In a new interview with Guitar World, Queen guitarist Brian May has said that there is still “a chance” that his much-rumored collaboration with Black Sabbath’s Tony Iommi will see the light of day. “We do more talking than anything else, but we do a lot of talking,” Brian said. “He is really my dearest friend in the business and has been for so many years. I could write books about Tony because he’s just the most [pauses]… I don’t even know how to put it into words. You know, he’s a luminous human being is Tony, with a wonderful, kind nature and an incredibly baffling sense of humour. And, of course, he is the father of heavy metal. He did that. He made that happen. And it’s from his fingers and his mind. That young ex-welder, he made that happen. So, you know, he forever wears that medal, I think. He founded this stuff, heavy metal, in my opinion. I mean, I think probably most people would agree.”Continue reading
Queen are sharing their famous 1992 Freddie Mercury Tribute Concert for AIDS Awareness via Youtube. The band is raising money to donate to COVID-19 relief efforts and they’ll be sharing the show for 48 hours via their Youtube live on Queen’s Youtube from 2pm EST on May 15th. May. Queen’s’ Benefit Concert took place in London’s Wembley Stadium on Easter Monday (20th, April). The surviving members of the band: Brian May, John Deacon, and Roger Taylor wanted to perform the benefit concert in memory of Freddie Mercury, who had passed away the previous November. The concert featured Queen and friends like David Bowie, Elton John, Axl Rose, and James Hetfield among others to pay tribute to Freddie Mercury. The setlist included some real treats like Bowie’s ‘Heroes’, ‘Crazy Little Thing Called Love’, and a special rendition of ‘Bohemian Rhapsody’.
In a pairing of two of the greatest guitarists ever, Black Sabbath legend Tony Iommi and Queen’s Brian May shared a photo together of them hanging out with a boom box! The two have been going through Iommi’s unreleased riff archives, with the potential for releasing a future album project. Check out the Instagram post from them below!Continue reading
Queen’s biopic movie Bohemian Rhapsody is coming this November 2nd from 20th Century Fox studios. In a new trailer for the film, you can watch the cast reenact the moment when they wrote and recorded the iconic song ‘We Will Rock You’ from the 1977 album News Of The World (EMI). Bohemian Rhapsody, starring Mr. Robot’s Rami Malik is coming soon. Bohemian Rhapsody: The Original Movie Soundtrack will be released this week, on CD and digital formats on October 19.Continue reading
At the peak of their power in the late 1970s, Queen released News Of The Day (EMI/Elektra) to only solid reviews at the time. The band was riding high on a string of mid-70s chart-topping albums, with already some of the biggest hits of all time, that established them as one of the biggest bands in the world. Becoming of those bands changed Queen, a group of highly accomplished master musicians and live performers. Their concerts were already the stuff of legend since they were the first band in the world to book sold-out gigs at sports stadiums worldwide when arenas could not contain the scope of their shows. So as a response, the band began writing with the crowd in mind even more, creating entire passages meant for audience participation, not just the choruses. Critics at the time dissed them for this, but in hindsight, they presaged Metallica, AC/DC, Pearl Jam, Guns ‘N Roses, Judas Priest, Queens Of The Stone Age, Muse and just about every other arena rock band since in this regard. Continue reading
Queen hit a milestone in 2017 with the 40th anniversary of their smash album News Of The World. The band is now releasing a special deluxe boxed set to commemorate the event, due out worldwide on November 17. A trailer ha been released to promote the set, which you can see below.Continue reading
Classic rock royals Queen have been combing their archives for material ahead of the release of Queen on Air: The Complete BBC Sessions. Watch this just released, sped up, and totally rocking version of their classic hit ‘We Will Rock You’, live in Montreal in the clip below:Continue reading
If you take anything from the new album by Spanish outfit Dark Moor, it’s that they really believe in the existence of extraterrestrials. Flying at improbable speeds and covered in bright flashing lights, their latest flying saucer shaped release, Project X (Scarlet) will capture you in its tractor beam and transport you to an alternate dimension where cheesy ’70s and ’80s influenced Power/Prog rules the galaxy from its bejewelled, golden intergalactic space throne.
After the conclusion of short intro ‘November 3023’, the first proper track, ‘Abduction’ takes over, and although containing nothing new or hugely remarkable (and sounding a little too much like Within Temptation‘s ‘Stand My Ground’ for a while), is still a nice, pacey little number with just the right amount of keyboard and choral backing, while singer Alfred Romero‘s vocals are clear and earnest in their delivery. The opening piano strains of ‘Beyond the Stars’ may get people of a certain age picturing a denim clad Bill Bixby walking alongside a lonely highway, wearing a brown jacket with a backpack slung over his shoulder, trying to control the raging spirit which dwells within him. The track soon changes up a gear though, and with the help of some female backing vocals, quickly turns into a space age version of Grease, complete with a stupidly infectious ‘Greased Lightning’ chorus.
With mentions of Area 51 and Men in Black, ‘Conspiracy Revealed’ opens with a riff reminiscent of Adam Khachaturian‘s ‘Sabre Dance’ and you can almost picture Mulder and Scully putting their differences with the Cigarette Smoking Man aside for five minutes while they all dance their little socks off with big grins and hand jives. Things slow down for a while during ‘I Want to Believe’ as Mulder and Scully dance together slowly, staring into each others eyes, while The Lone Gunmen hold lighters in the air and The Cigarette Smoking Man trudges off into the darkness, alone and muttering threats about abductions and alien implants.
‘Bon Voyage!’ has another movie musical vibe, part Grease and part Rocky Horror Picture Show with a hand-clap section (which bizarrely works), Queen style backing vocals and the most Brian May of all guitar solos, with even a couple of jaunty “WOOOs!” thrown in for good measure, meanwhile probably the heaviest track on the record, ‘Imperial Earth’, features a beefy riff, powerful vocals, big drums and a couple of spoken voice sections reminiscent of those in ‘Flash’ by Queen when dialogue from the film occasionally comes crashing in. It would come as no surprise to absolutely anyone if ‘Imperial Earth’ was to suddenly erupt with cries of “dispatch war rocket Ajax to bring back his body!”
Blatantly stealing that tune from Close Encounters of the Third Kind, penultimate track ‘Gabriel’ is steady but unspectacular, and really only memorable for that bit of musical pilfery. Things pick up for the grand finale, though, and the album ends with ‘There’s Something In The Skies’, a wonderfully overblown eight minute Prog sandwich, literally dripping with cheese and melodrama.
A more streamlined affair than a lot of Dark Moor’s previous work, some fans may be disappointed with how the band have dialled back the orchestral and female vocal side of things, but the record contains enough quality to keep most people happy and maybe even bring a few new fans into the fold because of it.