Father forgive me because we have to talk about Brand of Sacrifice’s Lifeblood (Blood Blast Distribution). Listen, I really wanted to enjoy Lifeblood as we need to build up new stars in heavy music, but this simply isn’t it chief. Maybe if we stripped the many layers of triggered drums, modulated vocals, unimportant guest appearances and waves of synths we could find something worth working with. But as it stands, I cannot sanction this buffoonery.
Canadian metallers Entropy release their fourth album Force Convergence this past Summer. After recently releasing a guitar playthrough, for “Ripzone” the band has now shared their new lyric video for the title track! You can watch the lyric video “Force Convergence” here:Continue reading →
While Toronto’s Possessed Steel approached Epic Metal with a rough attitude on the EPs they released in 2014 and 2017, their first proper full-length is much classier in comparison. The style is as grandiose as ever, but a greater emphasis on intricate guitar harmonies and polished production gives Aedris (Temple Of Mystery Records) more in common with a band like Wytch Hazelthan Atlantean Kodex. Further comparisons could also be made to The Lord Weird Slough Feg and Hammers Of Misfortune with the free-flowing structures and pastoral air throughout.
So here I am tasked to review the new Despised Icon album, Purgatory (Nuclear Blast). The easy route for most skeptical heavy music reviewers is to just proclaim it as another Despised Icon release, give it a quick write-up and denounce Deathcore as the scourge of metal. Sure, I could trudge down that path, call it a day and down some more adult beverages, but that’s not quite it. Truth be told, I was looking forward to Purgatory. Continue reading →
Josh Rand, co-founder and guitarist of Stone Sour is sitting out the current tour of the band while he undergoes treatment for an undisclosed issue. You can read a statement from the band below. Continue reading →