ALBUM REVIEW: Blue Oyster Cult – The Symbol Remains

After nearly two decades spent exclusively on the live circuit, Blue Oyster Cult returns with their fifteenth full-length album, The Symbol Remains (Frontiers Records Srl). In a way similar to the recent releases by fellow Seventies Rock legend Alice Cooper, the band opts for a kitchen sink songwriting method. The fourteen tracks play out like a career retrospective of sorts, exploring a variety of moods between classic-minded rockers, synth-heavy AOR numbers, and atmospheric occult excursions.

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EP REVIEW: South of Eden – The Talk

South of Eden, a classic rock-esq band from Ohio, release an EP, The Talk (LAVA Music), to eager supporters, new admirers, and all-around music connoisseurs. The Talk presents listeners with a wonderful classic rock era sound. Think the mid to late seventies through the early nineties; when rock was fun, light, airy, and full of awesome guitar riffs and harmonies that sweep you off your feet and float you away to rock and roll heaven.  It may sound like an over-exaggeration, but pick up The Talk and you will smile in understanding. 

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ALBUM REVIEW: Brimstone Coven – The Woes Of A Mortal Earth

Having successfully reinvented themselves as a power trio on 2018’s What Was And What Shall Be, Brimstone Coven, doubles down on the template with The Woes Of A Mortal Earth (Ripple Music). The style remains rooted in Seventies-flavored Occult Rock with the songs largely being driven by simple guitar/bass grooves and wafting vocal harmonies. The atmosphere and drawn-out pacing further reinforce a trancelike mood that is relaxing, yet esoteric.   Continue reading

ALBUM REVIEW: High Spirits – Hard To Stop 

 

High Spirits’ endearing sincerity has always been a shining contrast to the often-sour realms of Hard Rock and Heavy Metal, and that feelgood brightness is needed now more than ever. While it’s been four years since the release of their last album, 2016’s Motivator, the Chicago project’s fourth full-length doesn’t skip a beat and their established blend of AOR and Classic Metal is well intact. You always know what you’re getting but it’s presented with far too much enthusiasm to ever feel stale.

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ALBUM REVIEW: Butterfly – Doorways Of Time

Butterfly’s full-length debut isn’t the least bit shy about its Seventies Rock inspirations. That is made immediately apparent with the cover art contrasting Vikings and a mystical title with an innocuous band name, but the music plays out like a grab-bag of Montrose, Uriah Heep, and Budgie among others. Its free-spirited attitude is comparable to their contemporaries in Freeways and one can occasionally detect hints of otherworldly haziness in line with Tanith and Brimstone Coven. Continue reading

PODCAST: Episode 93 – Floor Jansen of Nightwish Talks New Album, Life After Coronavirus

Ghost Cult was honored to chat recently with Nightwish singer Floor Jansen, all about their new album Human :II: Nature (read our review here) out now via Nuclear Blast Records. Floor spoke about releasing a new album during the pandemic, shared her thoughts on what life will be like and when we might get back to shows and tours, the new album, rising to meet the challenge of the new material, the sprawling and unique style of Human :II: Nature, how she stays humble, thoughts on the legacy of Nightwish, other projects she is working on, and much more. Order  Human :II: Nature here, and check out our chat. Continue reading

ALBUM REVIEW: Savage Hands – The Truth In Your Eyes

Following 2018’s seven-track mini-album Barely Alive (SharpTone Records), Maryland post-hardcore mob Savage Hands are set to release their full-length debut The Truth in Your Eyes (SharpTone Records).

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CONCERT REVIEW: Crobot, ÆGES, and Like Machines at the Viper Room

On a relatively chilly Friday night at the Viper Room, one of the most iconic hole-in-the-wall night clubs on the Sunset strip, Los Angeles hosted a stop on Crobot’s US tour, featuring ÆGES and Like Machines, along with local openers The Jab and Tijuana Bullfight. Continue reading

CLASSIC ALBUMS REVISITED: Pink Floyd’s “The Wall” Turns 40

40 Years, Still Breaking The Wall

Ever wondered what makes a “classic band” classic? Have you ever sat down and play records of bands like The Beatles, Led Zeppelin, AC/DC, etc. just to analyze the components of what makes them be as magnificent as they are? Even more, how is it that forty, fifty years later their music still as intact and as relevant as ever before? This is the case with Pink Floyd, especially when we think about that four classic albums run that they had in the mid-seventies. Albums like The Dark Side Of The Moon, Wish You Were Here, and Animals, brought us records that still are in the charts and are, basically, soundtracks of our current lifestyle. Continue reading

CLASSIC ALBUMS REVISITED: The Beatles “Final” Album “Abbey Road” Turns 50

Fifty years ago, The Beatles released what was their final recording together, Abbey Road (Apple Records). Even though the ‘Get Back’ single sessions and the massive Let it Be (also Apple). Let it Be is always remembered as the swansong and has the epic title track ear-wormed into our souls, but Abbey Road was the last time the band would work together collectively on music. Although they were the biggest band on the planet at the time, and their relationships were disintegrating, the group made some of its best music ever on this album. Continue reading