Between The Buried And Me have announced a series of livestream events on Twitch covering their acclaimed Automata I and Automata II albums, as well as a discussion with the band. The dates will be March 19th and 20th and will be free to fans on their Twitch channel. The band also shared a message to fans about the event, organized since the band is still off the road due to the pandemic. The band recently completed work on their new album with their longtime producer and collaborator Jamie King. You can check out a conversation we have with the band here discussing new music and old reissues.
Progressive Metallers Between The Buried and Me have entered the recording studio to begin work on a new album, due out in 2021. The band was coy about the post saying they had acted like they weren’t working on new music, but we know that is not the case. After the cancelation of their 25th-anniversary tour, the band has been busy writing new BTBAM jams and releasing remixed and remastered versions of their classic early albums on Craft Recordings. The new version of Colors drops next month.
I assume it’s easy to look back at the aughts and be dismissive of the entire decade particularly from the perspective of metal or punk fan. Nu-Metal was slowly being phased out as any goodwill from the previous decade had eroded and acts like Simple Plan and Good Charlotte made everyone realize that maybe the idea of Pop-Punk was a mistake. But those who kept their ear close to the ground knew better than to become jaded. Hard rock was alive and well and young bands were doing very exciting things. Young bands like Between the Buried and Me with their seminal Alaska (Victory Records 2005/Craft Recordings 2020).
It appears that Protest the Hero have got some thoughts on today’s, let us say shit, political climate. When your opening track is called ‘The Migrant Mother’ it’s a bit of a tell that Palimpsest (Spinefarm Records) has some issues it wants to address. I mean, regardless of subject matter I’d still be all for Palimpsest. Come on, it’s Protest the Hero, I could listen to songs about cooking bacon as long as it’s a new album.
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The first time I saw Between the Buried and Me live was at The Gramercy Theatre in New York City, during a tour for their then-newly released Colors (Victory Records) album; it was a pivotal period for the group who had, at that time, seen a series of lineup changes in short order. Five drummers, four guitarists, and three bassists later, the band was shaping their sound to dull the edges from the ever-aggressive Silent Circus (Victory Records) and Alaska (Victory Records) albums to an arguably more technically complex, albeit at times mellower, Jazzy era that would set the tone for the rest of their musical trajectory as we know it today. Continue reading
Ghost Cult’s chief editor Keefy caught up with Tommy Rogers of Between the Buried and Me recently to discuss their upcoming remastered and remixed version of their debut album, due out on May 15th via Craft Recordings. We chatted with Tommy about the formation of the band, the post-hardcore, metalcore, and Death Metal scene the band came from in Raleigh North Carolina in their previous band Prayer for Cleansing and peers such as Code 7, Undying, Day of Suffering, recording with Jamie King on his first significant release and Jamie’s impact on the band, how the debut telegraphs elements of music the band would incorporate later, the process of remixing and remastering, what shaped Tommy as a singer and lyricist on the first album, taking “creative risks” as an artist, how the lineup change for the Alaska release shaped the future, how the band looked like nerds in their first photos, being a “keyboard” act in heavy music, his favorite song now from back then, and much more. You can order the album in several different bundles here https://found.ee/btbam-st-r and listen to our chat now.
Propaganda (Pelagic Records) is the first full length I’ve gotten my hands on from Belgian exports, BEAR. In description to their sound I see lots of online chatter about it being labeled as Progressive Hardcore which to me sounds very appealing as it conjures up thought of Botch or early Between the Buried and Me. And while there are moments of zonked out Prog on Propaganda, I’d say it was akin to Groove Metal even though I’ve never been particularly jazzed about that as a genre moniker. Continue reading
Impact Music Festival was a smash last year and is now back for 2019. On the bill this year are Five Finger Death Punch, Godsmack, In This Moment, Skillet, Evanescence, Killswitch Engage, Clutch, All That Remains, Between The Buried and Me, Atreyu, YOB, Memphis May Fire, Motionless in White, Norma Jean, Buckcherry, Beartooth, Andrew W.K., Fever333, Joyous Wolf, Crown Lands, Dirty Honey, Amigo The Devil, Dube, Mammothor and more bands to be announced. Taking place July 27th and 28th at Darling’s Waterfront Pavillion, it’s sure to be a good time! Get your tickets next Friday on January 25th, at the links below.Continue reading