While most bands from Brooklyn should be viewed with caution given the possibility they may be a hipster plot to infiltrate the metal scene, at least according to a certain breed of metal ‘fan’, in the case of power-trio Mortals one should preferably don body armour and a hard hat lest you be flattened in the wake of their thunderous, bulldozing assault. Once their sophomore full-length release Cursed To See The Future(Relapse) starts to move, it barely lets up in single bloody-minded intensity over the course of forty-seven pulverising minutes.
Blending the feral, filth-flecked riffage of Mayhem at their most ugliest with the battering ram impact of crusty US types High on Fire and Lair of the Minotaur, Cursed To See The Future takes the Route One approach in terms of pace and structure; it’s quick, nasty and aggressive with minimal concessions to melody, akin to being repeatedly pounded over the head with a bone by a rabid caveman under a full moon. In short, it’s a wholly Neanderthal, unsubtle manner of playing and for the most part it’s utterly exhilarating as the frenzied attack of opening track ‘View From a Tower’ demonstrates while the more mid-paced, shifting grooves of ‘The Summoning’ remind you just how punishing sludge can be.
All three musicians are exemplary throughout with the triumphant drumming of Caryn Havlik deserving special praise while the venomous screech of Lesley Wolf lends an air of demonic intensity to proceedings that just makes everything that bit more evil sounding. One complaint is that some of the longer songs tend to drag at nearly ten minutes but with the overall assault being so devastating you’ll likely be too busy trying to catch your breath to care.
This is one band for the future we could do with seeing more from.