected to remain behind the drum throne for the legendary band. AC/DC continues to tour behind 2014’s Rock Or Bust (Columbia) album and is celebrating 40+ years as a touring band in 2015.
Twenty five years into their career Trent Reznor’s Nine Inch Nails have railed against the system with furious anger smashing sonic boundaries while delivering iconic dancefloor hits adored by Goths, Punks and Metalheads alike. Continue reading