ALBUM REVIEW: Kid Kapichi – There Goes The Neighbourhood


Rising from Hastings, England, Punk quartet Kid Kapichi unveils their third album There Goes The Neighbourhood (Spinefarm Records), the blunt and cheeky follow-up to 2022’s Here’s What You Could Have Won. The album maintains the distinct personality the group is known for, utilizing it to present their political ideologies while keeping the music light and fun. Continue reading


DragonForce – Warp Speed Warriors


Before we start, go back and take another look at the cover art.

Go on, I’ll wait.

See, while some bands go for a subtle or even abstract “don’t judge a book by its cover” approach, other bands are Dragonforce. Everything emblazoned on the cover to ninth full length studio release Warp Speed Warriors (Napalm Records) is represented here through the medium of eardrum destroying sound. No room for understatement, metaphor or artifice – just a bold, blinding explosion of light, colour and comic book action.Continue reading


ALBUM REVIEW: Mastiff – Deprecipice


The multilayered masterpiece that is Deprecipice (MNRK Heavy) is lightyears away from anything else that has graced the brutal metallic sludge/Hardcore/Death Metal scene for quite some time. Leave it up to Mastiff to be the ones leading the charge. Continue reading


ALBUM REVIEW: Prisoner – Putrid – Obsolete


Technological horror, the literal or metaphorical collision of organic life with machines, from JG Ballard to David Cronenburg to Akira, there’s something so compelling (and often terrifying) about the welding of machine and flesh. The jaws of the thresher know no remorse, while the body is destined to suffer in its grip. Such thoughts occur listening to Putrid / Obsolete (Persistent Vision Records), the latest record from Richmond, Virginia’s extreme-metal unit Prisoner. Continue reading


ALBUM REVIEW: Lustmord – Much Unseen Is Also Here


Lustmord is the pseudonym of Brian Williams, now more than four decades into his music career and with myriad releases under his belt, including many soundtracks and collaborations, as well as a plethora of “ordinary” albums.Continue reading


ALBUM REVIEW: Kill The Lights – Death Melodies


It’s hard to believe that it’s almost been a decade since Michael “Moose” Thomas left metal big-hitters Bullet For My Valentine citing It just got boring”.

The drummer then went on to show his true potential with former members of Still Remains and Threat Signal, with the debut album of his new project Kill The Lights. Almost four years on from their last release From Ashes, and now the supergroup are back with their latest release, Death Melodies (Fearless Records). Continue reading


ALBUM REVIEW: Aborted – Vault Of Horrors


For nearly thirty years, Aborted has been the backbone of the Death Metal scene. With another release in the collection, the Vault of Horrors (Nuclear Blast Records) has been opened. Continue reading


ALBUM REVIEW: Sonata Arctica – Clear Cold Beyond


Finland is reported to be one of the happiest countries in the world. Even though it can produce some fantastically grim Metal acts, this Nordic nation has some jubilant bands as well. Continue reading


ALBUM REVIEW: Midnight – Hellish Expectations


The ever-belligerent Cleveland-based one-man unit Midnight returns with a prolific sixth full-length entitled Hellish Expectations, out via Metal Blade Records. Continue reading


ALBUM REVIEW: Judas Priest – Invincible Shield


While the philosophy of “if it ain’t broke, don’t fix it” might work for some bands, UK metal gods Judas Priest are clearly not counted among them. Rarely repeating themselves from record to record, Priest have always preferred creativity over repetition, unafraid to take risks even when some level of criticism inevitably follows.

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