Progressive metal band The Great Discord have surprise released a new single and video for their cover of 1990s Bjork classic ‘Army Of Me’, which you can watch below. The track is the first taste of a new EP coming from the band next March via The Sign Records. Continue reading
What became of real pop stars? This is a question I have asked myself over and over the last few years. As we’ve lost Prince, George Michael, and David Bowie, and there is no new Madonna, Bjork, Sinead, Tori, or nary even an Alanis in sight, I wondered when the next generation of legends would come, if ever. A few years back I got turned on to PVRIS when I still lived in their home state of Massachusetts, and I heard White Noise right when it came out. Then I saw them live, and whoa, I was blown away by them. However, one of the hardest things to pull off in music is the second album. Sure you have your entire first act to create a sound and cultivate your style. People are fickle and expect a lot as fans. Much tougher to grow from that and keep it going, but PVRIS has pulled it off impressively. Continue reading
This past year was a huge one for music with so many bands releasing new material it was hard to keep up, even for us here at Ghost Cult. So many legacy bands, modern classic acts, and up and comers dropped new music this year, some may wish they had waited until 2017 to drop it like it’s hot. Without further ado, here are our picks for the new tunes you need in your life in 2017. Continue reading
More than an odd Melvins comparison has been levelled at Montreal trio Big|Brave and indeed, the riffs within second full-length Au De La (Southern Lord) possess the squealing, throaty exhalations of Grunge. There is, however, a whole other weirdness going on here, which you might expect from a band just coming off a tour with Godspeed You! Black Emperor. Not least the trend-bucking omission of a bassist from the ranks…
Vocalist Robin Wattie is Björk as a native witch-woman, intoning melodiously then yelping like a possessed shaman whilst managing to retain that harmony. Those riffs, meanwhile, purveyed by Wattie and fellow guitarist Mathieu Ball, carry a Drone-like pace: squalling and whining on the pregnant-with-tension ‘Do.No.Harm.Do.No.Wrong…’, yet groaning under the monstrous feedback of ‘Look at How the World Has Made a Change’. The muscle-tightening edge is maintained by Louis-Alexandre Beauregard’s tribal resonance, powerfully leading each track to a crescendo of noise in an understated yet marked fashion.
Here, however, instantaneous drops to silence raise the hackles as much as the violent explosions of agony. Staccato opener ‘On the By and By and Thereon’ seemingly comes to a premature conclusion before kicking on again into a terrifying sequence of double-hammers. The sampled undercurrent of ‘And as the Waters Go’, meanwhile, is initially pierced by a single crash of rhythm guitar, Wattie’s steadily building vocal growing from a high incantation into a demented wail, the whole continually punctuated by brief zephyrs of calm which pounce upon the listener and chill the soul. Flashes of atonal lead and a pulsing coda bring to mind Sonic Youth on zopiclone, truly bewitching stuff that shreds the nerves while attempting to kiss them better.
The early, soft Psychedelia of closer ‘(re)Collection Part II’ gives way to Wattie’s languid howls, the subsequent near-unbearable intensity of moaning leads and rhythmic drums running through an a Capella Punk centrepiece to a Freeform frenzy and a delightful, Shoegaze finale. An exercise in barely-controlled expression, this is a fascinating album – at times stunning, at others beguiling, but always compelling – and one that ensures Big|Brave will force their way into your memory.
Trevor Dunn is not just one of the best bassists ever to be associated with heavy music, but in the world. His long resume of accomplishments alone would more than fill this space and he is still carving out new sonic territory all the time. He is most known in popular circles through his long association with Mike Patton as a member of Mr. Bungle and now in Tomahawk. Oddfellows (Ipecac) came out in January, and Tomahawk is hitting the road again so this was a good time to chat with Trevor and find out all about the band and his path as an artist. Continue reading