And now, the end is near, and so we face the final curtain. My friends, we’ll say it clear, we’ll state our case, of which we’re certain. We’ve lived a year that’s full, and listened to each and every album (well, a good several hundred, in any case), But more, much more than this, We did it our way…
Carcass with Surgical Steel (Nuclear Blast) in 2013, Behemoth and The Satanist (Metal Blade) in 2014, Ghost in 2015 and 2018 with Meliora and Prequelle (both Loma Vista), Magma (Roadrunner) by Gojira in 2016, and 2017’sEmperor of Sand (Mastodon – Reprise) is our legacy. Those incredible, scene-enhancing, ear-destroying releases are the standard-bearers by which Ghost Cult‘s albums of the year are to be judged. These are the albums of our times; and following another sensation year of great alternative, rock, and metal, the pantheon cries out for more, for another slab of wax, another Album of the Year to join them… the very best of 2019.
With a fully democratic poll of the views and votes of the length and breadth of Team Ghost Cult (including our photographers, reviewers, newshounds, podcast and YouTube contributors) taken, with no editorial steer or amendment, we present to you Part 1 (75-41) of the Official Ghost Cult Albums of the Year for 2019, for your vulgar delectation… Continue reading →
By the time the final album for 2018 is released, from Watain’s Trident Wolf Eclipse (Century Media) to Sulpher Aeon’s The Scythe of Cosmic Chaos (Van) – both of which were reviewed by Gary Alcock, and neither of which made the final list, trivia fans, – over 1,000 albums will have passed through the Ghost Cult reviews inbox, we will have covered just shy of 550 releases (we do a fair bit of filtering to protect our writers ears from some of the less inspiring releases), and our entire crew will have nominated and voted for 244 of them to be considered as our #1 for the year. Continue reading →
In previous incarnations of these end of year pieces, whether hosted by the good ship Ghost Cult, or wherever, I’ve indulged myself by launching into a kind of state of the world address at the outset. You’ll be pleased to know that, in the main, I’m going to spare you such an ordeal and just get down to the business of Heavy Metal brilliance. Why, you cry? Because, listening-to-music-wise (and in general), I’m in the best health I’ve been in for a good twenty years, I’m back in my zone of loving what I love… oh, and there’s a lot of damn good metulz to get through! So, here be my snapshot in time at my thoughts on 2017… (note, “favourite”, not “best”) Continue reading →
Continuing our round-up of the very, VERY best albums of 2017, we pick things up where Part 1 left off… So, without further ado, immerse yourself in our recommendations of our favourite and the absolute best albums of the year, as we bring you Part 2 (25 – 2) of the official Ghost Cult Album of the Year (2017) countdown: Continue reading →
As the dust begins to settle on what will undoubtedly go down in a history as a fine year for heavy and progressive music, the Ghost Cult crew present our favourite albums of 2017. While a year with only a couple of genuine life-changing, genre redefiners, nevertheless 2017 has seen an absolute plethora of very, very high quality releases. With over 400 albums reviewed this year, at an average of 7.5/10, there was a deep pool of quality releases selected and dissected throughout the year. A genuinely democratic inner sanctum here, we now present Part 1 of an official Ghost Cult Album of the Year (2017) run down that s truly representative of Ghost Cult, our writers, and our musical position as a site. Please share your thoughts and comments on the music we collectively love, as we countdown from 50 through to 26… Continue reading →