I think as Extreme Metal fans we can all agree that we were getting a little antsy awaiting new music from Baltimore’s loudest sons, Misery Index. Watching the news every day through my fingers I know that the world and a certain leader are shit, so I figured Misery Index are in no shortage of material to convert into awesome grind sounds. But wait no more, children; Rituals Of Power (Season of Mist) is finally here. Continue reading
Brought to you by the minds behind Maryland Deathfest, Days of Darkness Festival have added more names to the bill Bell Witch, Claudio Simonetti’s Goblin, John Haughm (ex-Agalloch), Heavy Temple, Ecstatic Vision and more have been added to the already killer bill. They have one more major announcement, coming up soon. Full lineup so far and ticket links below.
Maryland Deathfest will be returning to Baltimore for its sixteenth year in 2018, and the final lineup has now been revealed. Continue reading
The 2017 Maryland Deathfest took place this past weekend in Baltimore, and from what I’ve heard, it was a dream come true for extreme metal fans. With a lineup that included bands like Candlemass, Morbid Angel, Autopsy, Akercocke, Insect Warfare, Birdflesh, Gorgasm, Terrorizer, Uada, Vader and more, how could it not be right?
In case you were like me, and missed out on all the fun, we have a TON of live footage from the festival for you below! Continue reading
For the 13th year, the inner harbor area of Baltimore is turned into what is known as Maryland Deathfest. This year being my first time, I went all out and made sure I was present for all 5 days/nights. After the hours upon hours of partying and headbanging, I had found an annual tradition that I almost feel obligated to return to year by year. Of course maybe not for everyday of the festival, but the experience alone is worth it.
Upon arriving in Baltimore Wednesday afternoon with a few friends, it did not take long to find all of the metal heads. Black t-shirts, denim vests, leather boots, jean shorts, and long-hair filled the streets and hotels. After unpacking in our rooms and wandering the streets, the Ottobar became filled with excited fans, ready to hear some great death metal from bands like Funerus, Drawn and Quartered, Massacre, and Incantation. The Ottobar had a bar tender just selling beers out of basins outside of the regular full bar. This served to be quiet convenient in between sets to go outside for fresh air then on the way back in, refill for the next band. Incantation certainly stole the night for me as I was able to see them for the first time a month earlier at New England Metal And Hardcore Festival, but on a very short set. Headlining at the Ottobar, this offered me another look at these death metal pioneers and I certainly enjoyed them more the second time around.Devourment, by Hillarie Jason Photography Origin, by Hillarie Jason Photography
Avoiding the first night parties, my pals and I woke up early and found a local diner for breakfast to consume as many carbs and cups of coffee as we could in preparation for the day ahead. The plan today was to watch some death metal over at The Baltimore Soundstage and then make our way over to Rams Head Live for late night doom. The Soundstage is a small, dim lit venue which I found to be perfect as this venue typically held the hardcore/grindcore bands for the festival. Merch tables and bars lined the outer walls which I am sure made a killing throughout the weekend. The lineup consisted of Mortal Decay, Origin, Internal Bleeding, Skinless, Devourment, and of course, Mobb Deep. One of my favorite moments from the Soundstage on this day was Jason Keyser of Origin/ex-Skinless jumped on stage with Skinless to perform one of the Keyser-era songs off of Trample the Weak, Hurtle the Dead. After a quick bite to eat in between Soundstage and Rams Head Live, I made my way into the back entrance of the venue. This venue was hidden away inside the building and actually had three floors with fans hanging over railings to get a view of the small stage up front. Just as I found a spot in the back on the railing of the second floor, the mighty Conan took to the stage and brought forth one of the heaviest guitar tones I have ever heard live. After getting through a trance inducing set from Ufomammut and a thunderous jam from YOB, it was time to head back to the hotel for some re-cooperation. The next day, we would get to venture to the Edison Lot.Conan, by Hillarie Jason Photography Ufomammut, by Hillarie Jason Photography Yob, by Hillarie Jason Photography
WORDS BY TIM LEDIN
Good Friday indeed! Oh the wonderful tales I could tell you about successfully defeating homophobia by simply walking away from loudmouthed dumbasses, or I could just review bands, which is a better idea, actually.
So, this is the second time I’ve seen New York’s Castevet here at Deathfest, and like their hometown, I’m not sure why it’s considered such a hot item, even though it has elements that I like. I enjoy their post-hardcore tendencies more than their Black Metal ones. Weird, ain’t it? I would have stuck around to hear more of Mgla (who are doing far more interesting Black Metal, straight as a shot of Beefeater), but I wanted to A) familiarise myself with the walk to and from the Baltimore Soundstage, because I would end up going back and forth. A lot. Like, more than a kid at a Gorilla Biscuits show, or someshit. Why do they do this to us instead of using the perfectly good former Sonar Compound for a shitshow, the only attraction being that beers were $3 rather than $6? Fuck logic.
Anyway, yes, Creative Waste from Saudi Arabia, pretty decent. They’ve got the novelty factor of being one of the only known Grind bands from that country for obvious reasons, though they could stand to be more creative in the years to come. They’ve got potential, however, and it’s sweet they could make it out to the US and do stuff.
After a bit of getting wasted, I walked back to check out Ruins Of Beverast, and I honestly found their brand of Teutonic Black Metal a tad dull. I swear one of their songs was repeating the same section over and over and over and over until I finally realised it, and then, as if to fuck with me, suddenly it changed. Is this what it’s like having a bad trip just to snap back into reality and find your loved ones dead? No? Completely off-base? I mean, I like atmosphere and all, but I didn’t come to Baltimore to be lulled to eternal slumber. That’s what got me in trouble the last two years.
Following that was Necros Christos, and I must say, golf claps to having the most evil sounding bands play in the bright Baltimore sun. The irony was lost on nobody, I hope. They were decent enough, I remember, but nothing truly stuck out. Yep, the drought of interest was alive, but luckily Lake ACxDC was nearby to quench my thirst for some hard-hitting PV. Since it was still early in the day and not everyone had warmed up, you can guess that the pit was live, but not entirely lit up. Their caustic mix of standard Powerviolence and wacky fun-loving Grindcore makes for some good Christkillin’ tunes, indeed.
A second helping of Coffins was on the menu, and boy was I hungry for more topsoil. Coffins could have played all four days and I’d have no problem with that at all. This time around they played more of their “fast” songs, meaning those with more mid-paced tempos, and even ‘No Saviour’, featuring a blastbeat, which, in my Coffins listening experience, is quite a rare treat. This, however, only proves that the band is not a one-trick pony, and is capable of devastation at several different speeds. Efficiency is terrifying; just ask the Nazis. Not a band to repeat themselves too much, the only returning tracks were ‘Evil Infection’ and ‘Altars In Gore’, the latter of which made the dance floor shine. With sweat. And beer.
Turning 30 just last year, Norway’s Taake has never been in the U.S., because playing shows in America is not Black Metal, or something. Hoest even decided to wear a robe rather than go balls-out, which would make more sense, given that the weather’s pretty nice around those parts at this time.
Controversy about telling someone to “go suck a Muslim” —something Creative Waste would probably not appreciate— and all other bullshit that has lead to people falsely pinning the NS tag on them, Taake is probably one of those bands that you hear about more than actually hear. Having exposed myself to some of their music, I can say with certainty that it is good Norwegian Black Metal, and controversy be damned; those riffs are ice fuckin’ cold, son. I’m not terribly familiar with much of their music aside from the hilariously awesome banjo solo on ‘Myr’ from Noregs Vaapen, but I hope this means that they can come back sometime without me having to pay hundreds of dollars. Also, I saw this dead bird on the way in to see them. Someone removed the bird later, but didn’t touch the dog shit, because I dunno, that’d be weird?
Having to dash from the fog to catch the almighty Capitalist Casualties was a painful, but necessary decision for me to make. If I even missed a minute of their set, I probably would have missed two or three songs, and that is, I assure you, not entirely an exaggeration.
Blistering, impossible hailstorms of insane start-stop tempos, rapid-fire vocals and scathing guitars that straddle the line between an all-out Thrash attack and condensed hardcore ferocity, and I suppose you’ve noticed that I’m fanboying so hard I can’t even stop using ad-words. I’ll be up front and say Capitalist Casualties was one of the main draws for me this year, alongside Coffins. With a 40 minute time slot, I estimated that they’d play at least 10 songs that I knew. I overshot it by three or four songs, but still, good enough. The fact that they played ‘Selfish Parochialism’ nullified the fact that they didn’t play ‘Violence Junkie’, or more from their split with Man Is The Bastard, but I seriously can’t even bitch, because since I don’t live in California it’ll probably be another few years til I get to see them again.
But the madness was far from over, as Italy’s grind virtuosos Cripple Bastards were up next to ruin any semblance of a face remaining from the previous assault.
Ranging in styles from faithful three-chords-and-the-truth punk rock to blasting grind, to fret-melting death metal, Cripple Bastards are certainly not short-sighted in their brutality. I’d know what they talked about if I spoke Italian, but I get the feeling that it falls in line with socio-political vitriol, as grind is wont to do. From Assück to Discordance Axis to early Extreme Noise Terror, grind has many flavours, and Cripple Bastards brings a whole plate of goodness to the genre. Just thinking of Italy makes me hungry because I’m fat.
After my lower back was adequately punished by Punx Aerobics 101, I took yet another long walk (and it got longer every time) back to Edison to catch At The Gates, no big deal.
Alright, so I lied, pretty big deal. At The Gates is only one of the most legendary Melodic Death Metal bands that actually still plays Melodic Death Metal. Who does that shit anymore? Not In Flames, I can tell you that much, even though I love them to death. But yeah, to see the fucking pit surge during ‘Terminal Spirit Disease’ is like a breath of fresh air for MeloDeath. Some dude even got into the circlepit with a camera in hand, and somehow it didn’t get broken. What a man. He’ll put a baby in me one day.
The most pleasant surprise of the set: they actually played ‘The Beautiful Wound’. Holy shit; I thought I was the only person that cared about that song for some odd reason. Killer doesn’t begin to describe it. With fear, I kiss the burning awesome.
Following that with the atmospheric as hell black/death/doom two-piece meal Bölzer made for an odd contrast, but it was pretty chill, despite being given the distinct feeling that I had been launched into empty space. Not much I can say about these guys, unfortunately, but they’re good, so check ‘em, if you want. California’s most likely to be sued for medical malpractice, Impaled, however, was what my ears had their hearts set on at that hour. I intended to catch some of Enthroned, but they took too damn long to set up, and ironically enough, Impaled also were taking ages to set up, and thus started ten or fifteen minutes late. But fuck it, it’s Impaled playing ‘The Dead Shall Dead Remain’, in full, with dudes dressed as doctors, Hæmorrhage style, crowdsurfing/moshing in ‘blood’-spattered lab coats and surgeon masks.
To add fuel to the spiritual bonfire of Bacchanal celebration, the infamous MDF Party Brigade struck suddenly with a bunch of glowsticks, inflatables, and other goodies. One second, it’s just Impaled playing, the next, it looks like someone turned on a garden hose that shoots little plastic things you should never, ever, ever, eat. Ross Sewage says: “Always tip your bartender, especially if they give you the ‘Spirits of the Dead!”
Then I went and caught some Incantation, and I must say they’re not quite as slow as I expected, since I believe some of their members had been in Disma, and lemme tell ya, that band’s pretty slow. I kinda liked it, but would have preferred if vocalist John McEntee (also known for his work in Mortician and live stints in Immolation) didn’t insist on trying to sound “evil” even though song titles like ‘Emaciated Holy Figure’ do that well enough. Sounded like a damn cartoon goblin. How brutal. No harm intended, it was just ridiculous being referred to as “sick fucks” two or three times in a 10 minute span. Good night.
WORDS BY SEAN PIERRE-ANTOINE