Just when you thought there were no genres left to combine, up pops Ohio act Untamed Land with Scandinavian riffs and a cowboy hat, delivering an album that sounds like the soundtrack to The Good, The Bad & The Ugly if it had been written by Satyricon.
Blackened death metallers Funeral Chant will be unleashing their full length debut Dawn Of Annihilation upon the world through Carbonized Records on November 1st, 2021. Check out the title track of the album now, and pre-orders are live at the link below.Continue reading
Formed in 2016, Devon’s Cistvaen are building a solid reputation for themselves within the UK extreme metal scene. Taking their name (literally translating to “stone chest”) from a type of ancient burial chamber often found in the South West of England, the five-piece’s brand of doomy atmospheric black metal suits them down to the ground.
Wolves In The Throne Room will embark on a North American headlining tour entitled Primordial Arcana North American Winter 2022 Tour. The supporting acts on the bill will be Full Of Hell and Uada. The tour will begin January 11th near WITTR’s homebase in Seattle, Washington at The Crocodile. Get tickets and music at the link below. The band recently released their excellent new album, Primordial Arcana, via Relapse Records (review here).
If you are missing some new Thrash Metal then I would gladly invite you to give the new album from Bay Area Thrashers Infex a listen. I came into this review with no idea at all who Infex was, but now I know! This album is in a word, thrashtastic. I love to write about a band that’s all about riffage and crafting around said riff. This album took me back to when I was playing in a “Threath band” (thrash/death metal), a term coined by my former singer.
First time at FAC 251 and it was a little strange. First impressions, it’s a strange little venue, steeped in Manchester history. This is the building that New Order famously built, and the Happy Mondays infamously destroyed. Being largely at the heart of the Manchester party scene it’s not exactly noted for hosting many metal gigs, but with Manchester still in the process of re-opening some of the regular places aren’t quite open yet. Continue reading
It’s near midnight and I’m driving down New Hampshire Route 111. I’m not headed anywhere of importance and have no real sense of urgency. Not another vehicle for miles and the sole sources of light are the moon and the occasional lonely lamppost. The accompaniment for this very calming dark drive is Deafheaven’s latest, Infinite Granite (Sargent House). May seem a bit moody or even scary to others, but this drive and soundtrack make for a wouldn’t want to be anywhere else but here moment for me.
Common wisdom would have you believe that most bands approaching their third decade, and / or seventh album, will have found either a comfortable groove, or a furrow that they like to plough, and that the desire to challenge themselves and their supporters, to expand or revitalise their sound, has probably been dissipated to some degree. The cycle begats the (album) cycle and the artist, conscious of the desired output, sates the audience even if they do make token refinements to keep their own creative beasts content. For while there may be tweaks and tinkerings, there are, deep-down, a forest path of a woodland much explored, not often adventures anew.
Say what you will about Deathcore, it is nothing if not persistent. Not that the idea of mixing Death Metal and Hardcore is a new one (i.e., Suffocation) but when the term deathcore is applied today it recalls the halcyon years between 2007 and 2012 when a young man’s worth was determined by his throat tattoo, the size of his gauges and his MySpace networking skills. If you had a pig squeal, a breakdown and a dream it seemed like you too could be handed an Earache Records deal. But when did that dream end? Well, according to Lorna Shore’s …And I Return to Nothingness (Century Media) it didn’t.Continue reading
Gospelheim, Blackened Gothic Rockers from Manchester kick things off with a statement of intent with their debut single – ‘Into Smithereens’. Their self-released debut album will follow later this year. Featuring alumni from variety of respected underground Manchester-based metal bands, the group appeals to tastes ranging from Paradise Lost to Unto Others, and beyond. Continue reading