ALBUM REVIEW: 1349 – The Infernal Pathway

 

Norweigian plaguebourne Black Metal act 1349 unforgivingly unveil their new album, The Infernal Pathway (Season Of Mist), a long-awaited LP for 2019. Their centralized coherency has stayed true to its path since 1997. Their construct of aggressive black metal has remained consistent as they’ve impressively demonstrated a threshold of effective releases. 1349 is nothing short of innovative, corpse paint driven, and a cause to exist, ultra-aggressive, that is to put in simpler words, well-executed. Continue reading

All Out War – Crawl Among The Filth

Crossover genre bands are a dime a dozen within local scenes stretching from coast to coast, most sitting in their hometown playing the same oversaturated venues week after week to their relatives and possible friends. All Out War defies and stands apart from most in their collective. This Upstate New York touring road machine has seamlessly pumped out singles, EP’s and LP’s for over two decades. Today we get to embark on their latest effort Crawl Among The Filth (Unbeaten Records).

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Memoriam – Requiem for Mankind

Memoriam Requiem for Mankind (Nuclear Blast) is Memoriam’s third album in as many years. The first album For the Fallen was great if a bit slow, punchy drums, thick guitar tones wrapped up with some nice production. The follow-up to The Silent Vigil was personally somewhat disappointing, a lot faster and more aggressive songwriting, which is always welcome, but it failed to capitalise on the excellent ideas with a quite thin production. Continue reading

Gahhls Wyrd – Gastir – Ghosts Invited

The realm of Black Metal is often noted for it’s colourful, yet usually monochrome, characters, and definitely one of the most infamous is the iconoclastic and enigmatic Gaahl, former frontman of Gorogorth, Trelldom, Godseed. An obvious showcase for Gaahls considerable vocal talents Gaahls Wyrd Debut, Gastir – Ghosts Invited (Season of Mist) is an extremely potent album and well worth a listen. Continue reading

Footprints in the Custard – A New Low

How do you know if an elephant has been in your fridge? Because there are Footprints in the Custard. Bad Jokes are the order of the day here and following on in a long line of British comedy metal acts such as Lawnmower Deth, Evil Scarecrow FITC are making a name for themselves as an absolutely essential live act capable of making even the most pious of metal head laughing their arse off in record time. Continue reading

Black Sites – Exile

Nostalgia can often be treated with cynicism and suspicion. Oftentimes heralding the past can be seen to be a cheap way of living of someone else’s glory through pale imitation, or can equally be seen as a pointless endeavour that does nothing to progress the state of artistry. For those who are not naysayers of throwback music, it can provide a comfort and a safety net; the points of reference are starkly apparent and it does nothing to rock the boat leaving the listener with a warm sense of familiarity. Continue reading

Snake Tongue – No Escape No Excuses EP

An EP is an auditory window to the soul. Whether it’s a band in the infancy of their career laying out their opening salvo, or a veteran act dipping their toes into more experimental waters, it gives the listener a glimpse into what lies beneath any aesthetic visage. Following on from their debut album Raptor’s Breath, Snake Tongue returns with No Escape No Excuses (The Sign Records), an EP that is a sonic departure as well as a statement of intent. Continue reading