The “final” movie in the Halloween film series has been released in theaters, and trust us, it rules! Our return to Haddonfield, Illinois and Michael Myers brough us this awesome movie by Blumhouse Studios, directed by David Gordon Green and produced by John Carpenter, Jamie Lee Curtis, Green, and Danny McBride among others, the soundtrack has several bangers on it. In addition to the classic Halloween theme song and a score by Carpenter and his son Cody and Daniel Davies tracks include “Halloween” by Dead Kennedys, Don’t Fear The Reaper” by Blue Öyster Cult, and “Burn It Down” by Boy Harsher.
Moths, the five-piece stoner/prog outfit from San Juan, Puerto Rico, take a voyage into space on their debut LP. As cosmic and inter-galactic as the results are, this mission perhaps required more focus, more direction and a tad more discipline. The myriad metal genres, frequently-changing time signatures and disparate musical sections idiosyncratically grafted together into songs can make it hard to grasp or nail down any plan behind it all.
In a story we have been following, Psycho Las Vegas has announced that bands such as Mayhen and Satyricon have dropped off the upcoming metal festival later this month. This is due to ongoing travel/work visa and pandemic related issues. To their credit, the fest has been dealing complaints and addressing on social media, and in emaisl to ticket holders. Other bands still hoping to gain entry into the USA to perform include Efforts are continuing for Emperor, Watain, Crippled Black Phoenix, Cult of Fire, and Psychlona, and we’ll keep tracking this story. Continue reading →
Of all the bands on the Gothic Rock/Heavy Metal fusion bandwagon, Poltergeist may be the most committed to those Post-Punk aesthetics. The style on their third EP remains closer to Joy Division than Judas Priest with a heavy emphasis on chilling synths, stiff bass-heavy rhythms, and disinterested vampiric baritones. This is especially true on the first two tracks as the opening ‘Electricity’ goes full Synthwave and ‘Through Clouded Eyes’ follows it up in ominously subdued fashion.
Consisting entirely of musicians from the eccentric Demon Bitch with equally esoteric pseudonyms, Detroit’s White Magician settles firmly into the world of heavy Occult Rock on their first full-length album. “The Agents Of Fortune”-esque cover art is enough to indicate that any comparisons to Blue Öyster Cult are likely intentional; the band exercises a similarly freerolling attitude with an ominous undercurrent. But while Dealers Of Divinity (Cruz Del Sur Music) gambles on a well-trod formula, the group seems to have a couple of aces up their sleeves.
After nearly two decades spent exclusively on the live circuit, Blue Oyster Cult returns with their fifteenth full-length album, The Symbol Remains (Frontiers Records Srl). In a way similar to the recent releases by fellow Seventies Rock legend Alice Cooper, the band opts for a kitchen sink songwriting method. The fourteen tracks play out like a career retrospective of sorts, exploring a variety of moods between classic-minded rockers, synth-heavy AOR numbers, and atmospheric occult excursions.
Legendary British producer Martin Birch, best known for engineering and producing albums by Iron Maiden, Black Sabbath, Deep Purple, Rainbow, Fleetwood Mac, Whitesnake, Blue Öyster Cult, died yesterday (Sunday, August 9th). He was 71. His passing was confirmed former Deep Purple/Whitesnake frontman David Coverdale, who tweeted: “It is with a very heavy heart I’ve just had verified my very dear friend & producer Martin Birch has passed away. “Martin was a huge part of my life…helping me from the first time we met through until Slide It In… “My thoughts & prayers to his family, friends & fans…Broken heart”Continue reading →