CLASSIC ALBUMS REVISITED: Pink Floyd’s “The Wall” Turns 40

40 Years, Still Breaking The Wall

Ever wondered what makes a “classic band” classic? Have you ever sat down and play records of bands like The Beatles, Led Zeppelin, AC/DC, etc. just to analyze the components of what makes them be as magnificent as they are? Even more, how is it that forty, fifty years later their music still as intact and as relevant as ever before? This is the case with Pink Floyd, especially when we think about that four classic albums run that they had in the mid-seventies. Albums like The Dark Side Of The Moon, Wish You Were Here, and Animals, brought us records that still are in the charts and are, basically, soundtracks of our current lifestyle. Continue reading

CLASSIC ALBUMS REVISITED: The Beatles “Final” Album “Abbey Road” Turns 50

Fifty years ago, The Beatles released what was their final recording together, Abbey Road (Apple Records). Even though the ‘Get Back’ single sessions and the massive Let it Be (also Apple). Let it Be is always remembered as the swansong and has the epic title track ear-wormed into our souls, but Abbey Road was the last time the band would work together collectively on music. Although they were the biggest band on the planet at the time, and their relationships were disintegrating, the group made some of its best music ever on this album. Continue reading

INTERVIEW: From This World – Unearthing the Past to Build the Future

Following the premiere stream of their new single ‘Let It Go’, Ghost Cult caught up over email with the artist known as From This World over email for a Q & A interview to learn more about this project and the motivation behind the music. Armed with an inventive, excellent new album Variations on a Dream our dialogue covers the artist’s self-described “New Classic Rock”, influences, the personal nature of the music and much more! Continue reading

Duff McKagan – Tenderness

Duff McKagan has refined himself into a subtle punk rocker. Tenderness (Universal Music Enterprises) is the third full-length album from the Guns N’ Roses bassist—an optimistic and subtle release that showcases his most sincere state that we have seen in his long career. Produced by Shooter Jennings, this Country/Americana driven collection will have you with your horns and lighters up high. Continue reading

Glitter Wizard – Opera Villains

In an age where the line between dewy-eyed nostalgia and unashamed imitation is becoming blurred – we’re looking at you Greta Van Fleet – bands who dare to cherry pick the sum parts of their heroes and plot an original course should be praised. Glitter Wizard, whose latest full-length outing – Opera Villains (Heavy Psych Sounds) – aims to hit the high notes from its wide range of influences, are a spandex-clad bunch of psychedelia-indebted miscreants who have set out to do just that. Continue reading

Kings Destroy – Fantasma Nera

Pure, bluesy Rock music has undergone somewhat of a revival of fortune in recent years. Not only have the old guard of legends remained strong and as popular as ever, but a slew of younger talent has held the flag of that sound flying high through an earnest passion and solid songwriting. In amongst this ever-widening crowd, Boston act Kings Destroy can easily find themselves a part of that bracket on latest effort Fantasma Nera (Svart Records) and yet simultaneously offer something vastly different. Continue reading

The Room – Caught By The Machine

Sometimes modern bands can forget the lineage of Progressive Rock – if we go back in time to the seventies and early eighties, it was an experimental style of music that often incorporated twinges of Psychedelia, Pop and Rock whilst still allowing for extensive sonic exploration with elements of Blues, Folk, and Jazz along with constructs such as longer song formats. Continue reading