UK melodic metalcore band Our Hollow, Our Home just released their brand new album In Moment // In Memor via Hollow Music. Vocalist Connor Hallisey shares his favorite concert memory ever, involving A Day To Remember, in a new guest post for Ghost Cult. Continue reading
It’s the final cross-country voyage of the Vans Warped Tour. Since 1995, the unofficial punk rock summer camp has introduced us all to iconic acts from Bad Religion to Katy Perry. Continue reading
The Echo and Echoplex in Los Angeles, CA will be celebrating their one year anniversary for their Emo Night: Taking Back Tuesday on December 1, 2015.
Scheduled to perform are performances and DJ sets from Dashboard Confessional, Seahaven, Fakers, and Have Mercy, and DJ sets from Mark Hoppus (Blink 182), Jack Barakat (All Time Low), Mikey Way (My Chemical Romance), FIDLAR, Sugarcult, We Are The In Crowd, and more.
Other nights scheduled are posted below:
Dec 01: The Echo + Echoplex – Los Angeles, CA
Dec 08: The Marquis Theater – Denver, CO
Dec 15: Rickshaw Stop – San Francisco, CA
The beautiful and warm Gibson Ranch was the scene for the 2015 Monster Energy Drink Aftershock. Not only does Aftershock always boast on of the best lineups of any festival in America, the gorgeous NorCal location allows for all kinds of attractions and activities making this the most well-rounded fest you could attend as well. The festival officially sold-out the entire weekend with over 25,000 in attendance each day.
The top of the bill for Saturday boasted some big big names, to be true. Headliners Slipknot are possibly the preeminent metal concert experience in the world right now, just based on the spectacle of their stage show and the epic music they bring. They also had a lot of people checking out their Haunted Scream Park for constant Halloween scares all weekend long too. Other big musical hitters such as Shinedown, Marilyn Manson, Breaking Benjamin, Seether, Bring Me The Horizon and Black Veil Brides had fans drooling, packed in crows of people, and offered up a little something for everyone from across the range of active rock and metal genres. Especially with BMTH and Black Veil Brides, you are really seeing the future of music unfold before you, and the youth of the fans was served in the audience.
As much as Saturday had some “hall of fame” worthy acts, there was a lot of up and coming talent on early in the day such as the Beartooth performance, and strong showings from Red Sun Rising and September Mourning too. There will come a time when some of these headline bands wont be around anymore and the next generation of stars needs to rise up now. Some of them were on hand at Aftershock this weekend.
Saturday was a really a day to explore the festival grounds. Tons of people took in the great food options (BBQ, Tex Mex, Burritos, Pizza,and Vegetarian choices looked astounding), Tequila tastings from six major purveyors of fine spirits and NXT wrestling. The balance between fun for families and grown folks was strong, and a real testament to why this fest has been able to last so long and get better every year.
If you weren’t totally destroyed by Saturday’s overload of the senses, Sunday also had a list of great bands to see and hear and fun things to. Early in the day two more killer bands helped set things off in the always fun Dance Gavin Dance and the surprising Pink Slips. The Pinks Slips are a band you need to check out as we expect to see them higher up on the bill on fests like this for years to come. After checking out issues, it was time to see Sevendust rip up the East Stage. They are a live band like few others and they played a short, yet heartfelt set.
All Time Low and Yelawolf really set the stage for later in the day. Stone Temple Pilots led by Chester Bennington (Linkin Park) for what would turn out to be one of the last full show for them together, played all the hits to huge crowd response. Fan may be conflicted about Chester’s time in the band, but he did justice to the history of that band
Coheed and Cambria was next, playing behind their new record, and they leaned heavy on new songs. Despite the festival and the over atmosphere of the place, it didn’t seem like their crowd was in the house. Or maybe they were waiting on Jane’s Addiction to hit the stage. Jane’s, like STP knows the fans want the big hits and that is what they brought. Perry Ferrell and Dave Navarro, despite their many public scraps, seem just made for each other as poet/conduit and axe-slinger duos go.
Defotnes were the next to last act of the weekend and true hometown heroes as they are right from Sacto. The band put on a great show with front man Chino Moreno running all over the stage and moving his body as much as his silky, elastic vocal range. With a new album coming in 2016, it would seem this band is destined to headline a future Aftershock fest. Bringing the epic weekend to a close, Faith No More brought the botanical theme of their recent Sol Invictus (Reclamation/Ipecac) tour with them. Playing the massive hits such as ‘Be Aggressive’, ‘Epic’, ‘Midlife Crisis’ and ‘Easy’, sprinkled among new songs and deep cuts, the band showed why their reunion so worthy needed and the accolades so deserved. Until next time Aftershock, well be back!
Yet another entry into the “can’t miss American festivals” is the Monster Energy Drink Aftershock. Taking place in Sacramento California, the awesome NorCal weather, coupled with the proximity to San Francisco makes this fest awesome. The scenic Gibson Ranch is the place to be right now. In addition to some amazing bands, there are things like Slipknot’s Haunted Scream Park and NXT Wrestling events to drink in when you are done rocking out!
Saturday’s lineup boasts a top of the bill of Slipknot, Shinedown and Marilyn Manson which few other events can even match this year. Following them are Breaking Benjamin, Seether and Bring Me The Horizon, Black Veil Brides, Clutch, Hollywood Undead, Suicidal Tendencies, POD, Pop Evil, All That Remains, Helmet, Snot, Beartooth, September Mourning and many more.
Sunday has none other than Faith No More, continuing their Sol Invictus (Ipecac/Reclamation) tour cycle. Sunday has other stalwart 90s bands such as Deftones, Jane’s Addiction and Stone Temple Pilots. Other top Sunday bands on the bill include Coheed And Cambria, All Time Low, Death From Above 1979, Eagles of Death Metal, Sleeping With Sirens, Yelawolf, Failure, Glasjaw, Sevendust, Issues, The Sword, `68, Red Fang and many more.
You can still get tickets for Aftershock here.
Slipknot, one of the headline acts for Monster Energy Aftershock Festival have paired up to present Slipknot ‘s Scream Park for the Monster Energy Aftershock Pre-Party on Friday, October 23 from 7 p.m. to midnight in Sacramento, California. The pre-party concert and food truck event will be headlined by Hell Or Highwater, with more bands to be announced. Hell Or Highwater has also been added to the festival proper, performing on Saturday, October 24.
Slipknot ‘s Corey Taylor and M. Shawn “Clown” Crahan have partnered with Sacramento-based Scream Park California to produce an event that explores a whole new, intensely visceral world of horror, as only Slipknot can provide. Slipknot ‘s Scream Park features three haunted houses and live horror entertainment. Slipknot ‘s Scream Park will also have an onsite presence at Monster Energy Aftershock on October 24 and 25.
A limited number of guests can gain admission to the Monster Energy Aftershock Pre-Party by showing proof of purchase of an Aftershock ticket. This will allow free access to the Aftershock Pre-Party, which will include live music and food trucks. On the Pre-Party night guests will be able to go through the haunted houses at Slipknot ‘s Scream Park for a discounted price of $15. More details will be available soon about music performances at the Pre-Party and how to obtain free Pre-Party admission, as space will be limited. You can view the trailer for the Scream Park at this link or below:
Slipknot ‘s Scream Park is also offering an Aftershock Scream Park Bundle for $119.50. This package includes one 2-day General Admission weekend ticket to Monster Energy Aftershock and one Scream Park General Admission ticket (a $25 savings). Purchase your combo tickets for both Slipknot ‘s Scream Park and Monster Energy Aftershock Festival at link text or www.Slipknot screampark.com.
Slipknot ’s Scream Park is located at 4909 Auburn Blvd. in Sacramento, California.
Monster Energy Aftershock Festival already boasts an incredible music lineup with four stages and countless attractions such as live, in-ring matches with WWE’s NXT Superstars beyond music for entertainment. Bands appearing in addition to Slipknot are Faith No More, Deftones, Shinedown, Jane’s Addiction, Marilyn Manson, Coheed & Cambria, Stone Temple Pilots, Breaking Benjamin, Seether, Bring Me The Horizon, All Time Low, Sleeping With Sirens, Eagles Of Death Metal, Black Veil Brides, and many more.
As expected, We Came As Romans (Spinefarm/Equal Vision/Caroline) continues the move away from the harder metalcore of the band’s origins, a journey the band instigated on 2013’s Tracing Back Roots (Equal Visions/Nuclear Blast/Caroline), as We Came As Romans seek to further establish a more hard rock, song-driven sound. ‘Who Will Pray’ and ‘The World I Used To Know’ are strong, earnest, electronic-tinged pop metal, while ‘Blur’ and ‘Regenerate’ espouse the values of wringing more forceful, heavier verses that lead into open fan-interaction-friendly choruses. When it works, WCAR produce punchy, catchy anthems not a million miles away from the furrow that more recent Of Mice And Men ploughs.
Self-titling an album is an interesting concept, effectively stating that this is the defining album; this is one that all fans and pundits alike should look to as the crucial release in a bands’ canon. It’s a dangerous approach, especially when said eponymous release isn’t a bands first and is used to promote a refinement or change in style, and WCAR is not an unmitigated success. In equal measures the album is also littered with faceless and patchy songs, that, while decent in their own right, stick no longer in the memory than last Wednesday’s commute to work, and in ‘Saviour of the Weak’ they have produced an insipid number that All Time Low would pass over.
The stylistic shift isn’t the issue, indeed it’s a progression and a step that WCAR are quite right to take, but while WCAR may establish a new identity, it actually sees the band lose some of its definition and competitive advantage, at points sliding them somewhat into the morass of eels of contemporary once-were-core hard rock bands. Despite the head-turning darker closing track ’12.30’, as a “statement” album WCAR falls short on the confidence and, in places, songs of a Hail To The King (Warners). While it achieves the aim in relocating the Michigan sextet more into the mainstream, a spot they seem comfortable in, it falls short in making a declaration of any real intent.