Saint Andrew’s Hall is one of Detroit’s hot spots for catching a good show. The Live Nation owned venue hosts all genres and caters particularly well to the heavier ones. Last week, Deathcore sweethearts, Lorna Shore brought their The Pain Remains Tour to town to support their new album. This month-long, stateside run is every ear gauged kid’s dream. With an impressive span of openers to add incentive, there is a reason why this show sold out.
Patience is a virtue. And, no, this isn’t some flippant or patronising reference to Oceans of Slumber “finally fulfilling the potential shown on their first album”, because they fulfilled that already from the off and especially on their third / self-titled release a couple of years ago. I mention it because the benefits and, yes, virtues of Starlight and Ash (Century Media) may not be immediately apparent. Continue reading →
Witchery is back with more furious blackened thrash full of tales of demonic nightmares, unexplainable pregnancy, and witchcraft. It’s fun for the whole family. The band’s eighth studio album is their first attempt at creating a concept album. Nightside (Century Media) is another solid release from one of the best in Swedish blackened extreme metal. Continue reading →
Queensrÿche will release their 16th studio album, Digital Noise Alliance, will release on October 7th, 2022 via Century Media Records. The band has released their new song and music video for “In Extremis” now! Stream the track on all digital platforms and watch the video now!
Detroit’s Midtown is buzzing with culture and is home to some of the best music venues in the city. At the heart of this exciting district rests the prestigious Majestic Theatre. The building is over one hundred years old and carries a lot of music history in its walls. Last Thursday the venue’s marquee lit up with the name Apocalyptica. The Finnish act brought their Cell-0 Tour to Motor City, and they picked the perfect place to promote their latest record. Along with Italy’s Lacuna Coil, the night was set up for an enchanting experience filled with glamor, energy, and theatrics. The brisk April night started off with a queue of symphonic metal enthusiasts lining up around the building. Soon the large and ornate theatre room was filled with eager devotees ready for the music to begin.
Self-titled albums can be something of a double-edged sword (just ask Suicide Silence…) particularly when you’re jumping in twenty-five years into a career and following a significant line-up change, Zoltán Téglás having departed in 2020 after over a quarter of a century behind the mic stand. Understandably, there is always caution and concern about such an integral part of a band’s sound changing, let alone that happening this deep into their innings. Here, though, Californian punks Ignite benefit from never having been the most prolific of outfits – Ignite (Century Media) being only their sixth album overall despite the band debuting in 1994 – and the fact that their last outing, A War Against You, was not their strongest. More melodic than his predecessor, though not to the detriment of any gusto, Eli Santana (actor, guitarist for Holy Grail, Incite, ex-Huntress) is the voice of their return to competitive action some six years on, and fits in seamlessly.
Night Demon did us a solid by putting together a compilation of all the out-of-print 2020 singles into one scorching album, Year of the Demon (Century Media Records). A huge, “Thank You!” to Jarvis Leatherby, Dusty Squires, and Armand John Anthony; “Y’all got our backs and we grateful!” If you were one of the legions of Night Demon fans that missed out on one or more of the 7” singles in coloured vinyl format, then go forth and buy this compilation album. If you’ve no bloody idea who Night Demon are and why this is awesome sauce, go forth and buy this compilation album. If you just like wicked heavy metal, go forth and buy this compilation album. Should you buy this compilation album? Yes, yes you bloody well should go forth and buy this compilation album.
The temperature was almost in the single digits last Saturday evening when Dark Tranquility brought their Moment tour to Detroit’s northern suburbs. The poorly plowed roads and the negative degree wind chill did not deter Michigan metalheads from witnessing the trailblazers of Gothenburg’s Melodic Death Metal Scene. Everyone briskly trotted into Pontiac’s acclaimed music hall to catch the two opening acts of the evening. Nailed to Obscurity and Kataklysm were invited along on this tour which made for a deliciously stacked bill. Built in 1830, the Crofoot building is a historic phenomenon and local treasure. The large building contains three venues in one and is known for catering to heavier bands. This prized entertainment complex was a fair choice for a night of big, blistering, music.
Thrash. Post-Thrash. Punk. Speed. Sci-Fi. Industrial. Proto-Industrial. Avant Garde. Space. Alternative. Progressive. Nuclear. Some quite frankly preposterously named musical genres and subgenres, but into all of which Canadian act Voivod has been unwillingly pigeon-holed over the years. Having firmly refused to be anchored to any one particular style, the band has actually become a little more settled of late, their current approach now reined all the way back to just including all of the above and a small handful of others.
Suicide Silence has come full circle and returned to their original label home, Century Media Records. With nearly two decades of non-stop touring around the globe, hundreds of thousands of records sold and cementing themselves as a lynchpin band in modern extreme metal, the Riverside, California quintet has rejoined the label that released the highly acclaimed albums: The Cleansing (2007), No Time To Bleed (2009) and The Black Crown (2011).