ALBUM REVIEW: Portal – Avow


It lies deep within the cold vastness of space. A distant, inhospitable land that exists at the farthest reaches of an unforgiving, lonely planet. Cast adrift and surrounded by an ocean of venomous, fanged, and tentacled monstrosities lies an island of such unimaginable manifestations of horror that madness and fear await every nervous footstep with eager, slurping lust. Crawling, slithering, scuttling, swimming, hiding. It waits.

Australia.

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ALBUM REVIEW: Wreche – All My Dreams Came True


The concept of metal without electric guitars might feel like an oxymoron. After all, guitar riffs of one type or another have been the key bedrock of the genre ever since Black Sabbath. But Wreche is different. John Steven Morgan, the multi-instrumentalist and vocalist behind the band, makes a kind of experimental black metal using acoustic piano as the lead instrument. All My Dreams Came True (Handmade / Acephale Winter Productions) is the second Wreche album and the first on which Morgan operates Wreche as a one-man-band (aside from two guest appearances), providing synthesizers, drums, and vocals as well as what the press release describes as an “88 key, 700lb behemoth running hot on distortion and space echo.” Morgan also recorded, mixed, and mastered the album himself.

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Jack Terricloth, Frontman of World/Inferno Friendship Society Has Died, Age 50


Sad news has come to us via correspondent Scott Sommer- Jack Terricloth, a legendary genre-bending Cabaret Punk artist from New York’s World/Inferno Friendship Society has died. He was 50 years old and no cause of death has been revealed. Although Jack was lone permanent member, a post was made to the bands’ social media breaking the news. Born Peter Ventantonio (June 11, 1970-May 13, 2021) he was also the guitarist and vocalist of Sticks and Stones. RIP Jack.

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ALBUM REVIEW: The Body – I’ve Seen All I Need To See


Metal, for all its anti-establishment credentials, can often be quite conservative. Many of the same old tropes have been rolled out again and again for the past four decades or so. Whilst that’s not a major problem for many metal fans, it is arguable that the same recycled ideas just don’t have the same impact that they once did. What once seemed impossibly heavy, deafeningly loud, even shocking or transgressive, can now be played on mainstream radio without anyone raising an eyebrow.

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ALBUM REVIEW: Opium Warlords – Nembutal


As much as I enjoy Reverend Bizarre and plenty of Sami Hynninen’s other various projects, I’ve honestly not been as enthused about Opium Warlords. Their experimental brand of Drone Doom tends to be rather hit and miss, producing ideas that can be intriguing but more frequently stretched beyond their limits or constructed haphazardly. Their fifth full-length album, Nembutal (Svart Records), doesn’t promise anything different yet I find its execution to be somehow more palatable than anything else they’ve released.

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ALBUM REVIEW: Old Blood – Acid Doom


It’s oddly satisfying when an album’s title is also an accurate descriptor for the music it contains. This is more or less the case with Old Blood’s second full-length album, Acid Doom (DHU Records/Metal Assault Records). While the group’s style may not be crushing in the traditional sense, their brand of Heavy Psych has a dark sultriness that should sit well with fans of groups like Uncle Acid and Blood Ceremony. And considering the four-year gap since their self-titled debut, it’s fair to say that things have only gotten more off-the-wall in that time.

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ALBUM REVIEW: Imperial Triumphant – Alphaville


Taking its title from the 1965 Jean-Luc Goddard movie of the same name, and reverberating with echoes of Fritz Lang‘s 1927 silent classic, Metropolis, everything about Alphaville (Century Media), the latest album from New York trio Imperial Triumphant, is costumed heavily in film noir science fiction. Its unique atmosphere furthered by impressive cover art from Zbigniew M. Bielak, the Polish artist noted for his work with Swedish act, Ghost.Continue reading


Watch Oranssi Pazuzu Perform Their New Album “Mestarin Kynsi” Live from Quarantine


Oranssi Pazuzu performed their entire new album Mestarin Kynsi live yesterday as a livestream with a full stage performance. Mastermind Jun-Hiss went deep into the album lore recently in an interview for our Ghost Cult Podcast and had hoped to perform the entire album live for fans at some point since it is intended to be an entire piece of music, not an album with tracks and singles. Watch it now!

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