Maryland Deathfest held their annual festival in the venerable city of Baltimore a few weeks back. The four-day is one of the best-run independent underground metal festivals in the world. As usual Ghost Cult was on hand for the festivities, with Hillarie Jason bringing you her spectacular eye on bands through photos. Continue reading
Maryland Deathfest has announced their daily lineups for the 2019 festival. Last week they made their “round two” announcement, but “a handful of bands will be announced this week to wrap up the billing”. All ticket options are now on sale at the link below. Continue reading
Maryland Deathfest has added a plethora of new bands to the 2019 festival. Borknagar, Unleashed, and Benediction will all play Exclusive USA shows at the fest and joining them are Voivod, Anaal Nathrakh, Churchburn, Revenge, Primitive Man, Spectral Voice, Neckbeard Deathcamp and many more. Usually, round two is the “final announcement for MDF, but “a handful of bands will be announced next week to wrap up the billing”. All ticket options are now on sale at the link below. Continue reading
In 2011 Boston quartet Morne tore up the Atmospheric Doom template with sophomore album Asylum (Profound Lore): a dark, brooding masterpiece with strong Crust influences, it garnered favourable comparisons with the likes of Neurosis and Agrimonia whilst acknowledging their own identity. Fourth studio album To the Night Unknown (Armageddon/MORNE) is the band’s first recorded output for five years, and it kicks in with fizzing tension. Continue reading
Ghost Cult brings you another exclusive playthrough video from Casket Robbery. Watch guitarist Cory Scheider run through the song ‘Asylum’. In the video clip, Cory runs through the track, laying down his rhythms with murderous precision, while the split screen gives you a look at how to pull of some killer neo-classical inspired harmonies. You can watch the video at this link or below:
Casket Robbery released their new full-length album ‘Evolution of Evil’ from Mortal Music earlier in the month.
Disturbed’s quest to “Secure a legacy that will never die”, remorselessly exclaimed during the title track of their sixth album, has, surely, already been achieved over a fifteen year recording career that has seen them outsell all but a handful of their contemporaries, and with a stellar canon under their belt. But as they “feed on domination”, they’re back to prove that, despite a hiatus of five years, they’re still the top dogs.
No mistake is being made here: Immortalized (Warners/Reprise) further cements their status as pack masters of mainstream metal. There are few surprises, a tweaking and refinement here and there, an absence of “Wah-ah-ah-oh”’s, but Disturbed are back at bat and swinging for the fences with the same World Series winning technique and bluster they’ve always had, armed with a consistent and strong collection of anthems, an assembly that serves to showcase the best of everything they’ve had to offer throughout their career.
As cock-of-the-walk with inflated chest puffed out, assured, this is a release that shows strength in depth by having a tail that wags as strong as the top order hits and there is an excellence in simplistic execution prevalent throughout. Songs are punctuated by unashamed chugged fist-pump and head-bang inducing riffs, syncopated verses are rhythmically and melodically strong, bridges lift and escalate songs to powerfully delivered choruses that open out to epic anthems as, in a lot of ways, Disturbed call to mind Manowar in terms of style and structure. Tracks are based around the succinct pounding rhythmic guitaring of Dan Donegan with great vocals (and vocal lines) raising each track to the rafters. While the rhythm section may dependably underpin, once again, David Draiman is the star, his distinctive tones and melodies firing this album up.
Whereas Asylum and especially Indestructible (both Reprise) had a tendency at times to sound a bit rote and by numbers, when the melodious ‘The Light’ rolls in, ‘Open Your Eyes’ – a festival anthem in the making, crafted for a sea of voices to join in as (ten thousand) fists fill the air – stirs, the dark metallic ‘Save Our Last Goodbye’ powers by, ‘What You Waiting For’ lurches and bounces, ‘Never Wrong’ gets down with The Sickness (Giant/Reprise) and the piano-led inspired cover of Simon and Garfunkel’s ‘The Sound of Silence’ brings gravitas and a change of emotion, all under the controlling voice of Draiman, this is an album with depth, angles and shades at each turn, all while remaining undeniably and unashamedly Disturbed.
And that’s without taking account of the more straight-forward stadium metal belters of ‘Who’, ‘The Vengeful One’ or the title track…
If they do indeed feed on domination, then there should be some full and sated bellies.