Lubricant – Swallow This

For any fan of old Napalm Death, Morbid Angel, Entombed and the first two Cattle Decapitation albums, this is for you. Originally found on as a demo entitled Swallow The Symmetric Swab and a mini-album Nookleptia (Morbid Records), the songs on the 11 track compilation Swallow This (Svart) are remastered for this release to show the bands fully formed ideas of how the songs were supposed to sound on the original tape and vinyl pressings in 1993. Continue reading

Six Feet Under – Torment

At first glance of the title, one would think it’s awfully close to Chris Barnes‘s former band Cannibal Corpse’s album Torture (Metal Blade), and this is only where the problems begin. The twelfth album for Barnes and hired guns Continue reading

code – Lost Signal

London-based Progressive Black Metal group code wanted to revisit some older material on their Lost Signal (Agonia) EP to see if they could cast it in a new light. This EP is six songs in total, comprising of three from the album Mut (Agonia) and three from their first three records. The band produced and mixed the EP themselves to show rich power melody and dynamics. Continue reading

Wolves In The Throne Room: Live at Space Gallery, Portland Maine

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On a brisk fall evening we arrive at SPACE Gallery in down town Portland and await the avant-garde Black Metal explosion that was set to begin. Emma Parsons and my self make a home stage left where we can sit comfortably and still see the bands. All around the room are the banners that have been closed while all the other bands play as not to ruin the experience that Wolves In The Throne Room delivers. Continue reading

Korn – The Serenity Of Suffering

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The twelfth studio record by Korn, The Serenity Of Suffering (Roadrunner) is second release with guitarist Brian “Head” Welch back writing riffs with his brothers, and it’s just like old times. Continue reading

Back To Work: Agoraphobic Nosebleed Plots The Future

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Reclusive grindcore masters Agoraphobic Nosebleed have been downright prolific the last few years. Playing multiple special shows at festivals, and with a great new EP out earlier this year Arc (Relapse) ,the band has seen a resurgence of popularity, and as usual, unwavering respect in the underground. They will take a turn as one of the headliners this weekend at Southwest Terrorfest V in Tuscon, AZ. Ghost Cult’s Andrew Francis caught up with Adam Freisch, Richard Johnson, and Scott Hull earlier in the year to discuss the current state of the band, future recordings, and the difference in the record industry between being in a grindcore band, versus say Slayer, Iron Maiden or Tool.

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Skeletonwitch – Magic Circle – Lich King – Black Mass: Live at Once Ballroom, Somerville MA

 

 Skeletonwitch – Once Ballroom, Somerville MA ghostcultmag

 

After a fairly quick work day and speedy drive to the city we are met with the universal issue when in any city , PARKING! But after spotting a Wookie known as Tim Ledin (also of Ghost Cult) and acquiring a spot we await the start of the show!

Slowly the intersection is flooded with metal heads like zombies at a mall, and slowly we all shamble in to the hopefully air-conditioned venue. For those who have not been to Cuisine en Locale AKA Once Ballroom there’s an upstairs bar to the left of the main door way and straight ahead is the main dance hall, both excellent for watching the bands and having beers. Upstairs obviously having the best vantage point to the stage aside from of course directly in front of the 3 ft high structure.

First band of the night probably had the youngest members out of all of them Black Mass. Brendan O’Hare and two cohorts make up a thrashing mad three-piece akin to Blue Cheer but of speed metal. Brendan’s vocals sound a lot like Max Cavelera and Chuck Schuldiner’s love child of sorts and back up vocals from the bassist really add dimension and punch to the already catchy vocal lines. Ending their set with the sing along of “East Coast Thrash” with a very easy line to remember with three magical words!

Up next is Lich King keeping the thrash train a moving and if you’re reading this and haven’t witnessed them live its like a mash-up of all the good things about Slayer and Exodus rolled in to one! I’m not a thrash junkie like many of my friends may be but sometimes every thing blurs together and in a flash its gone , sadly that was my experience with this band, not saying they are bad or aren’t deserving of praise just not this writers cup of tea, check them out for yourself and form your own opinion. maybe you’ll have something to show me or a song I should listen to that may really get my attention and I will become as big a fan as some of you readers.

Magic Circle is next to take the stage and start of with a quick jaunt of ‘Kings and Queens’ by Aerosmith song then almost as quickly diving in to the opening song of their set. Two more songs in I am bathed in riffage similar to St. Vitus or Pentagram and I am finally in my element and enjoying my self and being swooned by vocals very similar to the late great Ronnie James Dio being channeled from the other side, I was almost sad to see them end but now we enter the main event, the reason we are all here sweating , now .. it is time for THE WITCH!

Between sets people step out side to take a smoke break and that is where I happen to find Adam Clemans having a smoke and had a quick chat about the tour and whats in store on the set and whats in BOTH Wolvhammer’s future and the witch with Clemens at he helm and 2017 sounds promising.

What do I really need to say about this new line up of Skeletonwitch that hasn’t already been said? Yes, Chance is no longer the singer no he probably isn’t coming back to the band, but most importantly, yes Adam Clemens is the best fit for the band for the foreseeable future. Let me tell you why: because he is a new fresh face and well of ideas the band needs at this time. the band didn’t want a chance sound alike they wanted to try and move forward from his leaving and go in a new direction while still maintaining the Skeletonwitch sound, and I believe they’ve achieved that. although at first I wasn’t overly enthused about the choice after seeing Clemens works with the guys and the sound of the songs found on their new EP The Apothic Gloom (Prosthetic) Clemans fits perfectly among the blackened riffs the band had been writing.

Skeletonwitch - The Apothic Gloom EP cover ghostcultmag

Pulling put all the stops and playing a majority of The Apothic Gloom as well as some older material mixed in with fan favorites (with the exception of my favorite ” submit to the suffering” which Adam assures me is going to be on the set in October but they will not be coming to Boston…) an other notable change is guitarist Nate Garnette  has picked up on backing vocal duties which also adds to the songs as well as the performance. Sweating through the expansive set and a few beers later sadly the set is over and now begins the mad rush out of the building and back to our homes to try and make it home safe and to bed after an amazing week night show.
ANDREW FRANCIS

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