Huntsmen just released their Doom/Americana masterpiece Mandala of Fear, via Prosthetic Records. Due to the Coronavirus (COVID-19) Pandemic the band will livestream a concert tonight, Live at Treehouse Studios. Sponsored by Metal Monkey Brewing, the band will be joined by Bruce Lamont (Yakuza, Corrections House, Bloodiest, Led Zeppelin 2). It premieres at 9 PM, EST/8 PM CST. Don’t miss it!Continue reading
Bruce Lamont (Yakuza, Corrections House, Bloodiest) will embark on a run of North American live dates this fall alongside Kevin Hufnagel (Dysrhythmia, Gorguts, Sabbath Assembly). The tour runs from September 29th in Brooklyn through October 16th in Chicago. See all confirmed dates below. Continue reading
In contemporary terms when we think of Progressive Metal, often the first thought (and arguably nowadays the most prevalent style) is of the overtly technical, calculated and near mechanical sounding; that or the likes of Opeth with their marriage of extremity and growled vocals with progressive rock’s expansive structures and complex arrangements. Beforehand, years ago, progressive metal was arguably spearheaded by a vastly different type of beast; the likes of Queensryche with their thoughtful yet anthemic nature and armed with towering, often falsetto vocalists. Howling Sycamore certainly remembers this time well, as their self-titled début (Prosthetic) shows a love and influence from such time period as much as it marries with more modern stylings; creating a sound which in today’s progressive metal climate, actually stands out effectively.Continue reading
Chicago post-metal band Bloodiest, which counts Bruce Lamont of Yakuza in its lineup are streaming their entire self-titled new album, ahead of their release this Friday from Relapse Records. The album was produced by Sanford Parker (Corrections House, Minsk). You can hear the stream at this link or below:
The band will embark on a short tour this March with Electric Hawk and Sweet Cobra.
Mar 03: UFO Factory – Detroit, MI
Mar 04: The Hard Luck -Toronto, ON
Mar 05: Gorham Brothers Music – Syracuse, NY
Mar 06: Bar Le Ritz – Montreal, QC
Mar 07: St. Vitus – Brooklyn, NY
Mar 08: Kung Fu Necktie – Philadelphia, PA
Mar 11: Now That’s Class – Cleveland, OH
Mar 12: Empty Bottle – Chicago, IL
Bruce Lamont – Vocals
Cayce Key – Drums
Tony Lazzara – Guitar
Eric Chaleff – Guitar
Colin Dekuiper – Bass
Nandini Khaund – Piano/Synth
Pre-order CD/LP/Digital via Relapse: http://bit.ly/BloodiestPreOrder
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Two of the leading lights of underground metal, Scott Kelly and Bruce Lamont have teamed up for a tour where they two continue to mine the fertile ground they have laid together in their band Corrections House, their solo material in several guises, and their work in crucial bands such as Neurosis and Yakuza respectively. Performing both separately and together, these collaborators meld their minds and muses together to make some truly challenging and rewarding songs. On this night they played selections from their own albums, a Corrections House song and a cover (‘Cortez the Killer’ by Neil Young. Joined by openers Jim Healy and Keith Bennett (Panzerbastard), the night of music was anything but mellow, despite the acoustic guitars. Hillarie Jason captured the action at The Middle East Nite Club for Ghost Cult.
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Know How To Carry A Whip is Corrections House‘s second album following on from 2013’s unique Last City Zero (both Neurot). Colder, Harder, Bleaker than before, Know How To Carry A Whip takes that what they did before and refines it.
A potent mix of clashing styles hung together with a framework of pounding industrial beats and loops, punctuated with mechanical clanking courtesy of Sanford Parker, leave the listener on the back foot as the rhythm travels down the off-beaten track. This mechanical cacophony brings to mind the factory sounds of the industrial English midlands which famously inspired Black Sabbath and continued with bands like Godflesh of which this shares a sense of aesthetics.
Layers are hammered together disjointedly with crushing and oppressive riffs courtesy of Scott Kelly (Neurosis) and Bruce Lamont (Yakuza), which feels like you could imagine Dälek covering Neurosis’Through Silver In Blood (Relapse) would sound like, whilst also having a similar feel to DHG in the way the styles are shoved together.
Added to this potent mix, Mikey IX Williams (Eyehategod) puts in one of his finest performances to date with his distinctive lyrics and poetry that’s both persuasive and abrasive, a dystopian flow of decadent imagery and sharp-witted wordplay as evidenced on song titles such as ‘Crossing My One Good Finger’ and ‘I Was Never Any Good At Meth’ delivered with fervour of a manic street preacher who’s doing it for his own amusement rather than to save anyone in particular.
This is most notable on the tracks ‘Superglued Tooth’ and ‘Hopeless Moronic’ which contains some Mikey’s more memorable lines, delivered with cold calculated fury and working in tandem with Scott Kelly‘s intoned incantations and reverberating roars: layer upon oppressive layer of jarring discordance and a cold machine-like calculation make this album a step up from their first album.
‘When Push Comes to Shank’ shows more than a smidgen of influence from Joy Division, but with even more despair: love won’t tear you apart it’ll leave you in an alley missing a kidney. The album finishes on the lengthy ‘Burn The Witness’ a bleak meditation on the industrial world grinding to a halt and tearing itself apart with a fury and efficiency, machines drown in a black sludge of despair.
Know How To Carry A Whip sounds like a soundtrack to the end of the world as we know it, and it sounds more relevant with each and every listen.
If you didn’t catch Corrections House on their brief run of US dates, before Mike IX Williams fell ill, and they canceled the remainder of the tour, that’s a real pity. Catching the band in Boston on a dead Sunday night the band played a superb set, oblivious to whether the room had been packed or not. Each member of the collective was laser focused and on point. If Mike IX was feeling ill, his performance showed not an iota of weakness. Just anguished brilliance and passion that he delivers every time he steps on stage. It was interesting to see the band spread out on a decent stage for once, rather than smushed together uncomfortable as I had seen them in the past. Bruce Lamont and Scott Kelly made the most of some extra foot space, thrashing around at times, convulsing in time to riffs and movements. As per usual, Sanford Parker may take his spot at the back of the stage, but his sonic work speaks volumes and is the glue that holds the group together. In addition to jamming cuts off of Last City Zero (Neurot), they played their touching, twisted cover of ‘Cortez The Killer’ by Neil Young. The band promises to spread more discontent with their sophomore release in 2015, as well as more touring, so don’t sleep next time!
Due to vocalist Mike IX Williams’ exhaustive touring and recording schedule these past years, a doctor’s strict orders to rest, vitamins and general physical recovery has been prescribed. It is with great regret that Corrections House has postponed the last remaining dates of the Writing History In Advance US Tour.
Notes Williams in an official statement:
“Overwork, nonstop travel, overexertion on stage and poor eating habits will eventually grind you to rubble. I need a bit of time to heal and repair my wounded body and mind.”
CORRECTIONS HOUSE features IX Williams (EyeHateGod) alongside accomplices Scott Kelly (Neurosis), Bruce Lamont (Yakuza) Sanford Parker (Minsk) and minister of propaganda, Seward Fairbury. The collective released their Last City Zero debut via Neurot Recordings last year. Produced by Parker at Electrical Audio, Soma Studios, 60 Psycho Hum and Nodferatu’s Lair, Last City Zero is the audio end product of government conspiracies, societal ruin and psychological decay.
Corrections House minister of propaganda, Seward Fairbury, has issued the following roadside missive.
“The people of this country are lazy asses who want to sit around and believe the fear and lies that their TVs bring into their homes every night. Although the attendance has averaged around 200 people per night, on more than one night of this tour the turnout to our gigs was affected adversely by the fear-mongering in the press surrounding CORRECTIONS HOUSE. The boys have expressed to me their pleasure in getting out of the Northeast and Midwest and heading to the soul of America in the South and the Wild West were people are traditionally freer in their minds. CORRECTIONS HOUSE brings a very unique and intense performance to the stage every night and we look forward the last eight days of this journey. Step forward Americans, embrace the horror with clear hearts and open arms.”
CORRECTIONS HOUSE Tour 2014 [remaining dates]:
Dec 11: Fitzgeralds – Houston, TX
Dec 12: Hotel Vegas – Austin, TX
Dec 14: Three Links – Dallas, TX
Dec 16: Club Red – Mesa, AZ
Dec 17: Complex – Los Angeles, CA
Dec 18: Soda Bar – San Diego, CA
Dec 19: DNA – San Francisco, CA
Dec 20: Rotture – Portland, OR
In conjunction with the tour, CORRECTIONS HOUSE has released Writing History In Advance, a devious testament of sonic decomposition recorded live in Los Angeles earlier this year, out via War Crime Recordings.
CORRECTIONS HOUSE features Fairbury alongside sound conspirators Mike IX Williams (Eyehategod), Scott Kelly (Neurosis), Bruce Lamont (Yakuza) and Sanford Parker (Minsk). The collective released their Last City Zero debut full-length via Neurot Recordings last year. Produced by Parker at Electrical Audio, Soma Studios, 60 Psycho Hum and Nodferatu’s Lair, Last City Zero is the audio end product of government conspiracies, societal ruin and psychological decay. The collective recently put the finishing touches on their forthcoming new full-length, set for release sometime in 2015. Further info to be revealed as it develops. Until then, suffer.