On a perfect autumn day in October, the 3rd annual Rock Allegiance Festival rolled into BB&T Pavilion & Wiggins Waterfront Park in Camden NJ and over 20,000 rock and metal fans took in a great one-day event. Twenty bands played on three stages while fans of all ages enjoyed food and a fun atmosphere that included a riverside view of Philadelphia and a great VIP area on a real Navy battleship! Continue reading
It’s going to down tomorrow in southern New Jersey As this year’s Rock Allegiance festival takes over BB&T Pavilion and Wiggins Waterfront Park in Camden. Tickets, including the excellent looking VIP options, taking place on real a battleship, are still available online at the link below.Continue reading
The 2017 Rock Allegiance festival stage times have been announced for this weekend’s upcoming event taking place on October 7th at the BB&T Pavilion and Wiggins Waterfront Park in Camden, New Jersey. Headlining is Rob Zombie, along with Five Finger Death Punch, Halestorm, Mastodon, Gojira, In This Moment, Steel Panther, August Burns Red, Beartooth, Starset, Radkey, Bleeker, Badflower, DED, While She Sleeps, Black Map, Greta Van Fleet, He Is Legend, Biters and Them Evils. Marilyn Manson was scheduled to perform but is now off the bill following his horrific injury on stage this past weekend. Continue reading
The initial bands for the 2017 Rock Allegiance festival have been announced, and it’s going to be huge. Continue reading
Two years on from the impressive bluster of the debuting swagger of Electric Blood, Atlanta’s Biters are back with another notable bag of goodies in the shape of The Future Ain’t What It Used To Be (both Earache), and a mission statement to make Rock n’ Roll relevant again. While album one came from out of nowhere, shining bright with its proto-punk melodies, has the curse of the “difficult second album” struck now that there are ready ears awaiting the follow-up? Continue reading
It’s taken them 20 years to rediscover their midas touch, but of late Earache Records have been on a roll. A rock n’ roll, if you will. Whether Dig installed a Hot Tub Time Machine or not is open to scandalous rumour, but the label has been plucking 70’s rock success after retro-fuelled triumph, seeing the likes of The Temperance Movement, Rival Sons and Blackberry Smoke bring home the bourbon. Atlanta, Georgia’s Biters look set to be the latest in the line of acts on their roster recreating the magic of yesteryear, adding a street-smart proto-punk bite to their rock, rather than the smokey Southern vibe of their new label mates.
Kicking off with ‘Restless Hearts’, rocking a brilliant earworm of a bubblegum chorus, whose conception seems rooted in a world where punk and rock first met, as if Social Distortion had rocked out a couple The Sweet covers, Electric Blood manages to be effortlessly cool in its’ skin-tight Ts and tassle leather jackets. All through, the effortlessness with which the choruses lodge in the brain is to be admired, as Biters bring the pop of 80’s hair metal, mixed into a cocktail of the rough, sleaze and cool of The Rolling Stones and the panache (and tambourine) of 70’s Glam Rock.
Swagger, nonchalance and above all quality simple rock songs dominate the skyline of their début. ‘1975’ and ‘Heart Fulla Rock n’ Roll’ overload with lyrical cliché but this is no parody as they swing authentic, with the latter breaking out into a Gary Moore descending guitar harmony and old-school bass-led breakdown. Vocalist Tuk is part-cheerleader, part-rabble rouser and full-time tunesmith, his simple tones knowing their limitations, but infusing these straight-forward good time songs with the melodies and hooks they need.
Don’t go into Electric Blood expecting anything other than oh-so-cool pop rock, and a love of yesteryear. In the heaviness stakes, Biters are more Gaslight Anthem than Green Day, and at times both are brought to mind. With traces of Americana lacing tracks like ‘Dreams Don’t Die’ and nods to AC/DC (‘Electric Blood’) and Thin Lizzy (‘Space Age Wasteland’), this is an album that demands the top (or at least the windows) down, the open road, the speed-dial nudging naughty and voices raised in joyous communion.
These songs have teeth. Biters just bit hard, and these songs aren’t letting go.