Nick Fiction (aka Nick Brewer), the only remaining member from the last Roses Never Fade album, is joined by Nathan “Nate” Opposition of Ancient VVisdom fame (because now AVV have, like, distortion and stuff he clearly needs another acoustic outlet), and The Way To Light’s Austin Rathmell with the intention of producing brooding acoustic neofolk.
There is no percussion here, no other instrumentation, just a pure, minimalist strumming and vocal methodology, that endeavours to evoke a monastic, empty church feel.
Starting out with some annoying swooshing noises (and little else) that fill the whole of the five minutes (!) of opening track ‘To Valleys And Shadows’, the second Roses Never Fade album, Devil Dust (Neuropa) is clearly trying to set an ambience of reflection and prepare the listener for a melancholy moment of introspection, a mood that isn’t achieved either on the introduction, or once the album proper commences.
A pattern soon emerges as tracks directly alternate between a simple, uncomplicated acoustic picking interspersed and shrouded with embellishing motifs and backed with oh so earnest whispers, and harmony vocal songs over strumming. Unfortunately neither approach is fully effective, especially once the pattern is noted, as neither the music nor the vocal is dark or interesting enough to draw the required atmosphere. There is no being enveloped into a state of other, or past, worldliness, such as the induced meditative mental journey that Ulver’s Kveldssanger (Head Not Found) inspires.
Whether seeking to yield a particular emotive or reflective response, or simply playing unassuming songs, Devil Dust doesn’t really achieve anything. At its best, neofolk, or rather acoustic neofolk (for neofolk is more a shared ideology than any real musical consistency, of which the Cold Meat Industry and industrial/dark wave inspired works of artists like Blood Axis, Ordo Rosario Equilibrio and Amber Asylum are the more interesting and suggestive) at the very least induces emotions, sympathies and reactions. Devil Dust just happens, really, and while it’s a quite nice when it’s on, that’s it. It doesn’t emote, or inspire much beyond apathy or boredom.
4.5/10
STEVE TOVEY
San Francisco has always been the home of free-spirired musicians. The Summer Of Love started here amd the city played a crucial role in the development of thrash metal. The local scene is still thriving there with bands like Neurosis, Giant Squid, Black Cobra and Deafheaven being the pulse of everything experimental and cutting edge. Another great outfit is Grayceon who just released a brand new EP, entitled Pearl And The End Of Days. Raymond Westland had a very friendly chat with vocalist/cellist Jackie Perez Gratz. She talked candidly about the new EP, how becoming a mother has changed her outlook on life, and her music career and many other things.