ALBUM REVIEW: Pupil Slicer – Blossom


 

Pupil Slicer announced themselves in style with a sea of aggression, when their debut album Mirrors landed in 2021, and they immediately found themselves at home in the UKs thriving post-pandemic underground Metal scene, which saw them hitting the road the following year on a salivating and high-profile tour with Rolo Tomassi and Heriot. Mirrors was an accomplished debut performance of relentless raw energy and anger, with Pupil Slicer hinting at their full potential on the album’s final song ‘Collective Unconscious’, which was deeper and slower in pace, showing a maturity in their song-writing that extended beyond the abrasive math/deathcore on the rest of the record.

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ALBUM REVIEW: Frozen Dawn – The Decline of the Enlightened Gods


Having been around for fifteen years, the Spanish black metal act Frozen Dawn has been experimenting with sounds that are inspired by nineties Scandinavian black metal bands – mostly the ones that come from Norway and Sweden – such as Satyricon, Dissection, Darkthrone, Dark Fortress, Watain, and Necrophobic.

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ALBUM REVIEW: Mithridatum – Harrowing


 

The juxtaposing contradiction that is Mithridatum’s debut album Harrowing makes it surprisingly difficult to reach a conclusion.

The Willowtip release sees the newly formed trio (featuring former members of Abhorrent, The Faceless) jockeying with a myriad of other bands in an ultra-saturated landscape that is just begging for a group to come along and shatter the mold. As such, it’s nearly career suicide not to stand out from the rest (unless you’re AC/DC). Continue reading


ALBUM REVIEW: Grief Symposium – …In The Absence of Light


What was the first bit of heavy music you ever heard in your life? Did you level up, gaining mana from the ear-peeling riffs and shouts? Lovers of extreme metal surely have had experiences like this in their lives, where their entire world is tossed upside-down a new band, or a clutch of new demos from an emerging scene. This is how my ears felt hearing Grief Symposium, with a new take on the Death / Doom sub-genre with their debut, …In The Absence of Light (Church Road Records). Although mysterious and secretive, they did not set out to reinvent extreme music, but rather invent themselves, and a sound that should echo for a long time.

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ALBUM REVIEW: Appalling – Sacrilege


 

With just a quick glance of the album art to Sacrilege (Personal Records), metalheads can quickly figure out what they are in for. Richmond, Virginia’s Appalling are back with more blasphemous, blackened death metal. According to legend (or possibly the band’s press release) the music on this album is so evil, that God tried to burn the band’s tour van with the group inside.

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ALBUM REVIEW: Veilburner – VLBRNR


 

In the world of heavy music, there needs to be some degree of weird, strange, maybe even taboo. Without this, all we have is anger and aggression with little bursts of sadness. This need is currently being filled by that of Pennsylvania’s own duo dissonant black/death metal group, Veilburner. These two have been dropping full-length releases consistently since 2014 (first I am hearing of it, color me interested) but now the sixth record has disturbed the planet in the form of VLBRNR (Transcending Obscurity). Sometimes the most comforting music, given the right environment and levels of vulnerability, is actually the most uncomfortable music.

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INTERVIEW: Sammy Pierre Duet of Goatwhore – “Angels Hung from the Arches of Heaven” – Track-By-Track Breakdown


Ghost Cult caught up with our pal Sammy Duet of Goatwhore! We discussed their new album “Angels Hung from the Arches of Heaven” which is out now from their long-time label Metal Blade Records. We chatted about the longevity and consistency of the band, how he composes songs, and a track-by-track breakdown of the new album!

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REVIEWS ROUND-UP: Through The Cracks Of Death: Altars – Hissing – Dead Void – Maul – Ferum – Castrator


Richard Benton watches with horror as the wounds knit, the flesh reforms, and the thing pulls itself with a sickening tear from its premature tomb.

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ALBUM REVIEW: Goatwhore – Angels Hung From The Arches of Heaven


In our latest instalment of Where the Fuck Did All The Time Go? we discover it’s already been twenty-five years since the emergence of Louisiana blackened thrash/death outfit Goatwhore. Formed by guitarist Sammy Duet after the break-up of his previous band, legendary sludge lords Acid Bath, the band’s history can actually be traced back to 1991 when they were known as Kill Gore up until 1997 after Acid Bath, er… dissolved.

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ALBUM REVIEW: Hierophant – Death Siege


Blending together subgenres of metal to further push the boundaries of heavy music is not an uncommon practice these days. Hierophant, while starting off as mostly a blackened sludge metal group, is more recently focused on mixing the extremes of black metal and death metal. Their fifth release, Death Siege (Season of Mist), continues this signature for the Italian foursome.

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