Sevendust is teasing an announcement for this Friday, June 26th, 2020. The band shared a new image to their social media channels and had it shared by its members. The band is expected to release a new album this year, produced by their frequent collaborate Elvis Baskette. Continue reading
Purchase And Stream All The New Music Released Today!
Clint Lowery, known best for his work in Sevendust, is releasing his debut full-length solo album God Bless The Renegades on January 31st, 2020 via Rise Records. Ghost Cult chief Keefy caught up with Clint on the phone to discuss the genesis of the album, his mindset for creating solo material and becoming a frontman, working with producer Elvis Baskette, the personal nature of his lyrics, balancing his solo endeavors and new music from Sevendust, and his hopes and goals for the album. You can purchase the album here! Catch Clint on tour with his solo band opening for Alter Bridge on the next leg of their “Walk The Sky Tour, and at Epicenter Festival this spring.
Sevendust co-founder/guitarist and vocalist Clint Lowery will release his debut full-length solo album, God Bless The Renegades, out January 31, 2020, via Rise Records, Sevendust’s label. Listen to a new song ‘Kings’ now. Lowery recorded the album with producer and co-writer Michael “Elvis” Baskette [Slash, Alter Bridge] at Studio Barbarosa in Florida. Lowery has been with Sevendust almost 25 years, as well as Dark New Day, Call Me No One, and Hello Demons Meet Skeletons. Not to mention, everyone from Korn to Seether has sought him out on tour as a guitarist. Watch the Clip now!Continue reading
On the heels of announcing their new album, Seether has announced a massive tour of Europe. Poison The Parish will release on May 12th from Spinefarm Records/Canine Riot Records, the band is hitting the road to support it. Continue reading
At one point in time Sevendust seemed poised for superstardom. Well, the point in time was the early 2000s as they were riding high on a string of Gold certified albums and solid tour packages.
Then as we were approaching the mid-aughts the floor collapsed. Suddenly bands who were regularly playing small arenas and collecting major label royalty checks were out of favor. Sevendust and countless others were lost in the Nu-metal shuffle. Which is a damn shame as this Georgia collective was never really a Nu-metal band and had better songwriting chops than many of their contemporaries.
And the years went by and the various popular hard rock styles (garage rock, emo, metalcore, etc…) came and went with their respective enduring acts and others left on the decline. But as the musical landscape changed Sevendust remained musically consistent as their tenth and latest studio offering Kill the Flaw (7Bros, Asylum) can attest to. The sales haven’t remained as good, but the music has.
The main reason for this musical stability is that much like Deftones, Sevendust rose to prominence during the Nu-metal gravy days, but never really fit that mold. Sevendust was always about working behind Lajon Witherspoon’s strong singing (one of the more underrated vocalists working in rock today), Morgan Rose’s busy drums and John Connolly and Clint Lowery’s crunching guitars.
Look no further than the sweeping choruses of ‘Thank You’ and title track ‘Kill the Flaw.’ It’s still the Sevendust we loved in the 90s, yet we refuse to give them another Active Rock hit while Avenged Sevenfold makes a killing by aping Metallica’s self-titled. But it’s not all nostalgia since they’re adding new facets to their sound as Lowery and Connolly tap into that palm-muting style the kids love so much on ‘Death Dance’ and ‘Chop without sounding like their pandering to what younger generations like (i.e. Korn’s The Path of Totality).
Those who have stuck with Sevendust will have much to enjoy on Kill the Flaw. And even those who have hitched their wagons to other passing genres are always welcome back home.
In a series of posts to his fan page on Facebook, guitarist Clint Lowery of Sevendust announced the band has hit the studio to begin recording the bands 10th full-length original album. Due for a late-spring/early summer 2015 release, the album is expected to be a return to heavier sounds following last years’ unplugged Time Travelers and Bonfires (7 Bros/Asylum) album. The band just completed another Shiprocked Cruise which saw them perform with Limp Bizkit, Black Label Society, heavy metal all-star band Metal Allegiance, Buckcherry, P.O.D., Sevendust, Tremonti, Andrew W.K.,Living Colour, Crobot and many more.
Lowery’s musical journey is one of the most unbelievable stories you’ve never heard. As one of modern music’s finest songwriters and guitarists, his name has become synonymous with memorable songwriting melody paired with heavy rhythm and groove. It is a sound unlike any other. It is a sound that is quintessentially Clint Lowery. Get ready to experience Clint Lowery like never before…
Hear the story behind one of modern heavy music’s most-talked-about guitarists. With a signature sound and songwriting style that is instantly identifiable, Clint Lowery has helped define the sound of every musical project he has been a part of. Fret12 gets you one on one with Clint — to hear his musical story, plus learn his most memorable songs and guitar techniques. This guitar instructional feature covers material from SEVENDUST, DARK NEW DAY, HELLO DEMONS MEET SKELETONS, CALL ME NO ONE, and much more!
What you’re getting:
* “The Sound” – Learn some of Clint’s most popular songs, solos, and riffs — from all of his bands!
* “The Story” – For the first time ever Clint tells his complete story
* 2+ hours of song tutorials, teaching solos, riffs and more
* 2+ hours of guitar instruction covering guitar technique
* Live concert footage plus a full rig tour of Clint’s gear
* Never-before-seen interviews with bandmates, family, and more
* Outtakes and blooper reel
* Downloadable tablature PDF included
At this point in the career, Sevendust knows they have achieved a certain status as the elder statesman of modern heavy rock or active rock, whatever industry buzzword is trending this week. They are still hungry like a new band, putting out quality releases and always putting on a fine show. At the same time, they don’t play it safe artistically. This is why in spite of my love of music that is progressive, extreme, harsh, and thrashy; I still come back to this band that I have always respected. They have been a part of my many musical journeys for a long time. Whether seeing their first tour in New York at a long gone tiny club, to watching 300,000+ people jump up and down to a song they never heard before (‘Rumblefish’) at Woodstock `99, to their recent record-breaking Kickstarter campaign, I am proud to say I was there.
We were in for a treat tonight, with no opening act and just “An Evening With” format. I didn’t even realize the show was long sold out and there were a ton of people waiting to get inside, when I arrived at The Paradise. As evidenced by my earlier show this year with Carcass, this venue should not host really extreme bands or their fans. However for some lighter, more relaxed concerts such as Crosses or the unplugged show tonight; it’s a solid choice. The first really hot day of summer in Boston meant the AC was on full blast so we were feeling chilly in the dark rectangular room. Meanwhile the stage sat ready for a while with some LED candles adding to the mood of the stage filled with guitars, bar stools, and music stands.
Sevendust finally came on stage to their intro music, and the packed crowd approved. As the band took their seated spots for the night and checked their gear, Lajon Witherspoon welcomed the crowd and promised a good time. Drawing on their new album Time Travelers & Bonfires (7Bros.) The immediately launched into ‘Trust’ and the band sound great. Playing acoustically, and only augmented by their touring piano player Kurt Wubbenhorst, they played a flawless evening of music. Even if they were just doing straight up acoustic versions of their heavier songs note for note (which they are not) it is a challenge to play electric acoustic live in a large venue. The rub is even the best acoustic guitars sound too thin at times. It’s also unforgiving for mistakes, but then again, I heard none tonight. The second song of the night was my personal favorite since their first album, ‘Prayer’. I think this song works even better given this treatment than the original. ‘Crucified’ is one of their older songs they have given a slightly new arrangement to on the new album. Known to be a hard hitter behind the kit, Morgan Rose thrashed around and smashed his drums like any other time I have seen the band. Maybe just a touch softer. The entire band also sounded great singing together, not just Lajon and Clint Lowery either. ‘Under It All’ was the first of the new songs played and it fit right in with the oldies and deep cuts too. The gems they pulled out tonight were especially sweet if you were a long-time fan.
Ever the performer, Lajon got out of his seat, prowled the stage, and connected with the crowd as much as possible. It was cool to hear the entire room sing hits like ‘Denial’ just as loudly as a new cut like ‘Gone’. Lajon told stories about the songs, and the making of the new album, thanking the fans for the support. The band left the stage briefly only to return a little later to play some more. The second set had another new song ‘Come Down’, their well known cover of ‘Hurt’ by Nine Inch Nails. ‘Karma’ is a song the band has never played live and it still sounded fiery in this format too. Before closing out the night with a fitting 1-2 punch of ‘Angel’s Son’ and closer ‘Black’, Witherspoon talked about the late Lynn Strait of Snot for whom ‘Angel’s Son’ was written for as well as Dimebag Darrell. It’s nice how the band have kept their perspective all these years. Whether or not you are a fan, if you have a chance to see this tour, do yourself a favor and go get a ticket.
Sevendust Set List:
Under It All
Hurt (Nine Inch Nails cover, Johnny Cash version)
Got a Feeling
WORDS: KEITH (KEEFY) CHACHKES
PHOTOS: ECHOES IN THE WELL
Sevendust are currently on a sweeping tour of the USA, but unlike their usually high-energy, heavy rock affairs, this tour is a rare stripped-down affair. For the second time in their career, they are again doing an acoustic tour, supporting their recent release Time Travelers and Bonfires (7Bros. Records). The new record actually charted on Billboard, which is a rare feat in this day and age and shows the bands staying power. They are in a good place with each other and with their lives. After some turmoil earlier in their career they seemed to have really fallen into a good groove, and it shows.
We started out our chat with Lajon Witherspoon talking about the current tour. A seasoned live act, Sevendust never skimps on the experience they give to their fans, no matter what kind of gig they put on. We asked about the state of the band during this run of “A” and “B” markets on the tour:
“Everything is fantastic! We are in Joliet, Illinois, this morning. We’re at a pretty cool little bar/restaurant. An Italian place. Things could not be better. It feels good to be alive! (laughs) We have been on the road already for three weeks. The tour is going in extraordinarily, crazy, weird, with incredible energy every night. I can’t believe how big it is. Last night we played my hometown of Kansas City. Last night the Midland Theater was sold out, and it’s an acoustic show! It’s been like that everywhere. It’s been a great energy man, and I can’t believe what is going on. That being said, thanks to all those beautiful people out there who put us on. I just heard that we just made Billboard this week, and I’m so amazed. I gotta thank the Lord for that! It’s a beautiful thing.”
Notorious road warriors playing over 250 shows per year, Sevendust live concerts are usually exciting and loud with the band jumping all over the stage. We asked if this type of tour was easier on the veteran band, contrasted to a normal gig:
“It’s not a regular acoustic show. It’s an energetic show, and we take people on an emotional roller-coaster. It feels incredible. We brought a piano player on the road with us, it’s just great. It’s really interesting. He helps perform the new material, and we are having a blast!. The piano player is Kurt (Wubbenhorst), we brought him from the studio. He is one of the owners of Architect Studios, that we recorded at in New Jersey. We brought him out on the road because he played it on the record, and so we asked if he would like to come out on the road with Sevendust and be part of the show, and he said yes! And there you have it. We are actually doing all the songs from the (new) record. Then we bring back in the older songs. We do an hour-long first set, then we take a 15 minute break, and then we come back out and do like another 45 more minutes. It’s pretty cool.”
Although some might argue the point, Lajon feels that it is tougher to play “unplugged” than a typical rock show: “I think we are more under the microscope when it comes to this kind of show. You don’t have the loud guitars to drown out everything. You have to be really precise. It’s very simple and straight to the point. I like it better that way actually. It really shows our talent, more so than anything.”
The band took a novel approach to making the new album. In addition to the new originals they wrote, the band let their fans vote online to choose which older songs they should choose from. We next discussed the process of arranging the older material:
“We kind of sat down the same way we are set up acoustically on the tour. We sat around and blocked out all the songs and worked on arrangements and we just slayed it. We would vibe back and forth like “that song is really slow” or “we need to change that arrangement, it’s too weird”. If you think about it like this: think of how long how long we have been playing some of these songs. I have probably sung some of the older songs differently over the last 8 years, and even more differently the decade before that. So if anyone can break these songs down and change them around, and do it differently, it would be us. It really did come easy. Now some songs we tried, didn’t sound good acoustically at all. Those songs we skipped. But for the most part we were able to nail it all. We are really happy with the way everything turned out.”
Some years ago, amid rumors of the band perhaps going their separate ways, there was talk in the music press about Lajon exploring an R&B album. With the band on better ground than ever, we asked him if that project is still alive:
“That is definitely still in the works. I just feel like I am taking my time on that. Sevendust still has so much stuff to do. I’m really busy as heck right now, we are all so busy. I always say it’s like playing chess, you have to pick the right time. But there is definitely music written for that, and I am always writing songs for it, so all in due time.”
With all of these bands from a certain era (the 1990s) reaching mature, veteran status; our talk turns to growing up, spending time with families, and time spent off the minutiae of the killing road:
“I’m originally from Nashville, Tennessee, but I moved to Kansas about a year ago. I have lived in Kansas City for about a year, me and my wife just built a house here near Overland Park, and I love it a lot. My daughter is in school here, and it’s great. It’s really very cool. The community and the town has really welcomed me, and done a lot for me, and I love being a part of it. I really love it. It’s great. I like to ride my motorcycle a lot when I’m not on tour, and I have a five year-old daughter and a 14 year-old, so I’m a busy, busy dude. There’s nothing wrong with growing up.”