Rejoicing still in the simple fact we can have a physical Roadburn again, the final two days definitely wore on our pandemic shocked psyche and physique. Stumbling more and wearing down in a way I’m not used to, I mentioned to some friends during the weekend the Pandemic has made us all old, and 5 days on our feet now feel a lot longer. Saturday started with the feeling it felt like a Sunday, traditionally called the afterburner, because by that time you are fairly burnt out.
After three years of waiting and longing, finally there will be an in person Roadburn Festival again. While the 2021 online edition Roadburn Redux, was in itself, innovative and the best digital festival I’ve seen set up during the dark days of the pandemic, nothing beats being physically shaken by bass heavy music and hugging friends from all over the world you only see once a year.
As we continue to live in one of the most challenging times in history, one this for certain: music lovers are relieved to have somewhat of a return to normalcy. The return of live music, especially heavy music, provides the cathartic relief we have all been looking for. After over a year of postponements, cancellations, and livestreams, it’s a relief to get to experience live music, and return to experiencing art in the best way possible – together!
Hypertension Records concludes their The Abyss Stares Back series with the fifth and final release featuring a unique collaboration between Scott Kelly (Neurosis), Mathieu Vandekerckhove (Syndrome/Amenra) and Colin H Van Eeckhout (Amenra/CHVE). Although the previous four albums were proper splits (including bands like Hessian, Primitive Man and Nihill), this album is introduced as one 20-minute representation of brilliant minds coming together to create a composition rooted in both absence and presence. Thus ultimately calling themselves and their work, Absent In Body.Continue reading