Death Angel – A Thrashumentary DVD


death angel a thrashumentary

Three-decades into a career that has seen the kinds of highs and lows that most bands that few else could make it through, Death Angel is riding as high as ever. Emerging a mere teens in the second wave of Bay Area Thrash, Death Angel evolved from rambunctious youths to one of the fiercest bands on the planet. Rough life experiences can leave you with scars, but it’s what you do with those marks on the tableau of your psyche that define you, that guide you. For a band, that from the beginning was made up of family members, they have been re-writing the end of that script for over fifteen years.

A Thrashumentary (Nuclear Blast) starts like a standard band DVD with the history and the making of type of things you always want to see. The archival footage of the bands earliest shows, including their very first opening for Megadeth at San Francisco’s seminal metal haunt The Stone, are an amazing look into the genesis of a band. They transformed early from a more NWOBHM sound to thrash over their first few years in existence. One of their earliest and ongoing patrons has been Kirk Hammett of Metallica who produced their first demos. Hearing tales of how the nascent band booked a national tour on the strength of hastily made three song demo tape makes the legends come true. This band was built for greatness from the start. Terrific early accounts from thrash kings such as Gary Holt, Scott Ian, Charlie Benante, Chuck Billy, Scott Ian, Andres Kisser discuss the formation of the group and the legit early hype around them. The story of the band is re-told trough the eyes of the current band, and their continuing story takes shape over the course of two hours. Their awful bus accident that changed their lives forever in 1990, critically injuring founding drummer Andy Galeon, and ultimately leading to the end of the band at that time. The accounts are harrowing, and will shake you to your core.

 

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Reuniting for Chuck Billy’s benefit concert “Thrash of the Titans” in 2001 sowed the seed for the band to reform and stay together. Although only Rob Cavestany and Mark Osesgueda remain today from the early core lineup, the band is as strong as ever with Ted Aguilar, Will Carroll and Damien Sisson. Death Angel are one of the most potent veteran thrash bands around. It’s great to see some of their more modern contemporaries, such as Chris Adler and Michael Amott talk shop about the band too. The more recent live footage of the band is phenomenal and another highlight of the DVD. The CD portion of the package is also a great live document to have for fans. A Thrashumentary is a great way to appreciate one of the scene’s most vital groups, then and now.

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8.5/10

KEITH CHACHKES


30 Years of Thrashing You Mentally – Ted Aguilar of Death Angel


 

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Ted Aguilar, six-stringer and resident riff-monger for thrash metallers Death Angel, seems one contented dude. Grinning down the line, he is genuinely stoked that his band, coming off the back of their most successful ever release, are celebrating their history by releasing A Thrashumentary DVD and The Bay Calls For Blood live album; the pair being simultaneously released through Nuclear Blast.

It’s not every day you get to join one of your favourite bands, but fourteen years ago that was Aguilar, stepping in, originally as a one off for the Thrash Of The Titans bill. Now settled in the band, (“Yeh, I’m comfortable, I no longer feel like ‘The New Guy’, that’s for sure!”), he, perhaps even more than remaining original members Rob Cavestany (guitars) and Mark Osegueda (vocals), can see the DVD from both sides of the stage.

“I still feel like a fan, watching it. When I saw the rough cuts, looking at all the early footage from the 80’s, I looked at it as a fan. I saw the band on all the albums, on Ultra-Violence, Frolic Through The Park (both Enigma Records) and Act III (Geffen) and again when they went out to do other projects (including The Organization and Swarm). I was thinking, What would a Death Angel fan want to see? And what would a person who’d never heard Death Angel, what would attract them to checking out the band? I love the evolution of it; it’s a really good story, and, of course, seeing all the photos and footage I’d never seen before was great.”

“We met Tommy Jones, who directed, filmed and edited A Thrashumentory, in about 2010” picks up The Worlds’ Smallest Samoan™, moving on to discuss the origins of the DVD. “He filmed our video for ‘River of Rapture’ and he brought up the idea of mixing live footage and some behind-the-scenes shots. We liked the footage, but pulled a 180 and decided to do something about the band from when it first started until now. It is perfect to release (it and) The Bay Calls For Blood (live album) together.”

 

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Death Angel’s is an interesting story. Their biggest (and perhaps overdue) success has come late; 30 years is a loooong time. Around their split in 1991, the band were frustrated at not making the big leagues, becoming disillusioned with where they saw themselves and had started marketing themselves as D.A. trying to distance themselves from thrash. In the long run, though, the enforced absence may have actually helped the band to reinvigorate itself.

Ted agrees. “I think so. The guys started the band when they were kids, and having to disband in ‘91 and having to explore other musical endeavours, and life in general, helped keep it fresh. Unfortunately the accident happened, but having that break did make Death Angel fresh again.”

 

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Death Angel are nothing if not proof that good things do indeed come to those who wait. Not reaching the status of their peers, despite starting strong with Ultra-Violence, they never possessed that stone cold classic in their arsenal; that head-turning defining album.

Until 2013, and the release of their seventh album overall, and fourth with Aguilar.

“We weren’t thinking about it being big. We were just trying to write a good record” laughs the amiable six-stringer. “When we got the final product, we just felt “Wow! We wrote some good songs! This is awesome!” We don’t write to get an Album of the Year, so the great reviews were a bit of shock, to be honest.”

Released on Nuclear Blast, The Dream Calls For Blood found instant widespread acclaim from critic and punter alike, crashing into the US Billboard Top 100 and would ultimately appear on many an album of year list.

Dream… got the best reviews and reaction compared to any other since the band reformed” beams Aguilar, proudly. “All the other albums got good enough reviews, but Dream exceeded them all… It hit, and people loved it, which made us feel so good. From the press and fans, who love it so much, reaction, we put 7 songs off that record in the live set. Most bands don’t do that, they usually do one or two. To me, if you love your new record that much, you’d want to put more songs in the set!”

Yet success raises expectations. For the first time in their near thirty five year history, Death Angel have a genuine beast to live up to. What will inspire themselves to better their best? “We do get influenced by our own albums. When we did Dream…, we were influenced by Relentless Retribution (Nuclear Blast) and Ultra-Violence, because towards the end of that tour we were celebrating 25 years of Ultra-Violence and doing that in its entirety. So, that all bleeds into it. Some of Dream… will bleed into this new record, sure.”

 

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Ted seems too chilled to feel the fire of pressure, though. He’ll be metal thrashing mad, looking to kill ‘em all and not at all worried about living up to the legacy, not thinking for one second the next Death Angel opus will a (fabulous) disaster.

“I don’t feel that pressure. I’m not going to try to top Dream…, because you can’t recreate that moment in time, that headspace. Right now is just writing some good songs and putting together a good record”

Which is what they said about The Dream Calls For Blood… Sounds promising, doesn’t it?!

 

A Thrashumentary – 30 Years of Death Angel DVD and The Bay Calls For Blood live album are released by Nuclear Blast on 17th July.

 

STEVE TOVEY