Norweigian plaguebourne Black Metal act 1349 unforgivingly unveil their new album, The Infernal Pathway (Season Of Mist), a long-awaited LP for 2019. Their centralized coherency has stayed true to its path since 1997. Their construct of aggressive black metal has remained consistent as they’ve impressively demonstrated a threshold of effective releases. 1349 is nothing short of innovative, corpse paint driven, and a cause to exist, ultra-aggressive, that is to put in simpler words, well-executed. Continue reading →
The new Babymetal album starts off with a funky blend of techno video game and chunky 90s metal power chords. It then whiplashes into some futuristic techno power metal thing. The effect is a dizzying display of aural assault. If you aren’t into mind-bending disparate genre mixing, then you probably won’t like Metal Galaxy (earMusic/BMD Fox Records). Continue reading →
In an old interview, the Godfather of Death Metal, Chuck Schuldiner, laid out the blueprint of what the genre is, what its themes are, and what listeners should expect from it. He described the genre as “fantasy, tongue-and-cheek, Horror movie level type of scary stuff…” Many bands within the genre have followed this blueprint and carried on the tradition of writing gore lyrics, but none better than the legendary, Exhumed, who have always leaned more towards the gore aspect of Death Metal and later coined the term Gore Metal. Their new album, Horror (Relapse Records) follows this blueprint very well.
If you only know William DuVall from his time in Alice In Chains, you might have missed out on his multifaceted musical career spanning over thirty years. From Hardcore Punk, post-Grunge, RnB, and producer of other artists, he has run the gamut of styles, and often making everyone around him glimmer too. That’s why on his debut solo album One Alone, (DVL Records), it’s so refreshing to hear him just as the title indicates and armed only with his singular voice, and acoustic guitar to bring these eleven tracks to life.
Three years after the release of Welcome to Fat City (Wind-Up Records) Crobot returns with Motherbrain (Mascot Records). I’ve actually been looking forward to this release for quite a while. I can’t get enough of dirty, rock jams. Continue reading →
Midwestern progressive metal act, The Contortionist, return with another chapter in their transformation story. This particular collection of tracks making up a quick, yet most satisfying, EP is entitled Our Bones (eOne Music). While the group has moved on from their deathcore character, harsh vocals return to this release that brings some promise for future releases as well.Continue reading →