Oranssi Pazuzu performed their entire new album Mestarin Kynsi live yesterday as a livestream with a full stage performance. Mastermind Jun-Hiss went deep into the album lore recently in an interview for our Ghost Cult Podcast and had hoped to perform the entire album live for fans at some point since it is intended to be an entire piece of music, not an album with tracks and singles. Watch it now!
Ghost Cult caught up with Jun-Hiss of Finland’s incredible Psychedelic Black Metal group Oranssi Pazuzu recently to discuss their new album Mestarin Kynsi, due out this Friday, April 17th, 2020 via Nuclear Blast. He spoke about the concept of the album, lyrical influences, the writing process that created the album, their new music video for ‘Uusi Teknokratia’, the ways that their other band Waste of Space Orchestra and their main group differ and affect each other, thoughts on the impact Roadburn Festival and its organizers has had on the avant-garde black metal world, and much more. Listen to our interview below and pre-order the album here Continue reading
Sad news to pass on as avant-garde icon and Industrial Music pioneer Genesis Breyer P-Orridge has died. S/he – h/er was 70 years and passed away following a three year battle with chronic myelomonocytic leukemia. The news was confirmed last night to Pitchfork and then shared to social media by Dais Records co-founder (and P-Orridge’s manager) Ryan Martin. As a founding member experimental bands Throbbing Gristle and Psychic TV, h/er five decades as a musician, poet, performance artist, and occultist was best known for h/er influential work in the industrial music genre and was often referred to as the “Godparent of Industrial Music.” Not just a genius creator of music and art, but a constant provocateur and defying of cultural norms and the status quo of the establishments of governments, religion and more, we will never see a once-in-a-lifetime talent and personality like this again. We send our condolences out to h/er familiy, friedns and fans at this time. Continue reading
Post-Hardcore is a sub-genre that gets tossed around today as commonplace, but in the early 1990s, it was a new little brother that the older sibling was not ready to cede attention to. As Hardcore Punk mutated into other offshoots, post-Hardcore started to gain ground. In New York City alone, the epicenter for many new waves of hardcore music, a lot of bands crossed over (see what we did there) and bands started to absorb elements of both with Prong, White Zombie, and Biohazard were all leaning more on metal vibes, Quicksand formed by members of ex-hardcore legend status bands we’re pushing towards a new sound. Heavy, but not in a tough guy way, vulnerable, but smart. By the time the members of essential musical outfits Gorilla Biscuits, Youth of Today, Beyond, Bold, Burn, and Collapse formed an anti-supergroup, released demos and the amazing Slip (Polydor) album, and toured tirelessly, fans in the scene could feel they were building to something huge. They walked in both worlds of Punk and Metal but were also world-building themselves at the same time. Continue reading
According to a published report, in a new interview with Premier Guitar, Duane Denison (Jesus Lizard) says that supergroup Tomahawk is working on a new album. It will be the follow-up to their 2013 release Oddfellows (Ipecac Recordings). Watch the video below! Continue reading
Honest question: Who started the whole let’s get an orchestra or symphony type shit behind extreme metal? I know Dimmu Borgir has made some serious bank behind it with the fabulous Death Cult Armageddon and Fleshgod Apocalypse has obscured their lack of riffs with said gimmick, but can we let that trend die? I think I’ve had my fill. But what the hell do I know as Necronomicon has an album worth in Unus (Season of Mist) of synths and faux orchestrations designed to elevate death metal from simply crushing to the upper echelons of the avant-garde. Continue reading
Sad news as classic rock icon Peter “Ginger” Baker, who rose to stardom in the 1960s with supergroup Cream, has died. He was 80 years old. The news was shared by his family in a post to Facebook, which you can see below. Baker died after battling a history long illnesses, including heart problems, and was hospitalized just recently. Baker was arguably the greatest drummer of his generation, and an all-time great along with Buddy Rich, John Bonham, Keith Moon and more. Best known for his work with Cream, Blind Faith, Ginger’s Baker’s Airforce and as a solo artist, performer, and clinician; Baker’s blend of Jazz music mastery and at times unrivaled power and creativity was a revelation compared with others at the time. His stint with Cream, particularly their live performances, was etched in the minds of a generation of would-be players.’ Politician’ by the band is arguably the first metal and stoner rock song. He certainly inspired the likes of progressive rock drummers to follow him such as Neal Peart and Carl Palmer. Eric Clapton is the sole remaining living member of Cream, now that Baker and Jack Bruce have passed away. Baker’s often had famously cantankerous and surely reputation, solidified by the documentary Beware of Mr. Baker. The film asserted that Baker was the greatest drummer ever, a sentiment Baker himself agreed with. We send out sympathies to his family, friends, and legion of fans at this time. Continue reading
Experimental noise/art project Murderspell quietly released their first music last year to Soundcloud, creating a nightmarish soundscape that invades the subconscious mind. Their tracks are complemented by short art films set to their music, creating an ongoing narrative about trauma, feminism, anti-patriarchal spell casting, magic, goddess worship as a means to end rape culture. One of the video pieces the group has created is currently part of an exhibition at the prestigious Westbeth Gallery in New York City. It runs through Augst 15th and open to the public.
On this day twenty years ago the final studio album from the wild and weirdly cool, insanely talented Mr. Bungle, California (Warner Bros), was released. At the time it seemed like the band best known as the side project of Mike Patton had long legs as if they would go on to make many more albums afterward. Sadly, it was not meant to be. Still, California holds up today as a strong album and a forebearer of further musical projects all of the members would undertake in the future. Continue reading
I basically came out of the womb listening to music. I was lucky enough to be one of those children that grew up being exposed to a multifaceted plethora of music genres. Today, when I started listening to the new album by Pinkish Black, Concept Unification (Relapse Records), I was caught up in a wave a delightful nostalgia. The music flooding my ear holes, created by the Fort Worth Texas duo of Jon Teaque and Daron Beck eerily reminded me of the solo work of one of my favorite bassist of all time, John Entwisle. Entwisle did an album in 1972, titled Whistle Rymes (MCA Records), that I feel the new Pinkish Black album echo’s. What am I trying to say here? I am saying that Concept Unification is fervently grandiose. Continue reading