Bloodstock Open Air 2021 Adds Mercyful Fate and Dimmu Borgir!

 

Bloodstock Open Air, rebooked for 2021, has announced a new headliner! The great Heavy Metal legends Mercyful Fate, featuring King Diamond, will headline the Ronnie James Dio stage on Saturday, along with Dimmu Borgir as special guests. Watch a new trailer now!
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Bloodstock Clarifies 2020 Event Position, Books Additional Bands for 2020

Bloodstock Open Air 2020 is still hoping to go forward with its 20th-anniversary edition this summer in spite of the coronavirus pandemic. The festival has announced that BOA 2020 event planning is proceeding with full care and attention, in order to bring you the best event yet to celebrate 20 Years of Bloodstock. The team is closely monitoring government guidelines and cooperating with the relevant authorities to assure the best and safest environment for our Bloodstockers, bands, staff, and site workers come August and will continue to keep you updated with any further developments. New bands added to the bill include Lost Society, Video Nasties, Wolf Jaw, Grave Lines, Vexed, and more TBA. Continue reading

Bloodstock Adds Six New Bands and New Charity Partner!

 

Bloodstock Open Air 2020 continues to pile on the big names with six new acts added to the lineup! Savage Master, Blasphemer, Liberty Lies, Black Tongue, Pist, and Sharks In Your Mouth have joined a bill that includes headliners Devin Townsend (Friday), Behemoth (Saturday), and Judas Priest (Sunday) as well as Hatebreed, Philip H. Anselmo & The Illegals, Skindred, Paradise Lost, Life Of Agony, Bury Tomorrow, Black Dahlia Murder, Diamond Head, Jinjer, Vio-Lence, Sacred Reich, Gloryhammer, Dark Tranquillity, Bloodywood and more! The fest also named this year’s charity partner will be the mental health charity Mind. Mind provides advice and support to empower anyone experiencing a mental health problem, and campaign to improve services and raise awareness. 1 in 4 of us will experience a mental health problem every year and Mind won’t give up until everyone experiencing a mental health problem gets both support and respect. In addition to guestlist donations, raising funds on behalf of Mind on site at BLOODSTOCK will be festival attendee Michael Lacy, with his Patch Amnesty initiative. Bring your old, spare, or new patches to donate, browse patches to buy, or even just stop by for a chat. All proceeds go to Mind. Please look out for Patch Amnesty/Mind signage and stop by his stand in the main arena to give your support. Continue reading

EP REVIEW: Black Talon – Existential

Formed in 2010, Edinburgh thrashers Black Talon follow up their 2015 debut Endless Realities (Wasted State Records) with independently released five-track EP Existential. Sounding like a modern Scottish version of the 1980s Bay Area, this short release is replete with riffs and melodies similar to the likes of Forbidden, Testament and Dark Angel with vocals owing a debt to Vio-Lence and UK thrashmonkeys Acid Reign. Continue reading

NEW MUSIC FRIDAY: September 27th New Music Releases

Check out the new music releases from around the world today.

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ALBUM REVIEW: Acid Reign – The Age Of Entitlement

February 10th, 1989.

Visiting his local record store after another depressing week at school, a long-haired teenager who may or may not be this writer thinks about purchasing the debut album by UK thrashers Acid Reign. After inspecting the song titles and confirming with a satisfied nod that everything appears to be suitably metal, money is handed over and the tape goes straight into a cheap portable cassette player. Continue reading

Decapitated – Devilment – Acid Reign at HRH Metal, O2 Academy Birmingham (UK)

Spread across the three adjoining Academy venues in deepest, darkest Birmingham, the third annual HRH Metal indoor fest is well into its second day when I finally arrive (a long story involving illness and unforeseen hospitals), and gathering pace on the main stage with Nottingham stoner trio Witch Tripper. The band’s beer-fuelled, Black Sabbath inspired riffery capturing the attention of a respectably sized early evening audience.

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Amplified Festival Early Bird Tickets On Sale Now, Lawnmower Deth Contest Underway

Amplified Festival 2019 made a major announcement this past Friday with Jinjer, Conan, Flotsam And Jetsam, Memoriam, joining Mushroomhead and many others booked for the fest. You can get your Early Bird tickets at the link below. Legendary band Lawnmower Deth guitarist and former member of Amplified alumni Acid Reign, Kevin “KEV” Papworth as donated a guitar to a member of our team and in support of the Mental Health Foundation. The Festival is hosting a giveaway*, with the announcement of his stage played guitar after the Sunday night headliner finishes. You can enter the contest by buying an early bird ticket before 31st October 2018! Continue reading

Massive Wagons – Full Nelson

I’ve been a fan of Massive Wagons for some time, in the north-west of England you’d literally have to be living under a rock to not have heard their name and their reputation for live shows. Playing old school rock with an infectious energy that keeps it fresh an up to date, they’ve always been somewhat convention-defying. Their Earache debut Full Nelson has been anticipated in many quarters with no shortage of anticipation. There’s a real buzz surrounding them at the minute, from fighting with local councils over pub murals, to hoping to be the first band from Lancaster to make it into the top 40 in the UK, make no bones about it this album has the potential to do just that. Continue reading

Bloodstock Open Air 2016 Part 2: Live At Catton Hall- Walton-on-Trent UK

Bloodstock Open Air 2016 ghostcultmag

 

Part 2

After a wobbly Saturday morning start, Akercocke carried on from where they left off a few years ago, improving and gaining/regaining fans as they went along. Rotting Christ sounded fantastic, The King is Blind completely owned the second stage for forty brutal minutes, and Fear Factory treated the crowd to all of 1995’s Demanufacture album while singer Burton C Bell tried his best to keep his voice from cracking. Paradise Lost played a set filled with heavier material, and Gojira stunned the majority of the audience with a set that not even headliners Mastodon could come close to touching. A typically eclectic set, the Atlantan four-piece struggled to get any momentum going, and even with the aid of some fancy video screens, only occasionally showed signs of being genuine headliners. A new version of old UK thrashers Acid Reign also managed to steal Mastodon’s thunder all the way from the second stage, playing one of the fastest and most enjoyable thrash sets of the festival while singer, ‘H’, looked resplendent in his shocking pink suit and top hat.

Gojira, photo credit Bloodstock Open Air on Facebook

Gojira, photo credit Bloodstock Open Air on Facebook

And so to Sunday, and to the wonders of Ghost Bath. Only possessing the vaguest of knowledge about this band, I was simply unprepared for the next forty highly confusing (and occasionally eye-wateringly funny) minutes. Imagine a Black Metal band fronted by the shrieking goat from YouTube and you’d have a good idea of what I witnessed that morning.

Although the pedigree of the members of Metal Allegiance is not in question, I’m afraid the same cannot be said of their collective efforts. Cover version after horrible cover version was mauled and discarded, as people turned to each other in disbelief and disappointment. Playing all of 1996 album Nemesis Divina in full, Black Metallers Satyricon put in one of the performances of the weekend, even in the blazing sunshine. Finland’s Whispered took to the stage in their Japanese costumes and make-up and proceeded to win over an entire tent of confused onlookers. Technical Thrashers Vektor followed and even more people left with smiling faces. Symphony X gave everyone on the main stage plenty to sing along to, but Anthrax obliterated their memory in seconds. The last time the New York outfit played here in 2013, it was all fairly average, maybe even disappointing. But not this time. They were on fire from the second they launched into ‘You Gotta Believe’ until they left the stage to ‘Indians’. Nobody even cared that they dropped a couple of favourites in order to showcase newer material.

Anthrax, photo credit Gary Alcock

Anthrax, photo credit Gary Alcock

Even headliners Slayer struggled to keep up. Again, like Anthrax, it was a much improved performance from 2013, but things seemed to go a little awry in the latter stages of their set. For some reason, ‘Hell Awaits’ became an instrumental after the first chorus, and Tom’s demeanour changed from happy and smiling to fairly disinterested around the same time. Still, when they came back out for the encore of ‘South of Heaven’, ‘Raining Blood’, and ‘Angel of Death’ everything was quickly forgiven and forgotten. It was left up to New Orleans band Goatwhore to close the weekend on the second stage, and they did so imperiously with one of the loudest, heaviest hours of the festival.

Slayer, photo credit Gary Alcock

Slayer, photo credit Gary Alcock

From the almost comical amount of crowd surfers (Acid Reign alone clocked 263 in one hour – an average of over four per minute) to the spontaneous chant of “MAN IN YELLOW”, directed to one of the security staff stood on the scaffolding before Slayer, to the glorious weather and generally contagious good feeling of everyone in attendance (even a lot of the campsite toilets were still usable by the Monday morning!), there was only one place to be last week.

There were a few odd little problems, of course. Since the festival ended, a story has emerged that a girl was sexually assaulted in her tent, and the amount of moshpit idiocy seems to be on the increase again. Not, this time, from the shirtless circle-pitters and kung-fu merchants, but this time from the people who stand on the barrier all day, doing their best to punch and deliberately tear clumps of hair from any crowd surfer (male and female) unlucky enough to invade their personal space as they get dragged over the front. Making sure at all times, of course, that security have a firm hold of their target first so that they can’t retaliate.

The worst thing this year though was the repeated loop of the same bloody music videos on the big screen all weekend. When I arrived in the main arena on the Friday, I said “hey, this new Wormrot song’s great. I’ll definitely be getting the album”. By the time Saturday evening came around, I never wanted to hear fucking thing again. And as for the constant exposure to the videos of Wakrat and Blackberry Smoke, let’s just say that if I ever meet either of those bands in person, then it won’t end pleasantly for either of them.

Overall though, and yet again, Bloodstock Open Air was a roaring success.

Roll on next year.

BLOODSTOCK 2016 REVIEW PART I

WORDS BY GARY ALCOCK