It’s oddly satisfying when an album’s title is also an accurate descriptor for the music it contains. This is more or less the case with Old Blood’s second full-length album, Acid Doom (DHU Records/Metal Assault Records). While the group’s style may not be crushing in the traditional sense, their brand of Heavy Psych has a dark sultriness that should sit well with fans of groups like Uncle Acid and Blood Ceremony. And considering the four-year gap since their self-titled debut, it’s fair to say that things have only gotten more off-the-wall in that time.
Time To Pay (Self-Released) is the new EP from Connecticut’s Turkey Vulture, a duo consisting of Jessie May (guitar, vocals, bass, cello) and Jim Clegg (drums, artwork). The EP is a force of incredible energy that nods to a deceptively diverse set of influences. This is punk; this is doom metal; this is stoner rock. Above all, it emanates a refreshingly raw and gloriously unpolished power. Continue reading
Vicious music chameleons Turkey Vulture are back with a new single, from their upcoming second EP, Time To Pay, due out on July 31st. Up until now, the duo from Connecticut has shown shades of Stoner Doom, old-school Punk, local Sea shanty’s, Heavy Metal, and on occasion, Americana with inventive originals and inspired covers. In a new track derived from by the infamous “Crossroads” story of Bluesman Robert Johnson and the Devil, “Old Nick” is a revved-up, proto-metal blues track with a great shuffle beat! Check out the track now!
South African Alternative Rock band The Amblers have returned with a new single ‘Sixteen 100 Year Olds’ via Mongrel Records. The bands lo-fi aesthetics can’t mask the primal bluesy energy and sensuality of this track. Check out the single from this exciting two-man band right now! Continue reading
As much as Wino deserves his doom godfather status for fronting groups like The Obsessed and Saint Vitus, there’s something to be said for his more recent singer/songwriter excursions. Whether going it alone or with such collaborators as Conny Ochs, the acoustic style suits him surprisingly well and the volume contrast brings a fuller perspective to his haggard lifer persona. This is especially true for his third album, Forever Gone (Ripple Music), which may be his most low-key effort to date. Continue reading
Ghost Cult chief editor Keefy caught up with Americana artist Jake Smith a.k.a The White Buffalo recently to talk about his new album On The Widow’s Walk, out now via Snakefarm Records. Jake chatted with us about the new album, his creative process, how he got started in his career, how different fans and critics both see him an artist in different genre buckets, how he approaches writing lyrics, his inventive cover versions of songs, performing live, and having his songs featured in television and movies, such as Sons of Anarchy (FX). You can purchase On The Widow’s Walk here and listen to our chat now. Continue reading
Bluesy-Psychedelic Stoner band The Heavy Eyes are releasing their trippy new album Love Like Machines tomorrow, 3/27/2020, via the excellent label Kozmik Artifactz. Ghost Cult brings you the full album stream which you can listen to below. The album is like wet-dream for fans of classic fuzzed-out, reverb-soaked riffs and slick songwriting with a sprinkle of early Kyuss and Danzig tossed in for good measure! Spark up, purchase and jam this album now! Continue reading
As a proud Lancastrian all my life, it pains me to acknowledge the occasional superiority of bitter neighbours Yorkshire. One such area of supremacy is within the realm of Doom Metal: Paradise Lost and My Dying Bride have wielded the White Rose over some of the genre’s most memorable, emotional moments of the last thirty years and the latter’s erstwhile guitarist Hamish Glencross is determined to carry on that sound with his latest outfit Godthrymm. Debut album Reflections (Profound Lore Records) oozes the drama, power, and tragedy of his former band. Continue reading
Blues and Slide guitar great Sonny Landreth will release his new album Blacktop Run this coming week, 21st February – via Provogue/Mascot Label Group. Blacktop Run follows the Louisiana natives’ previous Grammy-nominated album Recorded Live In Lafayette (2017) and his back-to-back Blues Music Awards for Best Guitarist and Best Blues Album for Bound by the Blues (2015). Watch his new lyric video for the track ‘Don’t Ask Me’ right now! Continue reading
If ever two bands were put together in order to aurally depict the turgid, depressing slog that is Life In Northern England Under An Elitist Bunch Of Fascists, it’s Liverpool’s Bodies on Everest and their Newcastle-based touring chums Lump Hammer. As joint release Whelmed (Inverted Grim-Mill Recordings) is a “split”, one would expect around half-an-hour of bile and Sludgy hostility: but as if to ram home the belief that There Is No Hope, this thing grinds along morbidly, relentlessly, for a full hour and forty minutes. Continue reading