South African Trad heavy metallers Deadline are back with a brand new album! The band has released High Tops and Bullet Belts, the follow-up to their debut, Black Wolf City. With their triple-guitar assault, they bring the old school heavy metal vibes and the swagger done right, with a few twists and turns for good measure. Ghost Cult brings you the full album stream today! Continue reading
It came as quite a shock when legendary Danish frontman King Diamond had to step away from music in 2010 to undergo triple heart-bypass surgery. Thankfully, just a couple of short years later, the rejuvenated frontman returned to the stage in all his corpse-painted, theatrical grandeur, choosing to keep his focus on touring rather than making an immediate return to the studio. Continue reading
Minimal waffle, maximum music – I’m very aware that there is too much music and not enough time! I’ve had close to 1,000 albums pass through my inbox this year alone (I’ve probably only been able to listen to about a third of them), and what I’m presenting are my favourite albums of 2018, the albums that I’ve connected most with, that matter most to me, one way or another.
Hope you find something new to get into… Continue reading
Playing to a packed out Wacken Festival, German Metal legends Accept pulled out all the stops last year by performing a two-hour long set of purest classic teutonic Metal. Split into three separate acts, the band tore through a collection of greatest hits and instrumental surprises for the gathered long-haired faithful Continue reading
As summer swings round towards autumn, there are no shortage of odes and tributes to the Gods of power and glory that brought us traditional and classic Heavy Metal. Ghost Cult dives in amongst the raised fists and studded wristbands to round-up the latest album releases.
The back-story of Megadeth’s debut album, released in 1985, is possibly even greater than the impact that the album itself would go on to have. Possibly. For this is a damn fine and damn influential album. Fired and wired, Dave Mustaine set out to make a faster, more technically proficient, and a better album than anything his former employers Metallica had done. He was also hell-bent on proving them wrong in their assertions that he was too hampered by his vices to perform his six-string duties. And perform his six-string duties he did, indeed. However, his and band’s mass consumption of alcohol and other less-than-legal substances put such a dent in the budget of the recording of the album that the producer was fired, and the band produced the record themselves. The results were, aurally, insufficient – even with added funds to try and save the recordings. Continue reading
The case of Chrome Molly is a bit of a curious one. Perennial never-weres in the mid-to-late 1980’s, a few profile support slots aside, they never muscled their way into the conscious of the masses. Shuffling quietly into the ether with four albums under their belt in 1991, Hoodoo Voodoo is their second album (both earMUSIC) since returning in 2009 and theirs remains a style untouched by any musical development that has occurred post-1986. Continue reading