Riley McShane Guests on the New Brutally Delicious Podcast

Brutally Delicious Podcast, from filmmaker, YouTuber, and metal chef Bruce Moore and co-hosted by Kris Siegers has just released episode 18. The new guest on the pod is Riley McShane, vocalist of Allegaeon, whose new album Apoptosis is out now on Metal Blade Records. They discussed being on the 70,000 Tons of Metal Cruise, where Riley filled in on vocals for Cattle Decapitation, his side band Continuum, a lesson on guttural vocals and more! Continue reading

UPDATED: 70000 Tons Of Metal Announces First Full Wave Of Bands For 2019

70,000 Tons Of Metal (70K of Metal) have completed announcing their first wave of bands for 2019. They include ACCEPT, Eluveitie, Subway to Sally, Vomitory, Delain, Ensiferum, Persefone, Warbringer, The Black Dahlia Murder, Coroner, Tiamat, and Gloryhammer, with many more to come. The cruise will take place from January 31st to February 4th2019 from Fort Lauderdale, FL to Labadee, Haiti. Continue reading

Staying Underground: Jungle Rot

jungle rot

Sticking it out for eleven years doing old school death metal take a lot of heart and dedication, and for Kenosha, WI based Jungle Rot, they have been slugging it out producing blue collar style brutality and never letting down from it. They have released their ninth full length release Order Shall Prevail (out now via Victory Records) and continue to wave the flag for underground Midwestern death metal.

Aside from the music, the band is taking part on the Rockstar Mayhem Festival across North America this summer, and places them in front of a slightly different audience than the underground death metal crowds they were used to playing for. But being a band up for challenges, they were ready to confront this head on.

This is the first time we’ve stepped outside of the underground,” said guitarist Jimmy Genez. “We definitely like playing underground. That’s just home. The label popped up – ‘We’re sponsoring the second stage. Do you want to be involved?’ We’re like sure. Why not? It’s a good chance to get some exposure. A lot of people have seen us but probably never heard us before. That’s a good thing. Will we ever completely out of it? Probably not and I’m ok with that. I’ve been doing this a long time. I think I’ve reached the level unless Slayer asked me to join, I’m never going to be in a band that big. [At least] nothing I started anyways. I don’t have it in me. I’m not a 25 year old kid spending a lot of time fliering on the streets. I’m 40. I don’t have time for that.

While the Rockstar Mayhem Festival is not solely focused on death metal, the band saw an opportunity to play for younger fans of extreme music but other styles as well.

This is going to be good for the band. It’s good exposure. We’re team players with the label. This is definitely a first for us. It kind of sucks to play 25 minutes and just breaking a sweat and it’s time to get off. This is definitely new and we’re ok with it.

Will it be odd not seeing a sea of death metal logos everywhere? “It’s different but we don’t mind different. We want lots of different people to hear our music. I know there’s all kinds of metalheads. There’s pat stubs and stinky fucks and more hardcore Slipknot types. We like to think we can bring something to the table.

jungle rot prevailcd

They began working on Order Shall Prevail immediately after completing the touring cycle for their last album (2013’s Terror Regime). Sticking to a formula that worked best for them, they created another powerful album that longtime fans have grown to know them for.

Right after we released the last one and we did a little touring for it, we sat down and started writing. We started getting some stuff grooving on it. The writing process is pretty easy for us. It’s what you think it would be. It’s a couple of guys getting together, talk, smoke weed and jam. We just write riffs, record them, piece them together, see what works with what riff, mumble tracking the vocals and see if the vocals are strong there. It’s pretty simple.

We didn’t go into any different mindset with this record. We knew we wanted to top the last two. Of course any band will tell you that their latest album is their best album, but I truly believe it is. It’s got everything on there that Jungle Rot’s known for. It’s got the fast thrashy shit, the slower headbangers, the couple mosh riffs…it’s got everything.”

One highly publicized song on Order Shall Prevail is “Fight Where You Stand,” which features Max Cavalera (ex-Sepultura, currently of Soulfly, Cavalera Conspiracy and Killer Be Killed) on guest vocals.

My old friend Joe Nunez used to play drums for Soulfly. He’s from my area. He’d come home and we’d hang out. He would say ‘I know you don’t believe me but the Cavaleras love Jungle Rot. They’d listen to it on the bus, the kids love it.’ Nah I don’t believe it. I never believed him. We played 70,000 Tons Of Metal and we’re playing and I look down and there’s Max banging his head. I was like fuck yeah! That’s cool.

Right after we got off the stage, he and his wife came up to us and they introduced themselves – we’re big fans, blah, blah, blah. It was amazing. I kept in touch and I hit Gloria up and asked if Max would be interested in doing some vocals with us. They were coming to Milwaukee in like a week. She said yeah Max is totally down. We got a laptop and a couple of mics and met him on the tour bus and got his tracks. It was pretty easy. He was really into it. He had ideas he wanted to try.

It was kind of cool having a legend like Max Cavalera sing my lyrics too. I listen to it and like ‘wow. He’s singing to something I wrote.’ It’s pretty cool.

Another change came within their lineup as they enlisted a new drummer (Joey Muha) for this album. Being no stranger to drummer changes, they quickly made the shift and found his enthusiasm to give them an added charge atop of their already energetic sound.

We’re like the Spinal Tap of death metal,” he said, about the drummer changes. “Jesse [Beahler] played on the last two albums and is a great kid. He wanted to move on and try different things. He’s really a tech drummer – really into crazy techniques and stuff. Jungle Rot wasn’t a thing for him. I’m sure playing in the band helped his playing a little bit, because there’s a certain tightness involved. He was a great drummer. He wanted to move on and try different things. Plus he lived far away too.

We got our buddy Joey [Muha] from Threat Signal. He’s from Canada. He’s a good friend of the band. He’s a good hard working kid. He’s really hungry for it. He takes a lot of pressure off of the older guys in the band. He’s out there running around finding the production guys, doing the guest lists – you don’t have to do that and it’s nice.

If you buy a Jungle Rot record, you know what you’re getting into. It’s definitely not a tech-death twist anywhere. It’s not going to happen. It’s gonna be solid headbanging.

By Rei Nishimoto

Napalm Death Streaming ‘Cesspits’, Upcoming Tour Dates

Napalm Death is streaming a new song “Cesspits” here. The song is off their new album Apex Predator – Easy Meat, out January 26, 2015 via Century Media Records.

NAPALM DEATH’s vocalist Mark ‘Barney’ Greenway checked in to comment on the track as follows:

“Cesspits is both literally and figuratively about people living in holes. It is perhaps one of the ultimate indignities and one of those things that a blind eye is often turned to. The subject matter called for a very savage delivery, and although there are quite a few musical facets to this song, it doesn’t stop letting rip.”

Napalm Death has an extensive tour schedule, including an appearance on 70,000 Tons Of Metal and their North American tour with Voivod, Exhumed, Iron Reagan and Black Crown Initiate.

NAPALM DEATH – Live 2014:
Presented by Rage Wear, OX Fanzine, Slam Magazine & Fuze Mag.

Nov 27: Club Quattro – Osaka (Japan) – + Brutal Truth
Nov 28: Electric Lady Land – Nagoya (Japan) – + Brutal Truth
Nov 30: Earthdom – Tokyo (Japan) – + Brutal Truth
Jan 22-26 2015: 70,000 Tons Of Metal Cruise – Florida/Jamaica

“Through Space And Grind” North American Tour 2015:
w/ Exhumed, Iron Reagan and Black Crown Initiate
and special guests (on select dates) Ringworm, Dayglo Abortions, Theories and Phobia


With Napalm Death, Voivod, Exhumed, and Iron Reagan
and special guests (on select dates) Ringworm, Dayglo Abortions, Theories and Phobia

Jan 27: Grand Central – Miami, FL (w/RINGWORM)
Jan 28: State Theater – St Petersburg, FL (w/RINGWORM)
Jan 29: Masquerade – Atlanta, GA (w/ RINGWORM)
Jan 30: Ziggy’s – Winston-Salem, NC (w/RINGWORM)
Jan 31: Soundstage – Baltimore, MD (w/RINGWORM)
Feb 02: Gramercy Theater – New York, NY (w/RINGWORM)
Feb 03: Union Transfer – Philadelphia, PA (w/RINGWORM)
Feb 04: Opera House – Toronto, ON
Feb 05: Maverick’s – Ottawa, ON
Feb 06: Club Soda – Montreal, QC
Feb 07: Palladium – Worcester, MA (w/RINGWORM)
Feb 08: The Chance Theater – Poughkeepsie, NY (w/RINGWORM)
Feb 09: Agora Ballroom – Cleveland, OH (w/ RINGWORM)
Feb 10: Reggie’s – Chicago, IL (w/ RINGWORM)
Feb 11: Amsterdam – Minneapolis, MN (w/ RINGWORM)
Feb 12: The Zoo – Winnipeg, MB
Feb 13: The Exchange – Regina, SK
Feb 14: Republik – Calgary, AB
Feb 15: Starlite Room – Edmonton, AB
Feb 17: Rickshaw Theater – Vancouver, BC (w/ Dayglo Abortions)
Feb 18: Studio 7 – Seattle, WA (w/ Theories)
Feb 19: Hawthorne Theater – Portland, OR
Feb 20: Metro – Oakland, CA (w/Phobia)
Feb 21: Strummers – Fresno, CA (w/ Phobia)
Feb 22: House Of Blues -Los Angeles, CA
Feb 23: Club Red -Tempe, AZ (w/ Phobia)
Feb 24: Sunshine Theater -Albuquerque, NM (w/ Phobia)
Feb 25: Summit Music Hall -Denver, CO (w/ Phobia)
Feb 26: Granada Theater -Lawrence, KS (w/ Phobia)
Feb 27: Gas Monkey -Dallas, TX (w/ Phobia)
Feb 28: Fitzgerald’s – Houston, TX (w/ Phobia

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