Mourn The Light offers Traditional Doom Metal with a few twists on their first full-length album. It doesn’t quite hit the full operatic scope of Epic Doom or reach the speeds of Classic Metal, but influences from both at work throughout Suffer, Then We’re Gone(Argonauta Records). The riffs and song structures are in line with the busy nature of Psalm 9-era Trouble while the vocals offer a husky but theatrical bellow, drawing further comparisons to groups like Altar Of Oblivion and Argus.Continue reading →
While Legacy Of The Anointed (Argonauta Records) may be Spiral Grave’s full-length debut, it’s easy to also think of it as the sixth Iron Man album under a different name. After all, the musicians involved were part of that band’s last active lineup with guitarist Willy Rivera in place of the tragically passed on bandmate, Al Morris III. The style also bares a superficial resemblance to the Doom Metal approach last seen on 2013’s South Of The Earth. However, there’s a distinction between the two entities and Spiral Grave uses that connection as a springboard for their own identity.
Swedish Stoner rock supergroup Wooden Fields has signed to Argonauta Records and will release their debut album later in 2021. The band features members of prominent stoner bands such as vocalist and guitarist Sartez Faraj (Three Seasons, Mouth Of Clay), Siena Root- bassist Sam Riffer, and Fredrik Jansson Punkka (Witchcraft, Angel Witch) on the drums. The band has shared a teaser from the studio which you can see here.
Following in the footsteps of their fellow Finns in Reverend Bizarre, John The Baptist’s self-titled debut pushes Doom Metal to its most excruciating limits. Befitting the incredibly drawn-out track lengths and overall runtime, the tempos crawl at an agonizingly glacial pace with the climactic speedups coming up as long overdue rarities. The production is raw without getting too lo-fi as the guitars and bass sit in near equal prominence while the vocals aim for an unhinged, operatic character. It’s decently made but also seems designed to have next to no appeal beyond the deepest of niches.
A band name that works beautifully on so many levels – profound, Sci-Fi, comedic – Italian quintet John, The Void’s sound is now firmly attached in the former, having spent time dallying in the first two descriptors. Second album III: Adversa (Argonauta Records) adds a further, more grave distillation of that desolation whilst maintaining a subtle, warm influence.Continue reading →
It’s been seven years in the making, but one can excuse a big chunk of the wait for Copenhagen Rock collective Redwolves’ debut album Future Becomes Past (Argonauta Records). Just over two years ago frontman Rasmus Cundell was the subject of a brutal assault, yet despite the evidence of his scars being littered throughout the album, there’s a paradoxical lightness shining through.Continue reading →
Little is known of Gothenburg trio Earth Messiah, save for well-received 2017 demo Nocturnal Thoughtgrinder (self-release). Debut album Ouroboros (Argonauta Records) should boost that reputation with a healthy, lively supply of Stoner Blues that really slicks the grooves.Continue reading →
It may sound like a whimsical name for a quaint English country cottage but Dun Ringill has a far more serious pedigree, its members grouped from the ranks of Doomdogs and The Order Of Israfel among others. Debut album Welcome (Argonauta Records) drags influence from Nordic Folk as well as other more eccentric fields, while retaining something of a Stoner groove.Continue reading →
No, it’s not a quirky mix of Lazarus and Nazareth. Italian Stoner / Grunge quartet Sons Of Lazareth are apparently named after an old family farmstead and, after four years on the road, debut album Blue Skies Back To Gray (Argonauta Records) is about to open up these jolly revheads to the wider market.Continue reading →
There’s always a grimacing thrill from within when a new doom record is released. And the kind of lasting doom that stains your skin with grief and agony is hard to come by. The debut release of New York dwellers Witchkiss, The Austere Curtains of our Eyes (Argonauta Records), has sparked a lot of heavy anticipation and curiosity in the community and rightfully so. This body of work has been a long time in the making with partners Scott Prater and Amber Burns spearheading vocals, guitar, and drums along with Anthony DiBlasi on bass. And the result is definitely worth your attention.Continue reading →