ALBUM REVIEW: Bleed From Within – Fracture

Glasgow may not be considered a heavy metal hub, but the band Bleed From Within proves that Scotland can produce some pretty extreme musicians. Formed fifteen years ago, this young, charged-up group of guys sought to make a spectacle of aggression and severity. Their early works took on a very vengeful edge that was mainly categorized under the Deathcore genre. Now, these fresh-faced Scots present a more sophisticated take on the ‘Core’ genres while merging it with Modern Metal on their new fifth full-length album, Fracture (Century Media Records). Continue reading

ALBUM REVIEW: Between the Buried and Me – Between the Buried and Me- Remixed and Remastered

The first time I saw Between the Buried and Me live was at The Gramercy Theatre in New York City, during a tour for their then-newly released Colors (Victory Records) album; it was a pivotal period for the group who had, at that time, seen a series of lineup changes in short order. Five drummers, four guitarists, and three bassists later, the band was shaping their sound to dull the edges from the ever-aggressive Silent Circus (Victory Records) and Alaska (Victory Records) albums to an arguably more technically complex, albeit at times mellower, Jazzy era that would set the tone for the rest of their musical trajectory as we know it today. Continue reading

ALBUM REVIEW: Paradise Lost – Obsidian

Many consider the British band, Paradise Lost to be the fathers of the Gothic Metal genre. Formed in 1988, four out of the five members have been there since the beginning. This tight-knit group of guys is a prime example of a hard-working band who knows how to stay creative and original. The exploration and determination of this act has led them down some unique roads over the years. After experimenting on albums like One Second (Music for Nations)  and Believe In Nothing (EMI), Paradise Lost got back to their roots in 2015. They embraced their Death Metal background with the release of The Plague Within (Century Media Records) and 2017’s Medusa (Nuclear Blast). Now with the release of their sixteenth record,  Obsidian (Nuclear Blast), their heaviness is being fleshed out with even more distinct devastation.   Continue reading

ALBUM REVIEW: Voodoo Gods – The Divinity of Blood

Just over a decade ago, the supergroup Voodoo Gods was created. Though the birthplace is in Florida, the lineup consists of international musicians from around the globe. The diversely skilled and experienced members came together under one banner to generate some very heavy and very hostile music. In 2014, the band exchanged one epic vocalist for another. Seasoned frontman George “Corpsegrinder” Fisher from Cannibal Corpse replaced Adam “Nergal” Darski from Behemoth as the co-vocalist and soon the group released their first full-length, Anticipation For Blood Leveled in Darkness (Saturnal Records). Though it’s been six years since their last record, the band’s heat and hatred has not cooled down. Their recently released second album, The Divinity of Blood (Reaper Entertainment) wreaks havoc in a forceful, yet slightly monotonous way. Continue reading

ALBUM REVIEW: Umbra Vitae – Shadow of Life

Converge is one of the lucky Hardcore/Punk bands that has seen notable success over the years. Though they have flirted with the metal genre on some of their albums like The Poacher Diaries (Relapse Records) and You Fail Me (Epitaph Records), frontman Jason Bannon has been itching to make something heavier. This veteran vocalist loves his celebrated children Converge and Wear Your Wounds, but is now really exposing his heart for ferocity with his new Death Metal project, Umbra Vitae. Along with some other experienced and eager members, Bannon has just released the band’s debut LP, Shadows of Life on his own label, Deathwish Inc.

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ALBUM REVIEW: Slave Hands – No More Feelings

Usually, Metal from Finland is incarcerated inside a cocoon of cold Death and/or melancholy. For the last seven years, however, Helsinki trio Slave Hands has rebelled against the norm to peddle a particularly horrific brand of Doom-flavoured Sludge, and No More Feelings (Dry Cough Records/Gate Of Deliria/Minor Obscure/Sewer Prison), the band’s fourth album in that time, continues down that solitary, diseased path. Continue reading

ALBUM REVIEW: Igorrr – Spirituality and Distortion – Metal Blade

Igorrr is the brainchild of the French musical genius, Gautier Serre and he made it to destroy the limitations of music. Originally a solo project, Serre dug into a variety of contrasting genres to proclaim palatable pieces of art that shouldn’t work, but do. In 2017, he broke barriers when the project gained more members and they released Savage Sinusoid (Metal Blade Records). Now, this bizarre band is back with the full-length album, Spirituality and Distortion (Metal Blade Records) where Serre and the other players are embellishing on the already oddball invention that is Igorrr. Continue reading

ALBUM REVIEW: Wolfheart – Wolves of Karelia

Finland is a country that holds a considerable amount of mystery, melancholy, and magic. The band Wolfheart hails from this special nation and assists their listeners in grasping the greatness of their wintery world. The leader of the pack, Tuomas Saukkonen has been delivering foolproof Melodic Death Metal in several different projects for a substantial amount of years. When Wolfheart released their first album, Winterborn in 2013, it was clear that this act was establishing themselves as a powerful force in the scene. Now the group is releasing their fifth full-length record, Wolves of Karelia (Napalm Records). This new album is expanding the stately, sullen sound of their coined term, “Winter Metal” to new creative crests. Continue reading

ALBUM REVIEW: Heaven Shall Burn – Of Truth and Sacrifice

It’s been four years since the German Extreme Metal act, Heaven Shall Burn, released their last album. After Wanderer (Century Media Records) came out, these hard-hitting fellas took a very justified break. Now with batteries recharged, they’re back with an adventurous new release. The band gifted us with the double album, Of Truth and Sacrifice (Century Media Records) earlier this month and it’s making quite the impression. Known for their aggressive sound and topical lyrics, this ninth full-length release is taking these extreme characteristics to a new level. The band has been around for nearly twenty-five years and they are still taking their massive sound to some exciting, uncharted territories. Continue reading

ALBUM REVIEW: Dawn of Solace – Waves

The ingenuity, inventiveness, and inclination of Finnish artist Tuomas Saukkonen appears to have no limits. He is a composer, multi-instrumentalist, and producer who has been making music magic for a considerable amount of years. One of his many successful ventures is a solo project called Dawn of Solace. Tuomas released his first record, Darkness (Dead Air Records) in 2006 and the betwiching gloom he captured on that release was different from all his other works. Now it’s time to get another taste of this project’s gothic goodness on the new album, Waves (Noble Demon). Continue reading