South African post-Black outfit Constellatia arrived just two short years ago, and already last year’s debut album The Language of Limbs (Season of Mist) has earned a power-label reissue. A blast of atmospheric harshness and aching melody with a touch of doomed romance, its four tracks are a paean to the outer edges of Emotion. Continue reading
Notorious USBM band UADA has shared their brand new single, ‘Djinn’, the title track from their first new album, due this fall via Eisenwald Records. The single is their first new music since 2018’s Cult of A Dying Sun and their first with new drummer Elijah Losch (Forsaken Eternity, Mortal Plague). Check out ‘Djinn’ now! Continue reading
2020 has already been a busy year for San Diego electronic darkheart Shrieking. Debut album Let the Galaxy Burn (Self-Release) was released in January; a single, Truth About Demons (Self-Release) appeared at the beginning of May, and is closely followed by this Split (Self-Release) with St. Louis Dungeon Synth project Puddleglum. It’s a curious and enticing prospect, enhanced by both bands weighing in with a healthy representation of the material. Continue reading
Ghost Cult caught up with In The Company Of Serpents leader Grant Netzorg to discuss their new album Lux, which is out now. We chatted with Greg about the new album, the history of the band, how the birth of his daughter and raising her has had a direct impact on his music, the other members of his band and how they contribute to the unique blend of Black Metal, Sludge, Doom and American genres, the incredible Denver metal scene, Greg’s hopes to eventually perform the entire album live, and what the concert industry might look like post-coronavirus lockdown. You can purchase and stream Lux here and check out our chat!
Oranssi Pazuzu performed their entire new album Mestarin Kynsi live yesterday as a livestream with a full stage performance. Mastermind Jun-Hiss went deep into the album lore recently in an interview for our Ghost Cult Podcast and had hoped to perform the entire album live for fans at some point since it is intended to be an entire piece of music, not an album with tracks and singles. Watch it now!
You remember the first time you heard Leviathan (Relapse Records) by Mastodon? I do. It was as if my world had shifted on its axis: a relentless display of monumental, complex power that left me unsure how to feel…except that it felt exciting, enlivening. I never thought that Vermont quartet Barishi would recreate those emotions: a great band yes, but its Harsh Stoner grooves had the intricacies without such immediate power. Suddenly, out goes vocalist Sascha Simms, being replaced by guitarist Graham Brooks and reducing the band to a three-piece. Third album Old Smoke (Season of Mist) follows. Fuck… Continue reading
I’m just going to come right out and say it: Italy’s Forgotten Tomb is one of the most criminally underrated bands in the Harsh Doom arena, most probably because its early fanbase still feels aggrieved at its reinvention from a Black metal band. Get over it: it’s been that way for the last seventeen years and eight albums. With a solid unit existing throughout that period, it’s also safe to say that this is more than Herr Morbid‘s project, and new album Nihilistic Estrangement (Agonia Records) continues to display the trio’s ever-strengthening unity with expansions on the core sound. Continue reading
In the realm that is black metal, fans are usually treated to anti-religious themed lyrics, a heavy dose of blast beats, and at times, cookie-cutter guitar riffs. However, as black metal has evolved throughout the years, we now get more atmospheric-centric style music with lyrics that tell stories of nature, history, or just simply life itself. Winterfylleth falls into the second category especially with their latest release, The Reckoning Dawn (Candlelight/Spinefarm). Spanning across the entire album are memorable guitar licks, thunderous drumming, backing chants, and accompanying synth work that really ties the complete sound package together. It may not be a visual painting to look at, but the UK outfit certainly put together a fine piece of art.
The Metal Hall of Fame (formerly known as The Hall of Heavy Metal History) has announced that it has added new categories for 2020! The additional thirteen new sub-genres of Heavy Metal and Hard Rock music have been baked into its voting categories. The fan vote, an extremely crucial part of the band/artist Induction process into the Metal Hall of Fame, is open on a year-round basis. Continue reading
I hadn’t registered so much as a whisper of St Louis trio Wretched Empires…until I learned that vocalist Tom Ballard was also the frontman for UK Sludge-Doomers Allfather. THEN my ears pricked up. Debut EP Bloom (Independent Release) shows the new outfit to be of a Blackened persuasion, which is even more of a surprise upon realising that the other two members of the unit were formerly part of Alt-Indie sextet Redbait. Curious indeed… Continue reading