The more disparate aspects influence a band, the more it’s able to grow. Psalm Zero‘s music prior to the new album Sparta (Last Things Records) was all aggravated Indie, the tunes given an edge by guitarist Andrew Hock. With his departure and the subsequent recruitment of Kayo Dot pairing Keith Abrams and Ron Vodun, remaining founder member Charlie Looker has added a warmer, heavier feel to the Grungey lightness and this, together with a tantalising contribution from Lingua Ignota‘s Kristin Hayter, makes the album an enticing prospect. Continue reading
Psalm Zero is the last offering of the Canadian label Profound Lore Records and, once again, they hit the nail in the head (please do not forget about the amazing Artificial Brain’s Labyrinth Constellation that was also released by the label). This time around with Psalm Zero, a project that unites two great musicians and artists: Charlie Looker (Extra Life and Zs) and Andrew Hock (Castevet). Two musicians, two artists that have pushed the boundaries and delivered art of higher level. More often than we would like to admit, projects with members of known bands (if you don’t know them it’s your problem) fail because the members of those projects are afraid of facing with each-others style, influences and artistic output. Well, that doesn’t happen with Psalm Zero. With their debut full-length album The Drain, they face each other and there’s an enormous clash which makes the album such an enormous piece.
The first thing to make an impression on the listener its how the harsh vocals of Andrew Hock face the beautiful, overly dramatic – just imagine Morrissey (The Smiths) singing on and old, beautiful and huge cathedral and you will have an idea how profound, romantic and heartbreaking Hock’s vocals are – making a game of power sometimes and other times just a simple and incredible beautiful harmony like if they were meant to be together. The other thing is the all atmosphere of the record: perhaps the best description is post-punk industrialized that operates in this all spectrum of melancholy being sometimes just mournful other times just fuckin’ heavy with nothing on its mind other that pure and utterly rage. Seven songs and a record with just thirty eight minutes of running time, The Drain is an incredible and amazing introduction into their universe. There have been a lot of projects lately that are based on the 80s post-punk sonority, Psalm Zero are just one of most, if not the most, interesting projects of them all. Another pearl at the end of the ocean. Addictive and exciting.