Long established as one of the greatest live acts on Earth, Amenra has also always had great, purposeful albums with heady concepts. Following their Mass titled albums I through VI, released over fourteen years, the band has rebirthed itself into a new final form. De Doorn begins their association with the mighty Relapse Records, continuously the arbiter of good taste for extreme music. From epic post-Metal, pastoral Folk motifs, moody post-Rock moments, to wicked eruptions of pain and grief stricken movements; Amenra’s music simultaneously feeds the brain and soul.
It’s not often that a side project from an acclaimed band can stand on par with said original group. After all, a lot of sidebands become the vacation parent to fans; as a stop-gap measure for artists to toss eager followers a bone in between releases. However, that is not true of Stone Sour, launched in the shadows of Slipknot, and for over fifteen years has slowly ascended to the hard rock pantheon on their own merits. In fact, on their new album Hydrograd (Roadrunner), the band has put out an album that actually surpasses a few Slipknot releases outright. Continue reading