Ghost Cult once again brings you another “End Of Year” list, full of memories, and other shenanigans from our favorite bands, partners, music industry peers, and other folks we respect across the world. Today we have Simon Glacken of I Like Press, one of the top publicists in the UK. If you happen to not know his name, you certainly know the bands he reps due to his tireless work such as Anathema, Paradise Lost, Katatonia, Darkthrone, 65daysofstatic, Bloodbath, Black Moth, The Pineapple Thief, My Dying Bride, TesseracT, Mammoth Weed Wizard Bastard, SikTh, Mos Generator, Crippled Black Phoenix, and Cradle Of Filth to name just a few. We thank Simon for his thoughtful and detailed list of his Top Ten Albums of 2016. Continue reading
Punk rock supergroup Vanishing Life which counts members of Rise Against!, Quicksand, …And You Will Know Us by the Trail of Dead, Gorilla Biscuits and Bad Religion, have their début album Surveillance dropping tomorrow from Dine Alone Records. Check out new single ‘Thinking Weightless’ below: Continue reading
As reported by several music outlets, Vanishing Life, a new group made up of members of Quicksand, …And You Will Know Us By The Trail of The Dead and Rise Against have an EP coming out on Collect Records this month. Their debut 7″, ‘People Running’ b/w ‘Vanishing Life’. Spearheading the super group is legendary hardcore/post-rock veteran Walter Schreifels (The Dead Heavens/Gorilla Biscuits/Quicksand/Rival Schools) who has written some songs, but is maily doing vocals for the first time in his career. Joining him are Trail of Dead members, Jamie Miller and Autry Fulbright, and Rise Against‘s Zach Blair. Collect Records is owned by Thursday/United Nations’ Geoff Rickly runs with Texas is the Reason’s Norman Brannon. The band will make an appearance at the upcoming annual CMJ Music Marathon Festival in New York, which will serve as their live debut. They are also doing two in-stores on October 18 in New York with two in-stores that day: one at 2 PM at Generation Records in NYC and another at 6 PM at Looney Tunes Records in West Babylon. They’ll be playing a brief set and doing a signing at each.
You can listen to the first track below:
Former …And You Will Know Us By The Trail Of Dead member Jason Reece is well known for being an Indie Rock enfant-terrible, destroying equipment and playing squalling discordant alt rock á la Sonic Youth. Yet with Midnight Masses, Reece has looked to produce more gentle, soulful material which still beats with the same black heart of his main act.
Manifesting in 2008, Midnight Masses have been labelled with many genres such as ‘Gothic Americana’ and ‘Grunge Gospel Folk Rock’. Truly there is no easy way to encapsulate this band into a catchy genre sound bite, and they are all the better for it. Singer Autry Fulbright’s take on his band’s multifaceted sound is “The sound of a city… In the middle of a desert” whatever that means.
Amassing over 14 members, Midnight Masses weave hazy psychedelic landscapes with some 1960’s atmospherics, Gospel vocal passages and Krautrock textures. Think Josh Homme, Neu! and Unkle jamming under an isolated desert sky and you’ll be close. As experimental as this all sounds, there are some very catchy tunes on Departures (Superball/Century Media),‘All Goes Black’ has a beautifully catchy chorus despite the melancholy overtones that permeate its every nuance. Since Fulbright wrote their debut to cope with the loss of his father, several other members of the group also experienced the loss of loved ones which accounts for the largely solemn feel.
Introspective and indulgent, painting with a myriad of styles Departures occasionally loses its way. When following the path of gothic alt rock on ‘Am I A Nomad’ or the surprisingly upbeat ‘Clap Your Hands’ provide a much levity from navel gazing to produce moments of true beauty. Undeniably talented, the overall impact is blighted by a lack of cohesion, leaving the mind able to wonder aimlessly when it should be focussed on the journey ahead.
Grief and loss have made some truly extraordinary records, yet the lack of clear direction towards either big city lights of earthy rural darkness leaves us somewhere in no man’s land.