ALBUM REVIEW: Wayfarer – American Gothic


 

American Gothic (Profound Lore) opens with a great deal of fanfare – a Western-tinged throb of guitar before you are reminded Wayfarer are a Black Metal band: snarled vocals control the mic, the drummer leans into a deliberate double-bass attack rather than joining the blast-beaten status quo… the band displaying a dynamic progression as songwriters on their fifth album as they continue to get even better with each release.

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ALBUM REVIEW: Louise Post – Sleepwalker


 

As confessed in the song ‘Volcano Girls’ the seether is clearly Louise Post. Even after stepping out from behind the name Veruca Salt for Post’s debut solo album Sleepwalker (El Camino Media), the DNA of the band can be heard all over this album. The youthful enthusiasm that drove the nineties band still empowers this album, making it clear that she still has it.

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Crosses (Deftones, Far) Shares a Remix of “Day One (Machinedrum Remix)”


 

Crosses a.k.a. ††† the duo made up of Deftones’ Chino Moreno and producer/multi-instrumentalist Shaun Lopez has shared a new remix of their track “Day One (Machinedrum remix).” You can stream the track on all DSPs and watch an official visualizer below. This is the first new music from the band since their cover of George Michael’s “One More Try” for their annual Christmas covers series. The group released their new EP, Permanent.Radiant (read our review here). Continue reading


ALBUM REVIEW: Wallowing – Earth Reaper


 

Much like the dense expanses of sci-fi space that their music thematically focuses upon, the UK’s Wallowing are a band of mystery. With their identities largely hidden and their physical presence in cloaked and masked outfits, Wallowing instead allow their music and their theming of darkened science fiction to be the true focus of their creative outlet.

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Crosses (Deftones, Far) Shares a Cover of George Michael’s Classic “One More Try”


Crosses a.k.a. ††† the duo made up of Deftones’ Chino Moreno and producer/multi-instrumentalist Shaun Lopez has shared heir cover of George Michael’s “One More Try” accompanied by an animated visualizer. Releasing covers is now a holiday tradition for the duo, with last year’s rendition of “Goodbye Horses” by Q Lazarus. With the Crosses touch on it, this 1980’s heartbreaking ballad takes on an even greater weight, considering the upcoming 8th anniversary of George Michael’s death on Christmas Day. The group just released their new EP, Permanent.Radiant (read our review here). Purchase, stream and Watch “One More Try” here! Continue reading


EP REVIEW: Crosses – Permanent.Radiant


 

Crosses, or ††† if you prefer, really prefers foreplay to making love. The synthwave and electro-rock music duo made up of Deftones’ frontman Chino Moreno and Far producer/ multi-instrumentalist Shaun Lopez has been teasing us for over a year with singles, a top-tier cover, and pulse-quickening videos as they readied their new EP, Permanent.Radiant (Warner Music Group). Fit in and around Chino’s heavy schedule with Deftones and Shaun’s producing work, the new EP continues to build upon the path they laid out, minus former collaborator Chuck Doom, who has departed the project.

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ALBUM REVIEW: Holy Fawn – Dimensional Bleed


Back in the tail end of the seventies, Bon Scott of AC/DC sang “if you want blood, you got it.” Over four decades later in 2022, we might hear a comparable rallying cry from vocalist/guitarist Ryan Osterman and his post-rock/shoegaze band Holy Fawn. However, on Dimensional Bleed (Wax Bodega) — the Arizona natives’ second album — the message would be more like “if you want relentless, beautiful sadness, you got it.”

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ALBUM REVIEW: Oceansnow – Vivienne


Following on from dropping their debut EP Celestial Towers Of Silver Ash in 2021, Vivienne is the follow up release from Oceansnow, having signed with Italy’s Avantgarde Music a label specialising in quality black and doom metal in all their forms, with recent notable releases from the likes of A Pale December and Noircure, and a stable which also includes Abigor and Violet Cold. Continue reading


ALBUM REVIEW: The Body with OAA – Enemy of Love


Does your office or day job have that one annoying guy who wants to talk about heavy music with you because he noticed your Iron Maiden patch on your backpack? You know the guy. He’s the dude who keeps telling you about how he saw Disturbed at Ozzfest 2001 and regales you with tall tales about his exploits in the “mosh pit.” Well, next time he approaches your desk and asks what you’re jamming to do yourself a favor and throw on The Body’s latest collaboration (this time with OAA), Enemy of Love (Thrill Jockey). You’re welcome.Continue reading


ALBUM REVIEW: Portrayal of Guilt – CHRISTFUCKER


E-mail comes in from my editor regarding some upcoming reviews. Okay, new Portrayal of Guilt, should be promising. Wait, this must be some kind of mistake on behalf of my editor. I already reviewed Portrayal of Guilt’s We Are Always Alone back in February. Album of the year type stuff. Another e-mail later clarifies that this new album is titled CHRISTFUCKER (Run For Cover). Alright, but who drops multiple LPs in one calendar year?

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