Metal Allegiance Returns To Anaheim For Annual Metal Assault


Metal Allegiance has announced that they’ll be returning to their second home of Anaheim, California at the House Of Blues on Thursday, January 25th for their annual January metal assault.Continue reading


Sepultura – Machine Messiah


Sepultura have never been interested in living off of previous successes. Respect the past, guitarist Andreas Kisser always stresses, without being bound by it. And with each new album, they stretch the goalposts a little farther, experiment a little more. Machine Messiah (Nuclear Blast) sees them pushing their creative inspirations further than ever before while maintaining the spirit and strength that has allowed them to thrive for over 30 years.
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Sepultura Performs I Am The Enemy Live And Details Machine Messiah


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Sepultura have announced that their new album, Machine Messiah, will arrive in stores on January 13th via Nuclear Blast Records. Continue reading


Video: Metal Allegiance With All-Star Guests Pay Tribute To Lemmy, Other Legends


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Metal Allegiance played their scheduled hollywood show last night and took part in the celebration of Lemmy Kilmister of Motorhead’s life, since his funeral was earlier in the day and the public memorial was happening all around them on the Sunset Strip. The band which themselves is made up of stars from other bands like Mark Menghi, Mike Portnoy (ex-Dream Theater), Alex Skolnick of Testament, and David Ellefson of Megadeth; were joined by Corey Taylor of Slipknot, Andreas Kisser of Sepultura, Dave Lombardo (ex-Slayer), John Tempesta of The Cult and formally White Zombie, Mark Osgueda of Death Angel, Mikkey Dee of Motorhead, Phil Demmel of Machine Head at The Whiskey A Go – Go. The Whiskey is next door to The Rainbow Bar and Grill, Lemmy’s favorite hangout on the strip. Watch videos below of the assembled all-stars covering Motorhead,

 

 

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Audio: Sepultura’s Andreas Kisser Appears On The Jasta Show Podcast


the jasta show

Sepultura’s Andreas Kisser (also of De La Tierra) is the latest guest on Jamey Jasta’s podcast, The Jasta Show. You can hear the latest episode at this link or below:

 

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Nader Sadek Streaming “Descent”


nader sadek

Multi-media artist Nader Sadek is streaming “Descent”, off The Malefic: Chapter III here, here and here.

nader sadek the malefic

In other news, NADER SADEK will be performing at Neurotic Deathfest in Tillburg, Holland (April 17-19, 2015).

NADER SADEK’s new four-song EP The Malefic: Chapter III was released as a free CD insert in November and December via Decibel Magazine (#122), Terrorizer Magazine in the UK (#254) and Legacy Magazine in Germany (#94). The Decibel release has a different mix and master from the UK and German versions. .The album will be available digitally in the coming months.

Deformation by Incision
Carrion Whispers
Entropy Eternal
Decent

nader sadek in studio

Returning to the fold are main songwriters Flo Mounier of CRYPTOPSY fame, master composer and guitarist Rune Eriksen of black thrashers AURA NOIR and ever-rising, multi-voiced growler Travis Ryan of CATTLE DECAPITATION. Bobby Koelble, whose jazz-influenced technique mixed with tinges of Eastern passion, brings a fresh flare into the sound. Depending mostly on what sounds like millions of notes being touched at ungraspable speed, Koelble is best known for his work with genre creating band DEATH, as he collaborated in creating their most revered record, Symbolic. Lastly, the solos of Brazilian guitarist Andreas Kisser from yet another genre defining band, SEPULTURA bring an emotion that is both chaotic and yet full of feeling, and whose whammy-bar twisting and dragged notes introduce a wicked counterpoint to Koelble’s style. Shimmering on the surface are the angelic sirens of Carmen Simoes formerly of the AVA INFERI and current MOONSPELL backing vocalist, who conjures a sense of depth to the song “Descent”.

The EP was recorded in various location and with multiple engineers. Most notably are Christian Donaldson, who recorded guitars and Drums in his Montreal Studio, the Grid. Vocals were recorded by Casey Smith and Jay Newman in New York, with additional vocals recorded by Sam Lathrem and Martin Rygiel in San Diego.

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Nader Sadek Streaming In Studio Video For “Entropy Eternal”


nader sadek

Multi media artist Nader Sadek has released a teaser video of in-studio performances for “Entropy Eternal” from their new EP The Malefic: Chapter III, here. The video features performance clips of Travis Ryan (CATTLE DECAPITATION), Martin Rygiel (ex-DECAPITATED), Flo Mounier (CRYPTOPSY), Andreas Kisser (SEPULTURA), and Rune Eriksen (AURA NOIR, ex-MAYHEM).

NADER SADEK’s new four-song EP The Malefic: Chapter III was released as a free CD insert in November and December via Decibel Magazine (#122), Terrorizer Magazine in the UK (#254) and Legacy Magazine in Germany (#94). The Decibel release has a different mix and master from the UK and German versions. .The album will be available digitally in the coming months.

A video for EP track “Deformation by Incision” was released previously and features in-studio performances from Mounier, Ryan, and Eriksen, as well as Alex Webster (CANNIBAL CORPSE) and Bobby Koelbe (ex-DEATH). Check it out here.

nader sadek the malefic

The Malefic: Chapter III Track Listing:
Deformation by Incision
Carrion Whispers
Entropy Eternal
Decent

nader sadek in studio

The EP was recorded in various location and with multiple engineers. Most notably are Christian Donaldson, who recorded guitars and Drums in his Montreal Studio, the Grid. Vocals were recorded by Casey Smith and Jay Newman in New York, with additional vocals recorded by Sam Lathrem and Martin Rygiel in San Diego.

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Anthrax, Testament Members Appearing On Metal Allegiance In Anaheim, CA In January


metal allegiance 2015

Metal Allegiance will bring together an all star lineup of artists to perform an unforgettable night of music at the House of Blues in Anaheim, CA on January 21, 2015. Sponsored by Jackson Guitars, EVH Gear, The Music Zoo, Sinister Guitar Picks and Jagermeister.

Confirmed performers include:

Frank Bello (Anthrax)
Charlie Benante (Anthrax)
Chuck Billy (Testament)
Chris Broderick (ex-Megadeth)
David Ellefson (Megadeth)
Scott Ian (Anthrax)
Andreas Kisser (Sepultura)
Mark Osegueda (Death Angel)
Mike Portnoy (Winery Dogs)
Troy Sanders (Mastodon)
Alex Skolnick (Testament)
John Tempesta (The Cult)

Special Performance Of Scott Ian – Speaking Words To Open The Show.


Mediating Between Passion And The Heart – An Interview With Sepultura


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Like many long time running bands Sepultura had their fair share of misfortunes and many people are openly questioning whether they have any right to continue without the Cavalera brothers. However, The Mediator Between Head And Hands Must Be The Heart (Nuclear Blast), the band latest musical offering, is their most spirited release in years and it shows there’s still plenty of kick left. Ghost Cult caught up with frontman Derrick Green to pride his mind about the new album, working with producer Ross Robinson and the background of his lyrics.

Mediator is very spirited and dark album. How come?

I don’t know really. The album was recorded in Venice Beach, California. A lot of the material was written in Sao Paulo. There were a lot of things going on at the time in the world. There was a new pope elected and there was a lot of social upheaval about the upcoming World Cup and Olympic Games, especially about all the corruption going. A lot of the money is invested in stadiums, while the populace are clamouring for hospitals and schools. A lot of it was coming from the things happening around us. Another major factor is our drummer, Eloy Casagrande. Writing music with him changed a lot. He really likes to play metal and he’s really passionate about it. He’s very young and the energy he brought with him pushed the rest of us to step up our game. He really wanted to leave his mark and that makes the new album very different from the previous one I think. It was his dream to play in Sepultura and we really needed that type of kick and he really brought that.

Ross Robinson produced the new album. He has quite a reputation of bringing bands to the edge mentally in order to capture the best performance possible. How did he go about with Sepultura?

He had a free pass with Andreas and Paulo. He already recorded with them during the Roots album, so he was already familiar with the inner workings of Sepultura. He talked with them how Roots changed his life and how it opened a lot of doors for him as a producer. With the second time around he really wanted to make an album that was different from Roots, but with that same type of energy. He already knew what we’re capable of. He was there with us in the room while we recorded our instruments literally pushing us physically. He constantly asked why certain parts are there in a song and why certain words are there. We went through the lyrics together with everyone present in the room. This was something we never really did. I wrote the lyrics and I was done, just like that. He asked Eloy or Paulo what a certain lyric meant to them and whether they could identify themselves with it. Before we went in he would go and tell that he didn’t feel the emotion behind a certain piece or lyric. He was like give it your all or don’t go in at all. We’re living in special times. The album is all about freedom and a lot of different energies and a lot of people are relying on our music to get through the day and help them cope with daily life. He urged us to really think about what we are doing, because we’re an inspiration to alot of people. By creating that feeling and vibe he really got us to go as deep as we could. It really united the band in such a way that we didn’t even know we could be capable of. It was a beautiful experience.

I do think Mediator combines all the best elements from the best Sepultura albums. It has the thrash metal elements from Beneath The Remains and Arise, the groove from Chaos A.D and Roots and the punk attitude of the later albums…

I think so too. We wrote those songs and we got down to the studio. When Ross heard the songs he was really stupefied. He said that a lot of the things were already in place and that we only needed to take out the energy and capture that on tape. I really think that the new album has all those elements you just mentioned. We went through all the songs and we really wanted to feel that vibe and energy of each individual song in a natural way and have fun with it. Mediator does have all the elements from the history of Sepultura.

The last few Sepultura albums are inspired by famous books and movies, like Dante’s Inferno, A Clockwork Orange and Metropolis by Fritz Lang. What do you found so inspiring to use them as a concept for Sepultura albums?

Andreas and I like to read a lot when we are touring. When I grew up my sister worked at a publishing company, so I was surrounded by books as a kid. Those books were really inspirational and made me wanting to travel the world and see all those amazing places described in those books. Andreas and I really like to discussing certain issues and books that he and I read are often at the root of our discussions. In a weird way those things happen for a reason. The Fritz Lang movie was the main inspiration for Mediator. It’s a metaphor for the times we’re living in. A lot of people are very robotic in their way of life. It’s basically thinking and then action. A lot of the heart and the passion are essentially missing. Nowadays, most people are robotically typing things on their smartphone and they really don’t care about the world and the people around them. Sadly, I’m one of those people as well. On the new album I really wanted to write about the things I don’t like about myself and the times that we live in. It just ridiculous that I’m looking at this stupid phone. When you go a gig you see kids not paying attention to the show, they’re looking at their phones instead. What the hell is wrong with them?!

Sepultura has always been a socially-conscious band with a strong message, especially from Chaos AD on. Where does it come from?

Each person in the band has his own personal background and interests. I’m coming from the States and my mother was a music teacher and my parents actually met in church of all places. It was really an old fashioned style of growing up. Andreas’ parents are of German descent and his mother is from Slovenia living in Brazil. All these mixing of different cultures add to the band, you know and it really shapes our beliefs and ideas.

What is your ultimate goal with your lyrics? Are you an observer or do you want to make people think or do you want to raise a certain level of awareness for the things you believe strongly in?

It’s all about communicating a certain idea. Change will be up to the individual. I’m not trying to change anyone or anybody. I just want to communicate how I’m thinking about certain subjects, so people can relate to that or relate to it in perhaps a different way. It’s all about their own interpretation of my lyrics. For me it’s important to be responsible for what I’m writing because of the impact it can have on people. I know music can have really strong impact on people’s life. At the same time my lyrics have this positivity and raw emotion about whatever I’m trying the communicate. I really can’t get behind writing about wizards, castles and crystal balls (laughs). That stuff isn’t real to me, so I’d rather write about social and political topics, because they are more feasible to me and I think those topics are easier for people to get into, because they’re real. It’s coming from the heart and that’s why people are relating a lot to our lyrics and it’s something they’ve come to expect from Sepultura.

Finally, the band it’s celebrating its 30th anniversary. Do you guys plans to do anything special, like putting a rarities box set or releasing a special DVD?

We’re actually going to record a DVD at Rock In Rio with a French percussion group and when we have finished the current touring cycle for the new album with Eloy, we can sit down and put something special together, like people from the past of Sepultura showing up and perform at some great location. That’s something we’ve been brainstorming about for quite some time. But like I said, we need to finish the current touring cycle for the new album, because I feel our new album is really worth it. We really need to get out and play these new songs. We wrote these songs and recorded them in the studio, but playing them live on stage is quite something different. We really need to experience that first and I think a lot of these new songs will be included on the upcoming DVD. But yeah, celebrating 30 years of Sepultura would include a beautiful location and a lot of special guests (laughs).

Raymond Westland

Sepultura – Facebook

 


Sepultura – The Mediator Between Head And Hands Must Be The Heart


Sepultura_-_The_Mediator_Between_Head_and_Hands_Must_Be_the_Heart_artworkRefusing to listen to the naysayers who urge them to call it a day, Brazilian behemoths Sepultura keep plodding on, like a wheezy dinosaur lumbering on to inevitable extinction with the glory days of the late 80’s and early 90’s when they were releasing utter classics such as Arise a distant memory. They arguably haven’t recorded anything great since frontman Max Cavalera jumped ship in 1996, and while he seems content to keep “focking sheet up” in Soulfly, his former band has taken several turns into angular, left-field territory, with the occasional odd cover thrown in for good measure, on a series of underwhelming releases. Can curiously named new album The Mediator Between Head and Hands Must Be the Heart (Nuclear Blast), their thirteenth studio offering, stop the rot?

Opening track ‘Trauma Of War’ comes as a complete surprise with its serrated Slayer-esque riffing indicating that Sepultura may have at last listened to their loyal fans who just want the band to go back to the old groove/thrash workouts that they did so well. Derrick Green’s gruff vocals are largely buried in the mix, allowing Andreas Kisser to riff hard, while the clinical percussion of Eloy Casagrande does the job nicely, although the tribal rhythms of old are not forthcoming. The abrasive style continues with the blistering ‘The Vatican’ with the band members playing harder and faster than they have done in years. It isn’t quite the old-school Sepultura we know and love but it still sounds pretty damn heavy.

The mid-paced chops of ‘Impending Doom’ call to mind the stripped down style that manifested on the Roots album, but the murkier production ensures that no trace of the nu-metal flourishes that tainted that release are present here. Kisser seems to be mining a deep well of inspiration with badass, swaggering riffs also joining the party, while the sheet metal guitar lines of ‘Manipulation Of Tragedy’ are unspectacular yet searingly proficient, especially when the tribal percussion finally makes an appearance, nicely complementing a breezy solo.

The meaty thrash metal of ‘Tsunami’ calls to mind bands such as The Haunted, who also realised that a bit of weirdness and originality could do wonders to your average thrash record, relaxing the pace in favour of a slightly more angular tempo that gives some variety to proceedings. That said, the monstrous groove of ‘The Bliss Of Ignorants’ takes no prisoners with its route one approach, with Green making himself heard with a series of loud bellows. The pace slows down even further on the well-worked ‘Grief’ alternating between tranquil calm and crushing walls of noise while things get even better on the kinetic riffage and brooding atmospherics of ‘The Age Of the Atheist’ with Kisser again demonstrating his knack for flashy solos and gnarled, crushing riffs.

All in all, this is Sepultura’s best release since Roots came out in 1996. It achieves this by turning up the heaviness dial, with an appreciation for the classics, but also with a foot firmly planted in the modern camp of bands that deftly mix aggression with individuality. Who would have thought it!? It’s taken a long time but the Seps are finally back in business. Let’s hope it isn’t too late.

8/10

James Conway

Sepultura – Facebook