Old school metal lovers gathered on the west side of Detroit last Saturday to witness the acclaimed and beloved band, Accept. Nestled on the borders of two of the city’s burbs, The Token Lounge is a cozy-sized venue that has been serving Livonia, Westland, and beyond for over fifty years. Known for welcoming everyone from world famous bands to local artists down the street, this hallowed hall was a special spot to host the legendary German/American act. Touring for the first time in a while, Accept have been excited to promote their sixteenth full-length, Too Mean to Die (Nuclear Blast Records) that came out in 2021. Read our review here! Their show last weekend hit town near the end of their month-long North American run, and we Michiganders were happy to have them.
We recently caught up with Heavy Metal Icon Udo Dirkschneider for an interview! His latest album “My Way” – out now via Atomic Fire Records is an expansive covers album paying tribute to many of the many songs Udo has loved over his lifetime. In addition to a discussion about covering other artists, Udo gave many insights into his long career in music, his time with Accept, and much more.
When one thinks of that classic heavy metal voice, the musings often land on the great Mr. Udo Dirkschneider. His is that voice: the sandpaper over rusted metal, the two-pack-a-day unfiltered Pal Mal smoker of the 1940s, the male version of Mama in Throw Mama From the Train; to wit, Udo Dirkschneider is sultry. So it is with delicious aplomb that Mr. Dirkschneider has graced the metal community with a new album. My Way (Atomic Fire Records) is one hour and five minutes of lovingly crafted cover toons in which that voice croons and barks and puts nails on a chalkboard through classic metal, pop, and yes, even classic standards from 1968 and 1969. I would be remiss if I did not mention forthwith that I have been enamored with Udo Dirkschneider since his Accept days and many of the songs and artists he covers are among my favourite.
Armed to the teeth with more riffs than you can shake a Howitzer at, Danish thrashers Artillery return with X (Metal Blade Records), their self-explanatory and succinctly titled tenth album. Sadly, guitarist Morten Stützer, brother of fellow founder member and co-guitarist Michael Stützer, passed away in 2019 meaning the band were forced into a change in personnel. His replacement, Sacrificial axeman Kræn Meier, pulls off an excellent job under the darkest of circumstances and this latest record stands as one of their strongest to date.
Although the brand of epic European power metal that Crystal Viper performs is most definitely up my street, I must preclude this review by admitting that aside from hearing the odd song here and there, I have had no real exposure to them on a studio album level. The Cult, is the Polish act’s eighth full-length release in a legacy that has thus far lasted eighteen years. At face value, a band that maintains that level of consistency would have me assume they have nailed down a singular style and were comfortable releasing records in said style without a whole lot of variation. It is therefore with a great sense of irony that my first review of their noise is of a disc which caught me completely off guard by occupying a different scene entirely. The sweetly epic elements the band is known for are certainly present in The Cult, but the power metal is largely downplayed in favour of a more classic but simultaneously epic style of heavy metal, one that calls back to the days of bands like Accept and Saxon without ever sounding derivative of either.
With only guitarist Wolf Hoffmann remaining from the original classic Accept line-up you could be forgiven for assuming this might eventually result in a decline in quality. And you may end up being proven right. Just not yet.
Celebrating 50 years in the music business, legendary guitarist Michael Schenker has recruited a wide selection of different musicians on the latest release, Immortal (Nuclear Blast), a hard-edged rock album that perfectly showcases his talent and versatility. With Ronnie Romero (Ritchie Blackmore’s Rainbow) acting as the main singer, the vocal side is bolstered by the likes of Ralf Scheepers (Primal Fear), the record’s co-producer Michael Voss (Mad Max) and former Rainbow frontman Joe Lynn Turner.
Purchase And Stream All The New Music Released Today!
Legendary Heavy Metal band Accept has postponed the release of their upcoming new album Too Mean To Die from January 15 to January 29, 2021. Due to a COVID-19 related pressing plant closure, the finished product has been massively delayed so that the planned release date cannot be honored. Check out our recent interview with Wolf Hoffman. In place of the album, the band will instead drop a new single on January 1`5th, “Zombie Apocalypse.” Watch a teaser here:
Ghost Cult was honored to catch up with legendary axeman and leader of Accept, Wolf Hoffman. The band will release their 16th studio album, Too Mean To Die via Nuclear Blast Records on January 15th, 2021. Wolf talked about his long career in the music business, the creation of the new album, the PMA aspect of the band, adding new members to the band, working with producer Andy Sneap for the last decade, his views on the many anniversaries the band has coming up, their working-class roots, the resurgence of media such as vinyl and cassettes, thoughts on live streaming and more! Pre-order Too Mean To Die here and check out our chat! Continue reading