Intrepid artist and writer Duncan Evans interviewed the incomparable cellist/avant-garde composer and metaller Jo Quail at the recent ArcTanGent Festival. Jo discussed her recent collaboration with Emma Ruth Rundle and tour, how her solo efforts and shows differ, the new projects she is currently composing and their possible future releases (including one with MariaFranz of Heilung), how she was commissioned by Walter of Roadburn Festival to create the acclaimed work “The Cartographer” and how she still utilizes music theory.
There’s a slow, mournful funeral march coming through the mists, on a still silent plain, on The Buried Storm (Prophecy Productions), the latest release by Darkher. Led by multi-instrumentalist Jayn Maiven, the album at times bears a resemblance to Neurosis or Triptykon at their most quiet and reflective. With each song centred around the vocal layering of Maiven, the instrumentation often stripped to cello and violin backing, it’s an evocative and understated musical landscape. Often bringing to mind Bat For Lashes, one that sings her siren song with a doom folk backing, this is soothing music for people who like it dark.
It’s a sight to behold the lengthy queue of hairy Viking looking metalheads snaking around Manchester Albert Hall, assuming of course the snake in question was quite hairy and dressed like a Viking, which I feel is probably stretching the metaphor a bit too far. You’d assume that said hairy, mead quaffing snake (alright, I’ll stop now) was going to be finding its way inside to some sort of very loud and very metal sort of gig. You’d be wrong, as indeed despite the roots of the headliners in Black Metal group Gorgoroth the queue is in fact for the mesmerizing solo cellist Jo Quail, and Nordic Folk legends Wardruna.
Ghost Cult recently chatted with long-time Apocalyptica drummer Mikko Sirén. The band is in the midst of a multi-year world tour that has seen the band celebrate the anniversary of their 1996 debut albumPlays Metallica by Four Cellos (Universal). We chatted about the longevity of the band, performing Metallica covers and other well-known songs live, their song-writing process for originals, his personal pre-stage warm-up rituals, collaborating on the new Sabaton song ‘Fields of Verdun’ and the progress of the brand new Apocalyptica album. Check it out! Continue reading →
The Tennessee Performing Arts Center rests directly in the heart of downtown Nashville, Tennessee. Known for hosting all the Broadway shows that come through Music City, this cultural center is a venue that caters to a variety of performances. Including an occasional Heavy Metal show. The Finnish act, Apocalyptica came to town last Tuesday to celebrate the anniversary of their debut album, Plays Metallica by Four Cellos(Mercury/Universal). This acclaimed group of guys, known for their unique use of the Cello, came out with their first record just over twenty years ago and have been on the road all around the world honoring its notable significance.Continue reading →
If you stick close to Ghost Cult and follow our reviews, we have been extolling the virtues of indie artist and cellist extraordinaire Jo Quail and her new album Exsolve. With a tour booked opening for Myrkur and two exclusive appearances set for the acclaimed Roadburn Festival, her star is surely rising. Today we’re proud to share the premiere of her new music video, a live performance video shot in London earlier this month. Continue reading →
One of the strange facts about Metal is how limited the formula can be, at times. The guitar, drums, bass and warbler model stands firm for a surprising range of genres, from Black Metal to Death, to Thrash, to the NWOBHM… So, give cellist Jo Quail a round of applause for trying something new with her new album, Exsolve (self-released).Continue reading →
Slipknot is currently on a break, working on a new album for 2018, and allowing their various members time to work on other projects. In the meantime check out this amazing cover of their classic track ‘Wait And Bleed’ played on a cello by the mysterious Celloshredder. We don’t know anything else about him, but he clearly rules. Watch it below:Continue reading →
So, you tell a band that the only thing you haven’t heard of theirs is their debut EP… and they tell you that they’re about to re-release it. “A Sea of Dead Snakes (Blindsight) was very Grunge influenced” states Tom McKibbin, drummer with Oxfordshire Drone quartet Undersmile, “and we’ve gone down a much more dirge-infested road since then! We’ve just had another re-pressing done, and given it a purple tint. It’s our ‘Ribena’ edition! It’ll be going out in November, as that’ll be five years since it first came out.”
The band, comprising two couples, has had a number of experiences in their relatively short existence: “We were so disliked in the beginning; we’ve cleared many gigs before now, particularly playing in Oxford!” Tom muses. “Initially you tend to get thrown onto weird, eclectic bills where you don’t belong. One was a Gay Pride gig where they cut the electricity!”
“They came to us and said ‘Stop! You’re making everyone leave!” continues rhythm guitarist / vocalist and Tom’s partner, Hel Sterne, “We couldn’t believe it. Then on came Sassy Ribbons, a drag act…”
The band’s second album, Anhedonia (Black Bow Records), has been out some months and has met with serious acclaim. Tom is enthusiastic about the reaction: “It’s been really great. The weirdest thing is that it was album of the month in Terrorizer, which you normally feel is reserved for Metallica or Slayer!”
The inclusion of cello on certain tracks has been considered a vital ingredient by many of the album’s admirers: “Taz [Corona-Brown, guitarist / vocalist] and I have always been obsessed with cello”, states Hel.
“We both have similar feelings about melodies, so it was basically something that had to happen. Our cellist Jo Quail is very talented: we told her to just do what she felt, and she did. She just went into that sombre zone which is where we like to lurk!”
There’s a wonderful blend of light and the disturbingly dark in Anhedonia, something that the band are aware of: “It was necessary in order to translate the amount of heartbreak that was intended in some of the songs”, Hel thoughtfully explains. “Some of those things, however, refer to other, nicer times. It’s so important to have contrast.”
“As long as I’ve known Hel and Taz, they’ve naturally gravitated to this close-harmony, slightly discordant edge” Tom feels. “As they’re the main songwriters, that’s what comes out in the music, and Olly [Corona-Brown, bassist] and I just try to bring it along. The Drone influence of Undersmile actually came from loads of different areas: Classical, Indian, Shoegaze, through The Melvins and Earth; but this time we wanted a more dynamic range. It’s nice to get these really clean chords – it has the same effect but with a cleaner, crisper sound. It can still be as mournful as it is with the distortion.”
“I think it can be more mournful” rejoins Hel. “Some people listen to music like that because they find it medicinal, purifying, even though it’s filthy, and I completely understand that. I listen to brainwave entrainment a lot, and I find a similar ‘cocooning’ thing in there too.”
The band is now with Black Bow Records after releasing stuff on a whole host of labels. “We recorded at Skyhammer, Jon Davis’ (Black Bow founder and Conan leader) studio,” Tom acknowledges. “Jon offered to put Anhedonia out in time for Roadburn, which was really important for us. He’s well-connected of course, people are really interested in what he’s doing, and so that was it. We did our parts over four days; then it was all mixed in sixteen hours’ straight with Chris (Fielding, producer and Conan bassist) who managed to get such a wonderful, natural guitar sound. Obviously we’d be interested in working with Jon again, but it’s just whoever is interested in working with us really. In the past it’s been as a result of friends asking us if they can put stuff out, or friends we’ve made by putting stuff out. They’re all good people.”
Undersmile played two big sets at Roadburn this year – one as themselves, the other as their more acoustic, ‘Grunge Unplugged’ alter-ego Coma Wall – and has two more big sets to come in November. Tom explains further: “We’re playing the memorial gig for Grimpen Mire’s Paul van Linden, who sadly passed away in June. We knew he’d been unwell but his death was still a massive shock. We did a mini-tour with them, Conan and Serpent Venom a couple of years ago and we all got on so well: Paul was always such a lovely guy each time we met. So we’re really honoured to be a part of that. Damnation Festival just came up quite recently. It’s something we’ve wanted to play for a while so it was a ‘no-brainer’, but once we saw the line-up it was incredible! We’re on quite early in the day, so we’ve got the rest of the day to enjoy the music and get drunk!”
So, do the couples ever take a break from each other?! “We have this year, post-Roadburn!” confirms Hel. “We’re all just so busy: there are Taz and Olly’s family commitments; we’ve just moved house; I run an acupuncture clinic and Tom is very career-focused at present; we’ve a lot of material for Coma Wall…with all that, we’re really having to ‘cherry-pick’ gigs. We did realise that we were spending so much time just working – Taz and I are best friends – and we thought ‘when do we actually make time to just go out and do ‘friend’ things?”
Finishing with another exclusive for Ghost Cult, Hel explains the band’s latest foray into the visual world: “We’ve just finished shooting a video for the Anhedonia track ‘Sky Burial’. So that’ll be two music videos this year!” she laughs.
Stardom? Probably not, but there’s certainly no doubt that the star of this incredibly hard-working, creative and crushing unit is well and truly on the rise.