And now, the end is near, and so we face the final curtain. My friends, we’ll say it clear, we’ll state our case, of which we’re certain. We’ve lived a year that’s full, and listened to each and every album (well, a good several hundred, in any case), But more, much more than this, We did it our way…
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Cave In has booked an extensive US tour this fall, supporting their recent album Final Transmission. Support on the tour comes from War on Women, Lazer/Wulf, Helms Alee, and The Primals. One dollar from every sale goes to The Caleb Scofield Memorial Fund. Continue reading
These days I live a fairly clean lifestyle. I’m working out almost every day, cut way back on carbs and sugar and smoke more weed than I do drink. Hell, in the ultimate piece of sacrilege I’ve even given my once beloved coffee. It’s a nice and healthy life and I’m sure my doctor loves me for it, but from time to time I need to get my adrenaline up to eleven. This is where a release like Redbait‘s Cages (New Age Records) comes in. Continue reading
Check out all of today’s new releases in the music world! Continue reading
If you’re a fan of any music that Caleb Scofield created or played, bring the tissues for this one. Cave In‘s aptly-titled Final Submission (Hydra Head) is a collection of recordings made with the band’s late bassist before his tragic death last year and contains much input from the man himself. It’s a slightly different album than fans might expect, but in many ways, it’s more meaningful for it. Continue reading
Roadburn, now in its 20th year, is a fest I had promised I would start going to many, many years ago but for one reason or another never did. This year I went and although it is like other music fests in some ways, I can say that it is equally unlike other fests in many other ways. Many of my personal experiences will not be akin to a standard festival goer due to the nature of what I do obviously but if you bear with me here I can explain some things that the average person should expect when and if they decide to go is on their list of priorities. If you already know the drill or aren’t interested in this part please feel free to scroll on through. Continue reading
Much like Roadrunner Records in the 1990s, a mark of contemporary quality is any band on the Holy Roar Records roster. You are guaranteed an absolute slobber knocker with pretty much everything they have put out over the last decade, whether it’s the all-out Hardcore of Employed to Serve or Secret Cutter, the Screamo of Portrayal of Guilt or the psychedelic Stoner Prog of Boss Keloid. Now turning to Post Hardcore, we as listeners should welcome the arrival of We Never Learned To Live‘s latest offering; The Sleepwalk Transmissions (Holy Roar Records). Continue reading